Flute and Violin and other Kentucky Tales and Romances. Allen James Lane. Читать онлайн. Newlib. NEWLIB.NET

Автор: Allen James Lane
Издательство: Public Domain
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Жанр произведения: Зарубежная классика
Год издания: 0
isbn: http://www.gutenberg.org/ebooks/50597
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it, and continued quietly smoking. If he took to himself any shame as the central figure of this ignoble performance, no one knew it. There was something almost royal in his unconcern. The humor, the badinage, the open contempt, of which he was the public target, fell thick and fast upon him, but as harmlessly as would balls of pith upon a coat of mail. In truth, there was that in his great, lazy, gentle, good-humored bulk and bearing which made the gibes seem all but despicable. He shuffled from one foot to the other as though he found it a trial to stand up so long, but all the while looking the spectators full in the eyes without the least impatience. He suffered the man of the factory to walk round him and push and pinch his muscles as calmly as though he had been the show bull at a country fair. Once only, when the sheriff had pointed across the street at the figure of Mr. Clay, he had looked quickly in that direction with a kindling light in his eye and a passing flush on his face. For the rest, he seemed like a man who has drained his cup of human life and has nothing left him but to fill again and drink without the least surprise or eagerness.

      The bidding between the man of the factory and the student had gone slowly on. The price had reached ten dollars. The heat was intense, the sheriff tired. Then something occurred to revivify the scene. Across the market-place and towards the steps of the court-house there suddenly came trundling along in breathless haste a huge old negress, carrying on one arm a large shallow basket containing apple crab-lanterns and fresh gingerbread. With a series of half-articulate grunts and snorts she approached the edge of the crowd and tried to force her way through. She coaxed, she begged, she elbowed and pushed and scolded, now laughing, and now with the passion of tears in her thick, excited voice. All at once, catching sight of the sheriff, she lifted one ponderous brown arm, naked to the elbow, and waved her hand to him above the heads of those in front.

      "Hole on, marseter! Hole on!" she cried, in a tone of humorous entreaty. "Don' knock 'im off till I come! Gim me a bid at 'im!"

      The sheriff paused and smiled. The crowd made way tumultuously, with broad laughter and comment.

      "Stan' aside theah an' let Aun' Charlotte in!"

      "Now you'll see biddin'!"

      "Get out of the way foh Aun' Charlotte!"

      "Up, my free niggah! Hurrah foh Kentucky!"

      A moment more and she stood inside the ring of spectators, her basket on the pavement at her feet, her hands plumped akimbo into her fathomless sides, her head up, and her soft, motherly eyes turned eagerly upon the sheriff. Of the crowd she seemed unconscious, and on the vagrant before her she had not cast a single glance.

      She was dressed with perfect neatness. A red and yellow Madras kerchief was bound about her head in a high coil, and another was crossed over the bosom of her stiffly starched and smoothly ironed blue cottonade dress. Rivulets of perspiration ran down over her nose, her temples, and around her ears, and disappeared mysteriously in the creases of her brown neck. A single drop accidentally hung glistening like a diamond on the circlet of one of her large brass ear-rings.

      The sheriff looked at her a moment, smiling, but a little disconcerted. The spectacle was unprecedented.

      "What do you want heah, Aun' Charlotte?" he asked, kindly. "You can't sell yo' pies an' gingerbread heah."

      "I don' wan' sell no pies en gingerbread," she replied, contemptuously. "I wan' bid on him," and she nodded sidewise at the vagrant.

      "White folks allers sellin' niggahs to wuk fuh dem; I gwine buy a white man to wuk fuh me. En he gwine t' git a mighty hard mistiss, you heah me!"

      The eyes of the sheriff twinkled with delight.

      "Ten dollahs is offahed foh ole King Sol'mon. Is theah any othah bid? Are you all done?"

      "'Leben," she said.

      Two young ragamuffins crawled among the legs of the crowd up to her basket and filched pies and cake beneath her very nose.

      "Twelve!" cried the student, laughing.

