Sweethearts at Home. Crockett Samuel Rutherford

boy. Oh, I can see quite well when he says to himself, "I ought to be working —but– oh, bother, how much nicer it is to dig in the sand with the other children!"

      And then he took pictures of us – photographs, I mean – working at our engineering, and building and paddling – oh, whole albums full. They began when we were quite little tots. The best are of Maid Margaret and Sir Toady. For I was too old, I suppose, to look nice stuck among trees, and Hugh John hated so being photographed. When told to, he stood up stiff like a stork on one leg. But Sir Toady was usually as nice as pie, being made that way, and as for the Maid, she always looks natural whatever she is doing.

      Father has a whole set called the History of a Biscuit. It is only the Maid eating one. But it is funny to see it getting smaller and smaller till it is all gone. They are flashed on quickly by our magic lantern, and we children go wild when it comes to the funny ones. The grand exhibitions are for winter nights. Then we are well wrapped up in gray Harris cloaks and come up, closely marshaled by Somebody to see that we don't snowball too much. They are quite lovely, these nights, with the snow crisping under our feet, and Somebody carrying a swig-swagging lantern before us – everybody's shadow swaying tipsily about, and the sky so near and so thick with stars that it seems as if you had only to put up your hand to catch a whole cluster.

      There are usually many pictures of this first Torres, because we were younger, and it is a prettier place. We wore little red coats with big white buttons then, and marched regularly like soldiers. Hugh John beat us on the legs if we did not. He had a switch for the purpose, and he said that was the way the father of Frederick the Great did to make his son turn out a good soldier.