Weep no more! Oh, weep no more!
Young buds sleep in the root’s white core.
Dry your eyes, oh, dry your eyes!
For I was taught in Paradise
To ease my breast of melodies,
Shed no tear.
“Overhead – look overhead
’Mong the blossoms white and red.
Look up, look up! I flutter now
On this flush pomegranate bough.
See me! ’tis this silvery bill
Ever cures the good man’s ill.
Shed no tear, oh, shed no tear!
The flower will bloom another year.
Adieu, adieu – I fly. Adieu,
I vanish in the heaven’s blue,
Adieu, adieu!”
“Oh, Molly, Molly, who is that?” cried Judy, weeping copiously, in spite of the repeated request of the singer to “shed no tear.”
“Why, that is Crit. Isn’t his voice wonderful?”
“Do you really mean it is Mr. Rutledge? I thought he was dumb, and have been feeling so sorry for Mildred.”
“Dumb, indeed! He has the most beautiful voice in Kentucky, and can make such an eloquent speech when roused that we have been afraid he would go into politics. But, so far as passing the time of day is concerned, and the little chit-chat that fills up life, he is indeed as dumb as a fish. When he was a little boy he stammered and got into the habit of expressing his feelings in silence, and he can still do it. He had a teacher who cured him of stammering, but nothing will ever cure him of silence, unless he has something important to say, and then nothing can stop him. Mother tells of a man who stammered in talking but not in singing. One day he was passing a friend’s house, and saw that the roof was in a blaze, the inmates perfectly unconscious of the conflagration. He rushed in, tried to speak, could only stutter, and then in desperation burst into song. To the tune of ‘The Campbells Are Coming,’ he sang, ‘Your house is on fire, tra-la, tra-la!’ Kent declares that Crit proposed to Milly in song, but Milly herself is dumb about how that came about.”
“Well, anyhow, I have never heard such scintillating silence as his, and I think that Milly ought to be a very proud and happy girl.”
CHAPTER III. – WEDDING PREPARATIONS AND CONFIDENCES
The next two weeks were busy ones for all the Brown household: first and foremost, the ever-crying need of clothes to be answered; second, the old house to be put in apple-pie order; all the furniture rubbed and rubbed some more; the beautiful old floors waxed and polished until they shone and reflected the newly scrubbed white paint in a way Judy thought most romantic. (But Judy thought everything was romantic those days.) She was “itching to help,” and help she did in many ways. Molly would not let her rub furniture or wax floors, but she had the pleasure of hanging the freshly laundered curtains all over the house, and she was received with joy in the sewing room by Miss Lizzie Monday, the neighborhood seamstress. Miss Lizzie was of the opinion that the Browns thought entirely too much about food and not nearly enough about clothes. Indeed it was a failing of the mother, if failing she had, to have good food, no matter at what cost, and then, since strict economy had to be practiced somewhere, to practice it on the clothes.
Miss Lizzie had once been present when they were packing a box to send to Molly at Wellington, and had sadly remarked: “In these hard times, with the price of food what it is, poor little raggedy Molly could have had an entire new outfit from the contents of that box.” Mrs. Brown had indignantly denied that she was spending any money at all on the box, but the fact remained in Miss Lizzie’s mind that the food in the delightful box, so eagerly looked for by the hungry college girls, represented so much money that had much better be put on Molly’s outside than her inside.
“Not that much of it goes on her own inside. I know Molly too well, bless her heart. Can’t I just see her handing out that good old ham and hickory-nut cake and Rosemary pickle to those Yankees? And they, raised on pale, pink, ready-cooked ham and doughnuts and corner grocery dill pickles, don’t know what they are getting. Molly, in her same old blue that I have made over twice for her! – and that ham would have bought the stuff for a new one (not that I would have had it anything but blue). The half gallon of Rosemary pickle would have trimmed it nicely, and the hickory-nut cake would have made her at least two new shirtwaists, and the express on the box would more than pay me for making the things.”
Judy loved to hear Miss Lizzie talk, and used to encourage her to praise her friend, while she sat helping to whip lace or planning the bridesmaids’ dresses for Molly and Sue. These dresses were flowered French organdies. Molly’s was covered with a feathery blue flower, that never was on land or sea, but it was the right color, which was the important thing; and Sue’s bore the same design in pink. The bride’s dress, a lovely simple gown of the finest Paris muslin, was all done and pressed and neatly folded in a box by the careful Miss Lizzie, with one of her own sandy hairs secretly sewed in the hem, which is supposed to bring good luck, and a “soon husband” to the owner of the hair.
There was some doubt and much talk about how the bridal party was to enter the parlor and where the minister was to stand. The parlor at Chatsworth was not very suitable for an effective wedding, as it was in the wing of the house and opened only into the hall, giving, when all was considered, not much room for the growing list of guests. Although it was a very large room, having only one entrance made it rather awkward. It was only a few days before the wedding and this important subject was still under discussion.
“I can count at least ninety-eight persons who are sure to come,” said Mrs. Brown, “all of them kin or close friends, and how they are to get in this room and leave an aisle for the wedding party, goodness only knows; and if the hall and porch are full, it will be very uncomfortable.”
Judy and Kent were pretending to be the bride and groom, grave Sue was the minister, John and Paul, flower girls, and Molly, boss. Mildred and Crittenden were not allowed to practice for their own wedding, as Miss Lizzie said it was bad luck, and Miss Lizzie was authority on all such subjects. So the two most interested were seated at the piano, pretending to be the musicians doing “Chopsticks” to wedding march time.
“Crit, I believe you will have to give Milly up. There is no way to have a decently stylish wedding in this joint,” said Paul. “Let’s stop the festive preparations and all of us go to Jeffersonville. It would make a grand story for my paper.”
Judy had been very quiet for some minutes and her face wore what Molly called her “flashed upon that inward eye” expression. Suddenly she cried, “I have it. Come on and let’s get married out of doors.” She seized Kent by the hand and dragged him out on the lawn, the rest following in a daze.
“Look at that natural place to be married in: the guests under the trees; room for everybody; a living altar of shrubs and flowers at the end of the tan-bark walk; minister entering from the grass walk on one side and Mr. Rutledge with his best man from the other; down the steps Mildred on Ernest’s arm, followed by Molly and Sue. Can’t you see them coming up the tan-bark walk? Just at sunset, the people in their light festive clothes, your mother beautiful in her black crêpe de Chine, with Paul and John and Kent standing by her making a dark note near the bride? Oh, why, oh, why did they not have holly-hocks up this garden walk instead of by the chicken yard fence? It would have made the color scheme simply perfect.”
Judy paused for breath. She had carried the crowd by her eloquence, and so perfectly had she visualized the whole thing that each one was able to see what she meant, and absolute and unanimous approval was given the scheme. Kent, with his artistic eye, was in for it heart and soul, and began to plan Japanese lanterns to be lit after the ceremony in the rustic summer-house beyond, where supper was to be served, observing that their color might somewhat take the place of the holly-hocks that were in the wrong place.
“Just where did you want