      "Thirteen!" she laughed too, but her eyes flashed.

      "You are bidding against a niggah," whispered the student's companion in his ear.

      "So I am; let's be off," answered the other, with a hot flush on his proud face.

      Thus the sale was ended, and the crowd variously dispersed. In a distant corner of the court-yard the ragged urchins were devouring their unexpected booty. The old negress drew a red handkerchief out of her bosom, untied a knot in a corner of it, and counted out the money to the sheriff. Only she and the vagrant were now left on the spot.

      "You have bought me. What do you want me to do?" he asked quietly.

      "Lohd, honey!" she answered, in a low tone of affectionate chiding, "I don' wan' you to do nothin'! I wuzn' gwine t' 'low dem white folks to buy you. Dey'd wuk you till you dropped dead. You go 'long en do ez you please."

      She gave a cunning chuckle of triumph in thus setting at naught the ends of justice, and, in a voice rich and musical with affection, she said, as she gave him a little push:

      "You bettah be gittin' out o' dis blazin' sun. G' on home! I be 'long by-en-by."

      He turned and moved slowly away in the direction of Water Street, where she lived; and she, taking up her basket, shuffled across the market-place towards Cheapside, muttering to herself the while:

      "I come mighty nigh gittin' dah too late, foolin' 'long wid dese pies. Sellin' him 'ca'se he don' wuk! Umph! If all de men in dis town dat don' wuk wuz to be tuk up en sole, d' wouldn' be 'nough money in de town to buy 'em! Don' I see 'em settin' 'roun' dese taverns f'om mohnin' till night?"

      She snorted out her indignation and disgust, and sitting down on the sidewalk, under a Lombardy poplar, uncovered her wares and kept the flies away with a locust bough, not discovering, in her alternating good and ill humor, that half of them had been filched by her old tormentors.

      This was the memorable scene enacted in Lexington on that memorable day of the year 1833 – a day that passed so briskly. For whoever met and spoke together asked the one question: Will the cholera come to Lexington? And the answer always gave a nervous haste to business – a keener thrill to pleasure. It was of the cholera that the negro woman heard two sweet passing ladies speak as she spread her wares on the sidewalk. They were on their way to a little picture-gallery just opened opposite M. Giron's ball-room, and in one breath she heard them discussing their toilets for the evening and in the next several portraits by Jouett.

      So the day passed, the night came on, and M. Xaupi gave his brilliant ball. Poor old Xaupi – poor little Frenchman! whirled as a gamin of Paris through the mazes of the Revolution, and lately come all the way to Lexington to teach the people how to dance. Hop about blithely on thy dry legs, basking this night in the waxen radiance of manners and melodies and graces! Where will be thy tunes and airs to-morrow? Ay, smile and prompt away! On and on! Swing corners, ladies and gentlemen! Form the basket! Hands all around!

      While the bows were still darting across the strings, out of the low, red east there shot a long, tremulous bow of light up towards the zenith. And then, could human sight have beheld the invisible, it might have seen hovering over the town, over the ball-room, over M. Xaupi, the awful presence of the plague.

      But knowing nothing of this, the heated revellers went merrily home in the chill air of the red and saffron dawn. And knowing nothing of it also, a man awakened on the door-step of a house opposite the ball-room, where he had long since fallen asleep. His limbs were cramped and a shiver ran through his frame. Staggering to his feet, he made his way down to the house of Free Charlotte, mounted to his room by means of a stair-way opening on the street, threw off his outer garments, kicked off his shoes, and taking a bottle from a closet pressed it several times to his lips with long outward breaths of satisfaction. Then, casting his great white bulk upon the bed, in a minute more he had sunk into a heavy sleep – the usual drunken sleep of old King Solomon.

      He, too, had attended M. Xaupi's ball, in his own way and in his proper character, being drawn to the place for the pleasure of seeing the fine ladies arrive and float in, like large white moths of the summer night; of looking in through the open windows at the many-colored waxen lights and the snowy arms and shoulders,