Patsy Carroll Under Southern Skies. Chase Josephine. Читать онлайн. Newlib. NEWLIB.NET

Автор: Chase Josephine
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type of negro, fast vanishing from the latter day, modernized South. Her fat, black face radiant with good will, she showed two rows of strong white teeth in a broad smile. Beside her stood two young colored girls who stared rather shyly at the newcomers.

      “I done see yoh comin’, Massa Carroll!” she exclaimed. “I see yoh way down de road. So I done tell Celia an’ Em’ly here, y’all come along now, right smart, an’ show Massa Carroll’s folks yoh got some manners.’”

      “Thank you, Mammy Luce,” gallantly responded Mr. Carroll, his blue eyes twinkling with amusement. Whereupon he gravely presented the gratified old servant to his “folks.” A courtesy which she acknowledged with an even greater display of teeth and many bobbing bows.

      Headed by Mr. Carroll, the travelers stepped over the threshold of Las Golondrinas and into the coolness of a short stone passageway which ended in the patio or square stone court, common to houses of Spanish architecture.

      In the center of the court a fountain sent up graceful sprays of water, which fell sparkling into the ancient stone bowl built to receive the silvery deluge. Above the court on three sides ranged the inevitable balconies. Looking far upward one glimpsed, through the square opening, a patch of blue sunlit sky.

      “Welcome to Las Golondrinas, girls! It’s rather different from anything you’ve ever seen before, now isn’t it?”

      Mr. Carroll addressed the question to his flock in general, who had stopped in the center of the court to take stock of their new environment.

      “It’s positively romantic!” declared Patsy fervently. “I feel as though I’d stepped into the middle of an old Spanish tale. I’m sure Las Golondrinas must have a wonderful history of its own. When you stop to remember how many different Feredas have lived here, you can’t help feeling that a lot of interesting, perhaps tragic things may have happened to them. I only wish I knew more about them.”

      “Let the poor dead and gone Feredas rest in peace, Patsy,” laughingly admonished Eleanor. “We came down here to enjoy ourselves, not to dig up the tragic history of a lot of Spanish Dons and Donnas.”

      “A very sensible remark, Eleanor,” broke in Miss Martha emphatically. “There is no reason that I can see why you, Patsy, should immediately jump to the conclusion that this old house has a tragic history. It’s pure nonsense, and I don’t approve of your filling your head with such ideas. I dare say the history of these Feredas contains nothing either startling or tragic. Don’t let such ridiculous notions influence you to spend what ought to be a pleasant period of relaxation in trying to conjure up a mystery that never existed.”

      “Now, Auntie, you know perfectly well that if we happened to stumble upon something simply amazing in this curious old house, you’d be just as excited over it as any of us,” gaily declared Patsy.

      “‘Sufficient unto the day is the evil thereof,’” loftily quoted Miss Martha, refusing to commit herself. “It will take something very amazing indeed to impress me.”

      CHAPTER VI

      THE BEGINNING OF ADVENTURE

      “The time has come, O Wayfarers, to think of many things,” gaily declaimed Patsy, bursting into the somber, high-ceilinged, dark-paneled sitting-room where Miss Martha, Beatrice, Mabel and Eleanor sat around a massive mahogany table, busily engaged in writing letters.

      “Go away, Patsy,” laughingly admonished Mabel, pen suspended in mid-air over her note paper. “You’re a disturber. You’ve made me forget what I was going to write next. If you won’t be a letter-writer, don’t be a nuisance.”

      “I can’t be what I never have been and could never possibly become,” retorted Patsy. “I’ll promise to keep quiet, though, if you’ll all hustle and finish your letters. I’m dying to go over to the orange groves and it’s no fun going alone. Any old person will do for company.”

      “Then we won’t do,” emphasized Beatrice. “We are very distinguished persons who don’t belong in the ‘any old’ class.”

      “Glad you told me,” chuckled Patsy. “I’ll give you ten minutes to wind up your letters. If you’re not done then – well – I’ll give you ten more. I am always considerate. I’m going to leave you now, but I shall return. I’ll come buzzing around again, like a pestiferous fly, in exactly ten minutes by my wrist watch. I’m only going as far as the gallery to pay my respects to the dead and gone Feredas.”

      With this announcement Patsy turned and strolled from the room. The gallery to which she referred was in the nature of a short corridor, extending between the second-floor sitting-room and ending at the corridor on which were situated sleeping rooms which the Wayfarers occupied. It had evidently served as a picture gallery for several generations of Feredas. Its walls were lined with a heterogeneous collection of oil paintings, largely landscape and studies in still life. At least half of one side of it, however, was devoted strictly to portraits. It was before this particular section that Patsy halted.

      Two days had elapsed since the Wayfarers had made port at Las Golondrinas. On the evening of their arrival, a storm had come up, bursting over the old house in all its tropical fury. Following it, rain had set in and for two days had continued to fall in a steady, discouraging downpour that made out-door excursions impossible for the time being.

      Now, on the third morning since their arrival, the sun again shone gloriously, in skies of cerulean blue, and the air was heavy with the sweetness of rain-washed blossoms. It was an ideal morning to spend out of doors, and Patsy was impatient to start on an exploring tour of the estate.

      During the two days in which the Wayfarers had been kept indoors by the rain, they had become thoroughly acquainted with the old house. They had wandered about it from cellar to roof, marveling at its utter unlikeness to any other house in which they had ever set foot. Its somber, spacious rooms with their highly polished floors and queer, elaborately carved, foreign-looking furniture of a by-gone period, evoked volleys of wondering comment and speculation. The cool patio with its silver-spraying fountain, the long windows opening out onto picturesque balconies and the dim stone corridors, all held for them the very acme of romance. It was like being set down in a world which they had known only in fiction.

      Each girl had found some one particular object on which to fix her special admiration. Eleanor went into ecstasies over a huge, carved-leather chest that stood in the sitting-room. Beatrice was enthusiastic over a heavy mahogany book-case filled with old Spanish volumes, bound in boards and parchment. She loudly deplored her inability to read Spanish and announced her intention of tackling the fascinating volumes with the aid of a Spanish-English dictionary which Mabel had brought along. Mabel was vastly impressed by a high, frowning old desk with many drawers and pigeon-holes. She was perfectly sure, she declared, that it must contain a secret drawer, and in consequence spent the great part of an afternoon in an unavailing hunt for it.

      Patsy found unending delight in the portrait section of the picture gallery. The dark-eyed, tight-lipped men and women who stared down at her from the wall filled her with an intense curiosity regarding who they were and how long it had been since they had lived and played their parts in the history of the Feredas.

      Undoubtedly they were all Feredas. Of unmistakably Spanish cast of countenance, they bore a decided family resemblance to one another. The difference in the style of dress worn by the pictured folk proclaimed them to be of many generations. How far removed from the present day, she did not know. She was of the opinion that some of them must have lived at least two hundred years ago. She was very sure that one portrait, that of a man, must have been painted even earlier than that.

      It was this portrait in particular which most fascinated her. Hung in the center of the section and framed in tarnished gilt, it depicted the full length figure of a Spanish cavalier. Patsy thought he might easily have been one of the intrepid, Latin adventurers who accompanied Ponce de Leon on his unsuccessful quest into Florida for the fabled Fountain of Youth.

      As a gallant of long ago, the man in the picture instantly arrested her attention. The thin, sinister face above the high Spanish ruff repelled her, however. The bright, bird-like eyes, the long, aquiline nose and the narrow lips, touched