"I hear you are making great progress in your constituency down in Devonshire, Leicester," said Purvis.
"Oh yes, we are enjoying ourselves hugely down there," was the reply.
"For my own part, I do not find it fun to nurse a constituency," said Purvis.
"That's because you do not look on the humorous side of the question," replied Leicester. "When one regards the whole business in the same light as that in which a boy plays a game of marbles, it is great fun."
"I cannot think of the Government of my country in that light," said Purvis loftily.
"No," said Leicester quietly; "well, tastes differ. Politics are just what you make them, comedy or serious drama. And I prefer comedy."
"Thus it too often becomes a fiasco. A man becomes a member of Parliament for the good of his country. He sacrifices his time and money for the welfare of his fellow-creatures. At least he should. I know of no higher calling than to be a legislator in one's own land. It is not fun, it is duty."
"The greatest comedy I know of," said Leicester, "is the pretence to be serious. I never laugh so immoderately as I do at so-called serious drama. One can so easily see the make-up of the whole business. The passion, the pathos, the high moral sentiment, the remorse, it is all got up for the occasion – and it is great fun."
"But politics are different from the drama."
"Are they? I have never had much to do with the dramatic world, but I am told that managers run theatres to make money for themselves by amusing the spectators. When comedy fails, they try tragedy. Politics are pretty much the same. Politicians put pieces on the stage to amuse the spectators, and there-by benefit themselves. When they fail to obtain the support of the audience – well, they are kicked off the stage and another set of actors put on."
"Only in politics the actors don't make money."
"No," said Leicester quietly, "they don't, at least not many. But they are inspired by the same motive as the actor is."
"And that?"
"Self, my dear fellow, self. The bonâ fide actor is generally poor, and he seeks money and popularity. The politician does not always want money, but he wants fame. He wants to lift his head above the crowd, he wants to be mentioned in the newspapers, he wants to be singled out as he passes along the stage of life. Does the actor care a fig about the welfare of the spectators? All he wants is their money and their applause. Does the politician care a fig about the welfare of the voter? Still, it's great fun."
"Come, come, Mr. Leicester," said Mr. Lowry, "it wouldn't do for the people down at Taviton to hear you say such things."
"Exactly," said Leicester; "the people like to be fooled. Therefore the best thing is to fool them. Besides, is it not all a part of one great show? We are puppets on the stage of life, and we have to play our part. And each plays it with his eye on the audience."
"Personally," said Purvis, "I should not spend time and money for such a purpose. I know it may sound like boasting; but I would give up politics to-morrow but for the good of my country."
"Some time ago," said Leicester mockingly, "I was invited to speak at a political meeting, to assist the candidature of a young politician, who is supposed to be filled with very noble sentiments. I went and listened to this young politician. During his speech a man interrupted. The speaker tried to answer him, and failed. The man continued his interruption. At last some one shouted, 'Don't trouble about him, he hasn't got a vote.' Immediately this young, high-souled politician said, 'I came to speak to electors, not to men who have no vote, and therefore no stake in the country.' Exactly. But think a moment. Who was this interrupter? He was a man with a life to live. He had his burdens to bear and his battles to fight. But he was not a voter, he could not help to send him to Parliament, therefore – " and Leicester shrugged his shoulders.
During this speech Purvis looked more and more angry. The blood mounted to his face and he shifted in his seat. Moreover, he saw that the eyes of the others were upon him, which did not add to his comfort.
"Yes, it's great fun," went on Leicester, "this acting on the great stage of life while the audience cheers or groans, as the case may be. But as to motives – well, let them pass."
"But, Mr. Leicester," said Olive, who had keenly enjoyed the conversation, partly because she was not sure whether Leicester was serious or only joking, "are you not forgetting that there are conscientious artists? Are there not artists who live for their art and care nothing about praise or blame?"
"Is not that another form of selfishness?" remarked Leicester.
"But surely, Leicester," said Purvis, "you do not mean that you confess to these sordid motives; – that you regard politics as only a game to play, in order to win applause? Do you mean to say that you are no better than the crowd you describe?"
"My dear fellow, I am a great deal better, for the simple truth that I am honest. I don't profess to having these high sentiments which some boast of."
"The last time I heard you speak," said Purvis, "you spoke in no measured terms of the present Government. You declared it to be the bounden duty of the country to thrust it from power. Why did you say this if one party is as good as another, and all men uniformly selfish?"
"Because they do not play the game well," replied Leicester quietly; "because they make false moves, and because it grates upon one's artistic feelings to see a thing done badly. I would for the same reason hoot an orchestra off a platform for making discords. To begin with, the present Government have a very poor piece, and, secondly, they play it very badly. Miss Castlemaine," he added, turning to Olive, "please forgive us for talking in this way; but you see we are all alike. All men talk shop, just the same as women do."
"The part you are acting now is very interesting to me," said Olive, with a laugh.
"And to me also," said Leicester, looking at Purvis. "Indeed, when one comes to think of it, all parts played seriously, especially when a great deal depends on the way one plays them, are tremendously interesting."
"Then you admit you are acting a part?"
"Are we not all acting a part?" replied Leicester.
"And for the amusement of the audience?"
"And for selfish purposes? Else why do we act?"
The girl looked at him steadily, as if trying to read his thoughts. That she was interested in him she had to admit, not so much because of what he said, as because of his strong personality. She could not help feeling that he was the dominating influence in the room. She did not believe in the opinions to which he had given expression, neither did she believe that he believed in them; nevertheless he uttered them with such an air of conviction that he impressed her in spite of herself.
"My reading of life is utterly different from yours," she said presently. "Did Charles Lamb act a part when he sacrificed the woman he loved and the life he hoped to live in order to give his life to protect his poor mad sister?"
"Charles Lamb has never ceased to be praised since he did it," remarked Leicester.
"But he never thought of the praise at the time," said Olive.
"No, I will admit that you've brought a strong exception which proves the rule," said Leicester, "and yet poor Lamb was a drunkard."
He looked at Purvis as he spoke, as if to remind him that he was playing his part fairly.
"Of course that was a terrible weakness of Lamb's," said Olive, "and yet one cannot help feeling kindly towards him. He was so penitent, so contrite; besides, he has gladdened