There were no letters for the young man. He examined a package, found it contained his collars from the laundry, tucked them under his left arm, and walked to the door looking out upon the dusky interior court.
“Soane,” he said, “your garden begins to look very fine.” He nodded pleasantly to Dulcie, and the child responded to his friendly greeting with the tired but dauntless smile of the young who are missing those golden years to which all childhood has a claim.
Dulcie’s three cats came strolling out of the dusk across the lamplit grass – a coal black one with sea-green eyes, known as “The Prophet,” and his platonic mate, white as snow, and with magnificent azure-blue eyes which, in white cats, usually betokens total deafness. She was known as “The Houri” to the irregulars of Dragon Court. The third cat, unanimously but misleadingly christened “Strindberg” by the dwellers in Dragon Court, has already crooked her tortoise-shell tail and was tearing around in eccentric circles or darting halfway up trees in a manner characteristic, and, 63 possibly accounting for the name, if not for the sex.
“Thim cats of the kid’s,” observed Soane, “do be scratchin’ up the plants all night long – bad cess to thim! Barrin’ thim three omadhauns yonder, I’d show ye a purty bed o’ poisies, Misther Barres. But Sthrin’berg, God help her, is f’r diggin’ through to China.”
Dulcie impulsively caressed the Prophet, who turned his solemn, incandescent eyes on Barres. The Houri also looked at him, then, intoxicated by the soft spring evening, rolled lithely upon the new grass and lay there twitching her snowy tail and challenging the stars out of eyes that matched their brilliance.
Dulcie got up and walked slowly across the grass to where Barres stood:
“May I come to see you this evening?” she asked, diffidently, and with a swift, sidelong glance toward her father.
“Ah, then, don’t be worritin’ him!” grumbled Soane. “Hasn’t Misther Barres enough to do, what with all thim idees he has slitherin’ in his head, an’ all the books an’ learnin’ an’ picters he has to think of – whithout the likes of you at his heels every blessed minute, day an’ night! – ”
“But he always lets me – ” she remonstrated.
“G’wan, now, and lave the poor gentleman be! Quit your futtherin’ an’ muttherin’. G’wan in the house, ye little scut, an’ see what there is f’r ye to do! – ”
“What’s the matter with you, Soane?” interrupted Barres good-humouredly. “Of course she can come up if she wants to. Do you feel like paying me a visit, Dulcie, before you go to bed?”
“Yes,” she nodded diffidently.
“Well, come ahead then, Sweetness! And whenever you want to come you say so. Your father knows well enough I like to have you.”
He smiled at Dulcie; the child’s shy preference for his society always had amused him. Besides, she was always docile and obedient; and she was very sensitive, too, never outwearing her welcome in his studio, and always leaving without a murmur when, looking up from book or drawing he would exclaim cheerfully: “Now, Sweetness! Time’s up! Bed for yours, little lady!”
It had been a very gradual acquaintance between them – more than two years in developing. From his first pleasant nod to her when he first came to live in Dragon Court, it had progressed for a few months, conservatively on her part, and on his with a detached but kindly interest born of easy sympathy for youth and loneliness.
But he had no idea of the passionate response he was stirring in the motherless, neglected child – of what hunger he was carelessly stimulating, what latent qualities and dormant characteristics he was arousing.
Her appearance, one evening, in her night-dress at his studio doorway, accompanied by her three cats, began to enlighten him in regard to her mental starvation. Tremulous, almost at the point of tears, she had asked for a book and permission to remain for a few moments in the studio. He had rung for Selinda, ordered fruit, cake, and a glass of milk, and had installed Dulcie upon the sofa with a lapful of books. That was the beginning.
But Barres still did not entirely understand what particular magnet drew the child to his studio. The place was full of beautiful things, books, rugs, pictures, fine old furniture, cabinets glimmering with porcelains, ivories, jades, Chinese crystals. These all, in minutest detail, seemed to fascinate the girl. Yet, after giving her permission to enter whenever she desired, often 65 while reading or absorbed in other affairs, he became conscious of being watched; and, glancing up, would frequently surprise her sitting there very silently, with an open book on her knees, and her strange grey eyes intently fixed on him.
Then he would always smile and say something friendly; and usually forget her the next moment in his absorption of whatever work he had under way.
Only one other man inhabiting Dragon Court ever took the trouble to notice or speak to the child – James Westmore, the sculptor. And he was very friendly in his vigorous, jolly, rather boisterous way, catching her up and tossing her about as gaily and irresponsibly as though she were a rag doll; and always telling her he was her adopted godfather and would have to chastise her if she ever deserved it. Also, he was always urging her to hurry and grow up, because he had a wedding present for her. And though Dulcie’s smile was friendly, and Westmore’s nonsense pleased the shy child, she merely submitted, never made any advance.
Barres’s ménage was accomplished by two specimens of mankind, totally opposite in sex and colour; Selinda, a blonde, slant-eyed, and very trim Finn, doing duty as maid; and Aristocrates W. Johnson, lately employed in the capacity of waiter on a dining-car by the New York Central Railroad – tall, dignified, graceful, and Ethiopian – who cooked as daintily as a débutante trifling with culinary duty, and served at table with the languid condescension of a dilettante and wealthy amateur of domestic arts.
Barres ascended the two low, easy flights of stairs and unlocked his door. Aristocrates, setting the table 66 in the dining-room, approached gracefully and relieved his master of hat, coat, and stick.
Half an hour later, a bath and fresh linen keyed up his already lively spirits; he whistled while he tied his tie, took a critical look at himself, and, dropping both hands into the pockets of his dinner jacket, walked out into the big studio, which also was his living-room.
There was a piano there; he sat down and rattled off a rollicking air from the most recent spring production, beginning to realise that he was keyed up for something livelier than a solitary dinner at home.
His hands fell from the keys and he swung around on the piano stool and looked into the dining-room rather doubtfully.
“Aristocrates!” he called.
The tall pullman butler sauntered gracefully in.
Barres gave him a telephone number to call. Aristocrates returned presently with the information that the lady was not at home.
“All right. Try Amsterdam 6703. Ask for Miss Souval.”
But Miss Souval, also, was out.
Barres possessed a red-leather covered note-book; he went to his desk and got it; and under his direction Aristocrates called up several numbers, reporting adversely in every case.
It was a fine evening; ladies were abroad or preparing to fulfil engagements wisely made on such a day as this had been. And the more numbers he called up the lonelier the young man began to feel.
Thessalie had not given him either her address or telephone number. It would have been charming to have her dine with him. He was now thoroughly inclined for company. He glanced at the empty dining-room with aversion.
“All right; never mind,” he said, dismissing Aristocrates, who receded as lithely as though leading a cake-walk.
“The devil,” muttered the young fellow. “I’m not