The Carpet from Bagdad. MacGrath Harold

mother, she despised her uncle, who was ever bringing to the villa men of money, but of coarse fiber, ostensibly with the view of marrying her off. But Fortune had her dreams, and she was quite content to wait.

      There was one man more persistent than the others. Her mother called him Horace, which the Major mellowed into Hoddy. He was tall, blond, good-looking, a devil-may-care, educated, witty, amusing; and in evening dress he appeared to be what it was quite evident he had once been, a gentleman. At first she thought it strange that he should make her, instead of her mother, his confidante. As to what vocation he pursued, she did not know, for he kept sedulous guard over his tongue; but his past, up to that fork in the road where manhood says good-by to youth, was hers. And in this direction, clever and artful as the mother was, she sought in vain to wrest this past from her daughter's lips. To the mother, it was really necessary for her to know who this man really was, had been, knowing thoroughly as she did what he was now.

      Persistent he undeniably was, but never coarse nor rude. Since that time he had come bade from the casino at Monte Carlo, much the worse for wine, she feared him; yet, in spite of this fear, she had for him a vague liking, a hazy admiration. Whatever his faults might be, she stood witness to his great physical strength and courage. He was the only man, among all those who appeared at the Villa Fanny and immediately vanished, who returned again. And he, too, soon grew to be a part of this unreal drama, arriving mysteriously one day and departing the next.

      That a drama was being enacted under her eyes she no longer doubted; but it was as though she had taken her seat among the audience in the middle of the second act She could make neither head nor tail to it.

      Whenever she accompanied her mother upon these impromptu journeys, her character, or rather her attitude, underwent a change. She swept aside her dreams; she accepted the world as it was, saw things as they were; laughed, but without merriment; jested, but with the venomed point. It was the reverse of her real character to give hurt to any living thing, but during these forced marches, as the Major humorously termed them, and such they were in truth, she could no more stand against giving the cruel stab than, when alone in her garden, she could resist the tender pleasure of succoring a fallen butterfly. She was especially happy in finding weak spots in her mother's armor, and she never denied herself the thrust. Mrs. Chedsoye enjoyed these sharp encounters, for it must be added that she gave as good as she took, and more often than not her thrusts bit deeper and did not always heal.

      Fortune never asked questions relative to the family finances. If she harbored any doubts as to their origin, to the source of their comparative luxury, she never put these into speech.

      She had never seen her father, but she had often heard him referred to as "that brute" or "that fool" or "that drunken imbecile." If a portrait of him existed, Fortune had not yet seen it. She visited his lonely grave once a year, in the Protestant cemetery, and dreamily tried to conjure up what manner of man he had been. One day she plied her old Italian nurse with questions.

      "Handsome? Yes, but it was all so long ago, cara mia, that I can not describe him to you."

      "Did he drink?" Behind this question there was no sense of moral obloquy as applying to the dead.

      "Sainted Mary! didn't all men drink their very souls into purgatory those unreligious days?"

      "Had he any relatives?"

      "I never heard of any."

      "Was he rich?"

      "No; but when the signora, your mother, married him she thought he was."

      It was not till later years that Fortune grasped the true significance of this statement. It illumined many pages. She dropped all investigations, concluding wisely that her mother, if she were minded to speak at all, could supply only the incidents, the details.

      It was warm, balmy, like May in the northern latitudes. Women wore white dresses and carried sunshades over their shoulders. A good band played airs from the new light-operas, and at one side of the grand-stand were tea-tables under dazzling linen. Fashion was out. Not all her votaries enjoyed polo, but it was absolutely necessary to pretend that they did. When they talked they discussed the Spanish dancer who paraded back and forth across the tea-lawn. They discussed her jewels, her clothes, her escort, and quite frankly her morals, which of the four was by all odds the most popular theme. All agreed that she was handsome in a bold way. This modification invariably distinguishes the right sort of women from the wrong sort, from which there is no appeal to a higher court. They could well afford to admit of her beauty, since the dancer was outside what is called the social pale, for all that her newest escort was a prince incognito. They also discussed the play at bridge, the dullness of this particular season, the possibility of war between England and Germany. And some one asked others who were the two well-gowned women down in front, sitting on either side of the young chap in pearl-grey. No one knew. Mother and daughter, probably. Anyhow, they knew something about good clothes. Certainly they weren't ordinary tourists. They had seen What's-his-name tip his hat; and this simple act would pass any one into the inner shrine, for the general was not promiscuous. There, the first-half was over. All down for tea! Thank goodness!

      George was happy. He was proud, too. He saw the glances, the nods of approval. He basked in a kind of sunshine that was new. What an ass he had been all his life! To have been afraid of women just because he was Percival Algernon! What he should have done was to have gone forth boldly, taken what pleasures he found, and laughed with the rest of them.

      There weren't two other women in all Cairo to compare with these two. The mother, shapely, elegant, with the dark beauty of a high-class Spaniard, possessing humor, trenchant comment, keen deduction and application; worldly, cynical, high-bred. The student of nations might have tried in vain to place her. She spoke the French of the Parisians, the Italian of the Florentines, the German of the Hanoverians, and her English was the envy of Americans and the wonder of the Londoners. The daughter fell behind her but little, but she was more reserved. The worldly critic called this good form: no daughter should try to outshine her widowed mother.

      As Fortune sat beside the young collector that afternoon, she marveled why they had given him Percival Algernon. Jones was all right, solid and substantial, but the other two turned it into ridicule. Still, what was the matter with Percival Algernon? History had given men of these names mighty fine things to accomplish. Then why ridicule? Was it due to the perverted angle of vision created by wits and humorists in the comic weeklies, who were eternally pillorying these unhappy prefixes to ordinary cognomens? And why this pillorying? She hadn't studied the subject sufficiently to realize that the business of the humorist is not so much to amuse as to warn persons against becoming ridiculous. And Percival Algernon Jones was all of that. It resolved itself into a matter of values, then. Had his surname been Montmorency, Percival Algernon would have fitted as a key to its lock. She smiled. No one but a fond mother would be guilty of such a crime. And if she ever grew to know him well enough, she was going to ask him all about this mother.

      What interest had her own mother in this harmless young man? Oh, some day she would burst through this web, this jungle; some day she would see beyond the second act! What then? she never troubled to ask herself; time enough when the moment arrived.

      "I had an interesting adventure last night, a most interesting one," began George, who was no longer the shy, blundering recluse. They were on the way back to town.