Paul Delroze stopped, pale with the memory of the crime.
"Oh," faltered Élisabeth, "your father was murdered?.. My poor Paul, my poor darling!" And in a voice of anguish she asked, "What happened next, Paul? Did you cry out?"
"I shouted, I rushed towards him, but a hand caught me in an irresistible grip. It was the man, the servant, who had darted out of the woods and seized me. I saw his knife raised above my head. I felt a terrible blow on my shoulder. Then I also fell."
CHAPTER II
THE LOCKED ROOM
The carriage stood waiting for them a little way ahead. They had sat down by the roadside on reaching the upland at the top of the ascent. The green, undulating valley of the Liseron opened up before them, with its little winding river escorted by two white roads which followed its every turn. Behind them, under the setting sun, some three hundred feet below, lay the clustering mass of Corvigny. Two miles in front of them rose the turrets of Ornequin and the ruins of the old castle.
Terrified by Paul's story, Élisabeth was silent for a time. Then she said:
"Oh, Paul, how terrible it all is! Were you very badly hurt?"
"I can remember nothing until the day when I woke up in a room which I did not know and saw a nun and an old lady, a cousin of my father's, who were nursing me. It was the best room of an inn somewhere between Belfort and the frontier. Twelve days before, at a very early hour in the morning, the innkeeper had found two bodies, all covered with blood, which had been laid there during the night. One of the bodies was quite cold. It was my poor father's. I was still breathing, but very slightly… I had a long convalescence, interrupted by relapses and fits of delirium, in which I tried to make my escape. My old cousin, the only relation I had left, showed me the most wonderful and devoted kindness. Two months later she took me home with her. I was very nearly cured of my wound, but so greatly affected by my father's death and by the frightful circumstances surrounding it that it was several years before I recovered my health completely. As to the tragedy itself.."
"Well?" asked Élisabeth, throwing her arm round her husband's neck, with an eager movement of protection.
"Well, they never succeeded in fathoming the mystery. And yet the police conducted their investigations zealously and scrupulously, trying to verify the only information which they were able to employ, that which I gave them. All their efforts failed. You know, my information was very vague. Apart from what had happened in the glade and in front of the chapel, I knew nothing. I could not tell them where to find the chapel, nor where to look for it, nor in what part of the country the tragedy had occurred."
"But still you had taken a journey, you and your father, to reach that part of the country; and it seems to me that, by tracing your road back to your departure from Strasburg.."
"Well, of course they did their best to follow up that track; and the French police, not content with calling in the aid of the German police, sent their shrewdest detectives to the spot. But this is exactly what afterwards, when I was of an age to think out things, struck me as so strange: not a single trace was found of our stay at Strasburg. You quite understand? Not a trace of any kind. Now, if there was one thing of which I was absolutely certain, it was that we had spent at least two days and nights at Strasburg. The magistrate who had the case in hand, looking upon me as a child and one who had been badly knocked about and upset, came to the conclusion that my memory must be at fault. But I knew that this was not so; I knew it then and I know it still."
"What then, Paul?"
"Well, I cannot help seeing a connection between the total elimination of undeniable facts – facts easily checked or reconstructed, such as the visit of a Frenchman and his son to Strasburg, their railway journey, the leaving of their luggage in the cloak-room of a town in Alsace, the hiring of a couple of bicycles – and this main fact, that the Emperor was directly, yes, directly mixed up in the business."
"But this connection must have been as obvious to the magistrate's mind as to yours, Paul."
"No doubt; but neither the examining magistrate nor any of his colleagues and the other officials who took my evidence was willing to admit the Emperor's presence in Alsace on that day."
"Why not?"
"Because the German newspapers stated that he was in Frankfort at that very hour."
"In Frankfort?"
"Of course, he is stated to be wherever he commands and never at a place where he does not wish his presence known. At any rate, on this point also I was accused of being in error and the inquiry was thwarted by an assemblage of obstacles, impossibilities, lies and alibis which, to my mind, revealed the continuous and all-powerful action of an unlimited authority. There is no other explanation. Just think: how can two French subjects put up at a Strasburg hotel without having their names entered in the visitors' book? Well, whether because the book was destroyed or a page torn out, no record whatever of the names was found. So there was one proof, one clue gone. As for the hotel proprietor and waiters, the railway booking clerks and porters, the man who owned the bicycles: these were so many subordinates, so many accomplices, all of whom received orders to be silent; and not one of them disobeyed."
"But afterwards, Paul, you must have made your own search?"
"I should think I did! Four times since I came of age I have been over the whole frontier from Switzerland to Luxemburg, from Belfort to Longwy, questioning the inhabitants, studying the country. I have spent hours and hours in cudgeling my brains in the vain hope of extracting the slightest recollection that would have given me a gleam of light. But all without result. There was not one fresh glimmer amid all that darkness. Only three pictures showed through the dense fog of the past, pictures of the place and the things which witnessed the crime: the trees in the glade, the old chapel and the path leading through the woods. And then there was the figure of the Emperor and.. the figure of the woman who killed my father."
Paul had lowered his voice. His face was distorted with grief and loathing.
"As for her," he went on, "if I live to be a hundred, I shall see her before my eyes as something standing out in all its details under the full light of day. The shape of her lips, the expression of her eyes, the color of her hair, the special character of her walk, the rhythm of her movements, the outline of her body: all this is recorded within myself, not as a vision which I summon up at will, but as something that forms part of my very being. It is as though, during my delirium, all the mysterious powers of my brain had collaborated to assimilate entirely those hateful memories. There was a time when all this was a morbid obsession: nowadays, I suffer only at certain hours, when the night is coming in and I am alone. My father was murdered; and the woman who murdered him is alive, unpunished, happy, rich, honored, pursuing her work of hatred and destruction."
"Would you know her again if you saw her, Paul?"
"Would I know her again! I should know her among a thousand. Even if she were disfigured by age, I should discover in the wrinkles of the old woman that she had become the face of the younger woman who stabbed my father to death on that September evening. Know her again! Why, I noticed the very shade of the dress she wore! It seems incredible, but there it is. A gray dress, with a black lace scarf over the shoulders; and here, in the bodice, by way of a brooch, a heavy cameo, set in a gold snake with ruby eyes. You see, Élisabeth, I have not forgotten and I never shall forget."
He ceased. Élisabeth was crying. The past which her husband had revealed to her was filling her with the same sense of horror and bitterness. He drew her to him and kissed her on the forehead.
"You are right not to forget," she said. "The murder will be punished because it has to be punished. But you must not let your life be subject to these memories of hatred. There are two of us now and we love each other. Let us look towards the future."
The Château d'Ornequin is a handsome sixteenth century building of simple design, with four peaked turrets, tall windows with denticulated pinnacles and a light balustrade projecting above the first story. The esplanade is formed by well-kept lawns which surround the courtyard and lead on the right and left to gardens, woods and orchards. One