Uncle John Roland was still staring at her and smilingly shaking his gray head. "I don't know. I can't think, and yet – "
Suddenly a jubilant little shout rent the air, causing the group about the piano to smile. In the same instant Mary felt a small hand slip into hers. "I knew you comed to see Charlie again. Charlie wouldn't go to bed because Connie said you'd surely come. Charlie loves you a whole lot. You look like Connie."
"Look like Connie," muttered Uncle John. Then his faded eyes flashed sudden intelligence. "I know. Of course she's like Connie. I guessed it, didn't I?" He glanced triumphantly at Marjorie.
"So you did, Uncle John," nodded Marjorie brightly.
Mr. Stevens gazed searchingly at the young girl so like his foster daughter. Mary felt her color rising under that penetrating gaze. It was as though this dreamy-eyed man with the dark, sad face had read her very soul. For a brief instant she sensed dimly the ignobleness of her jealousy of his daughter. She felt that she would rather die than have him know it. Perhaps, after all, she was in the wrong. She would try to dismiss it and do her best to enter into the spirit of the merry-making. An impatient tug at her hand caused her to remember Charlie's presence.
"Talk to me," demanded the child. "Connie says I have to go to bed in a minute, so hurry up."
Mary stooped and wound her arms about the tiny, insistent youngster. She clasped Charlie tightly to her and kissed his eager face. And that embrace sealed the beginning of an affection between them, the very purity of which was one day to lead her from the terrible Valley of Doubt into the sunlight of belief.
"Now you've done it," was Marjorie's merry accusation. "You've stolen my cavalier. Oh, Charlie, I thought I was your very best girl." She made reproachful eyes at Charlie, who, delighted at receiving so much attention, sidled over to her with a ridiculous air of importance and took her hand.
"Everybody likes Charlie," he observed complacently. "Now he can stay up all night and listen to the band."
"You'd go to sleep and never hear the band at all," laughed Constance. "No, Charlie must go to bed and sleep and sleep, or he will never grow big enough and strong enough to play in the band."
The half pout on Charlie's babyish mouth, born of Constance's dread edict, died suddenly. Even the joys of staying up all night were not to be compared with the glories of that far-off future.
"All right, I'll go," he sighed. "But you and Marjorie must come again soon in the daytime when I don't have to go to bed. I'll play a new piece for you on my fiddle. Uncle John says it's a marv'lus compysishun."
A burst of laughter rose from the group around him at this calm statement. After kissing everyone in his immediate vicinity, Charlie made a quaint little bow and marched off beside Constance, well pleased with himself.
"Isn't he a perfect darling?" was Mary's involuntary tribute.
"Yes, I adore Charlie," returned Marjorie. "I used to feel so dreadfully for him when he was crippled. Isn't it splendid, Mr. Stevens, to see him so well and lively?" She turned radiantly to the white-haired musician. His face lighted again in that wonderful smile. He was about to answer Marjorie, when Constance, who had seen Charlie to the door where he had been taken in charge by a white-capped nurse, returned to them, saying:
"What shall we have first, girls, a one step?"
"Oh, yes, do!" exclaimed Jerry Macy, who had come up in time to hear Constance's question, in company with a mischievous-eyed, freckled-faced youth who rejoiced in the dignified cognomen of Daniel Webster Seabrooke, but who was most appropriately nicknamed the Gadfly.
"Mr. Seabrooke, Miss Raymond," introduced Jerry.
The freckled-faced boy put on a preternaturally solemn expression and begged the pleasure of the first dance with Mary. Mr. Stevens had already handed the old violinist the music for the dance and placed his own score in position upon the piano. The slow, fascinating strains of the one step rang out and a great scurrying for partners began.
Marjorie found herself dancing off with Hal Macy, while Lawrence Armitage swung Constance into the rapidly growing circle of dancers. Irma Linton and the Crane danced together, while Jerry Macy, who danced extremely well for a stout girl, was claimed by Arthur Standish, one of her brother's classmates.
Once the hop had fairly begun, dance followed dance in rapid succession. Much to Mary's secret satisfaction there were no gaps in her programme. As it was, there were no wall flowers. An even number of boys and girls had been invited and every one had put in an appearance. At eleven o'clock a dainty repast, best calculated to suit the appetites of hungry school girls and boys, was served at small tables on the side veranda, which extended almost the length of the house.
It was not until after supper, when the dancing was again at its height, that Marjorie and Constance found time for a few words together.
The two girls had slipped away to Constance's pretty blue and white bedroom to repair a torn frill of Marjorie's gown.
"Isn't it splendid that we can have a minute to ourselves?" laughed Constance. "I'm glad you happened to need repairing. I hope Mary is having a good time. As long as it's her party I'm anxious that she should enjoy herself."
"Of course she's having a good time. How could she help it?" returned Marjorie staunchly. "All the boys have been perfectly lovely to her and so have the girls. I knew everyone would like her. You and Mary and I will have lots of fun going about together this winter."
Constance smiled an answer to Marjorie's joyous prediction. Then her pretty face sobered. "Marjorie," she said, then paused.
Marjorie glanced up from the flounce she was setting to rights. Something in Constance's tone commanded her attention. "What is it, Connie?"
"Have you ever said anything to Mary about you – and me – and things last year?"
"Why, no. I wouldn't think of doing so unless I asked you if I might. I – "
"Please don't, then," interrupted Constance. "I had rather she didn't know. It is all past, and, as long as so few persons know about it, don't you think it would be better to let it rest?"
Marjorie bent her head over her work to conceal the sudden disturbing flush that rose to her face. She had intended telling Constance that very night of the remark that Miss Archer had made in Mary's presence about their freshman year. She had felt dimly that, perhaps, Mary ought to be put in possession of the story, although she had not the remotest suspicion of the jealousy that was already warping her chum's thoughts. Her one idea had been to answer all her questions as freely as she had done in the past. She intended to put the matter to Constance in this light. But now Constance had forestalled her and was asking her to be silent on the very matters she wished to impart to Mary.
"It isn't as though it is something which Mary ought to know," continued Constance, quite unaware of Marjorie's inward agitation. "It wouldn't make her happier to learn it and – and – she might not think so well of me. I wish her to like me, Marjorie, just because she is your dearest friend. Don't you think I am right about it? You wouldn't care to have even the friend of your best friend know all the little intimate details of your life. Now, would you?" Constance slipped to her knees beside Marjorie, one arm across her shoulder, and regarded her with pleading eyes.
Marjorie stared thoughtfully into the earnest face of the girl at her side. What should she say? If she told Constance that Mary had twice asked questions regarding her affairs, Constance might think Mary unduly curious. Perhaps, after all, silence was wisest. Mary might forget all about it, and, in any case, she was far too sensible to feel hurt or indignant because she, Marjorie, was not free to tell her of the private