"Why had he come?" Barely was Ambrose able to repress another groan. For the life of him he could not now have told what had drawn him that morning to the Red Farm. Whatever desires or emotions had then stirred him were gone, his head was heavy, his blood moved languidly, even the necessary domestic noises of farm life were inexpressibly annoying. Could Peachy ever have spelled romance? Sighing aloud Ambrose put up his hand to wipe fresh moisture from his brow, and then coloured.
"I'm afeard you're ill," the girl continued, suddenly solicitous, and again with a movement that suggested a motherly hen: "You're so quiet and unlike yourself and yet so nervous and wriggly."
Ambrose yawned. "I slep' out last night, so mebbe I'm tired," he confessed unadvisedly; then immediately observed the same expression on Peachy's face that had been brought there by the presence of his muddy boots in her parlour. Her lips had tightened, though her brow was smooth; it was that gentle but awful look of the born manager.
"I knowed you'd been doin' something foolish," she stated calmly. "Anybody else'd remember there is chills and fever out of doors these spring nights. It's the spring that has set in on you; your blood needs thinnin'. I'll get you some sassafras tea." Relieved by Ambrose's revelation, Peachy was for at once starting off, but the young man caught at her skirts.
Truly the spring was not at present working on him nor did his blood at this hour require thinning.
"Don't go, Peachy; it ain't sassafras I'm needin', thank you just as kindly," he said, touched and a bit shamed by her interest. "To tell you the truth, I'm beginnin' to feel restless wantin' to get back to the woods ag'in. I'll come back to see you soon," he pleaded, observing that her head was being shaken with unmoved persistence. Her reply was final:
"You'll do no such thing, Ambrose Thompson; you'll stay right here till your queerness has wore off. Haven't I been worryin' over you ever since dinner? Think I'll let you go moonin' off now by yourself with no one to look after you?" Like young Juno both in her majesty and plenitude, Peachy did this time move out of sight, leaving her victim greatly shaken.
In a few moments Ambrose knew that a bitter herb compound would be poured down his reluctant throat; later he might be placed in bed between hot blankets and more sweat drawn from his lean frame. Really there was no limit to Peachy's particular kind of mothering femininity, and since her intentions were kind – Ambrose knew himself of old – before kindness he would go down like a struck ten-pin. Already he could feel the blankets closing in over him, and now in truth he shook with a chill.
Soon after his tall form arose, and then crouched as it crept forth from the summer house, stopping only long enough to pin a white paper to the outside arbour, when with leaps and bounds it disappeared inside the stable, to reappear a few moments later with old Liza hitched to his high gig. Driving as rapidly as possible he soon got past the outside farm gate leading into the road.
So when Peachy returned with cup and spoon in hand she found her shrine deserted and instead read this note pinned outside among the vines and scrawled in the handwriting of Ambrose Thompson:
You were right, Peachy dear, I'm not myself to-day. I am cold and my heart action is uncommon feeble, so I think I'd best not stay to worry you. Maybe I'll be coming back to the farm some day when I'm feeling different.
However, safe on the road, Ambrose, looking back and catching a far image of Peachy with his letter in her hand, decided that never again should he return to the Red Farm. For not only was Ambrose fleeing, but knew the reason why. Peachy was a manager, and had that moment in the parlour before dinner been longer – well, thank God and old Liza, he was still free.
"Good Lord, deliver me!" the boy prayed, though being a good Baptist he knew no litany save that of his own soul.
CHAPTER IV
"Even so, Love, even so!
Whither thou goest, I will go."
So the boy continued driving on and on, loitering in the faint sweet-smelling May afternoon.
At first after having left the farm his heart had been troubled and his mind uneasy, burdened by an unconscious wave of sex weariness.
"Lord," he said aloud once, "seems such a pity you didn't make all critturs the same sex; I ain't carin' which, male or female, seein' what a lot of trouble we might all then 'a' been saved."
Naturally, so far as Ambrose himself was concerned, he was through with the dangers lurking in feminine society forever! He even intended confessing this conviction to his friend and partner, Miner, as soon as they should be alone together, for even at the moment of his resolution had not the boy's subliminal self whispered that he might need strengthening later on?
After getting well away from his danger zone, however, Ambrose had chosen that the remainder of his spring journey should lie through an unfamiliar part of the state, and so had turned his horse into every likely lane presenting itself until by degrees the ever-increasing beauty of the landscape wrought its effect upon his susceptible soul.
The houses along his route were finer than those of his own neighbourhood and, being placed farther back, showed only a chimney, or the white fluted column of a veranda every now and then beyond the closely planted avenues of beech or maple trees. Sounding across the fields came the voices of the darkies closing their day's tasks with songs. Truly this Kentucky was a happy land in the days before the war, and on this afternoon there were myriads of the soft, green growing things toward which Ambrose's young spirit had yearned, – acres of corn just creeping above the mould, and miles of tiny tobacco plants.
Then unexpectedly this character of landscape disappeared, and old Liza trotted on to a hard white turnpike. The twilight was closing down, but a toll-gate keeper showed himself a few yards ahead, and then a cluster of small stores. Afterward there was nothing further to interest Ambrose until he drove straight up to a big building surrounded by a high fence and set in the middle of a grassless yard without the influence of a tree or vine near it and where from the inside came the murmur of children's voices hushed to a pathetic, uniform note.
The boy knew the place at once for a county orphan asylum, and being what he was, reflected. In times past he had seen these same orphans led through the streets of Pennyroyal, a dreary set of little human beings, dressed alike and made to keep step like a chain gang. "Glory," he whispered, "here am I running away from the fear of havin' to keep step with one person; what if I had been made to keep step with so many?"
The next moment brought him nearly opposite a woodpile, and there he slowed up, for he thought that he heard a noise behind it sounding like a scared sheep or lamb.
"Stop!" What looked like a child's figure instantly rose and ran toward him. "Hide me!" she gasped; "oh, please be quick and don't ask questions." And the girl clung so tightly to the spokes of the gig wheel that had the young man driven on she must have been dragged like a slave at his chariot.
But of course he did no such thing. "Hop in," he replied cheerfully. Then, while the child crouched shivering and panting against his knee under the thin laprobe, Ambrose whistled to indicate his entire lack of concern in this latest adventure, and also to suggest that he rode alone.
Pretty soon, however, he began wondering what character of person he had rescued and from what or from whom she was running away, it being characteristic of Ambrose that first he had done what was required of him, and later had desired to ask questions. In the haste and semi-darkness it had been impossible to tell whether the child was a gypsy or a mere ordinary waif, and she had looked so young – twelve or a little more perhaps. There was nothing much to judge by except that she was little and light and that her eyes were dark and shiny and she had two braids of long hair. But by and by of its own accord the figure under the laprobe started talking. "Don't let anybody take me away, – say you ain't seen me if they come along," she pleaded in such a tone that it was only possible for Ambrose to give a reassuring pat to her head and then to drive more rapidly along. Once when there was a moment of unusual stillness he did peep under the laprobe, only to catch sight of a pair of grateful eyes upturned to his and to jerk back his hand