Genius in Sunshine and Shadow. Ballou Maturin Murray. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ballou Maturin Murray
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recognized as the purest and most perspicuous writer of the English language, though exercising such mastership of the pen, had no oral ability, and rarely attempted to talk in social circles. He said of himself that though he had a hundred pounds in the bank, he had no small coin in his pocket.43

      Dr. Johnson and Coleridge were famous for their colloquial facility, but both of these were rather lecturers than talkers, however delightful in this respect the latter may have been. Johnson during his life was undoubtedly more of a power as a talker than as a writer. It has been said that Scott talked more poetry and Edmund Burke more eloquence than they ever wrote. Emerson thought that "better things are said, more incisive, more wit and insight are dropped in talk and forgotten, than gets into books." E. H. Chapin and H. W. Beecher have talked sounder and more brilliant theology than they ever preached from the pulpit. Spontaneous thoughts come from our inner consciousness; sermons and essays, from the cooler action of the brain. Coleridge, on first meeting Byron, entertained the poet with one of his monologues, wherein he ascended into the seventh heaven upon wings of theology and metaphysics. Leigh Hunt described the scene to Charles Lamb, and expressed his wonder that Coleridge should have chosen so unsympathetic an auditor. "Oh, it was only his fun," explained Lamb; "there's an immense deal of quiet humor about Coleridge!" Wordsworth speaks of him as the "rapt one, with the godlike forehead," the "heaven-eyed creature." Hazlitt says that "no idea ever entered the mind of man, but at some period or other it had passed over his head with rustling pinions." Talfourd writes of seeing "the palm-trees wave, and the pyramids tower, in the long perspective of his style." When Coleridge once asked Lamb, "Charles, did you ever hear me preach?" he received the quiet reply, "I never heard you do anything else." Rogers tells us: "Coleridge was a marvellous talker. One morning, when Hookham Frere also breakfasted with me, Coleridge talked for three hours without intermission about poetry, and so admirably that I wish every word he uttered had been written down." Madame de Staël said of him that he was great in monologue, but that he had no idea of dialogue.

      Macaulay was also remarkable for his conversational powers, which were greatly aided by an excellent memory. He has been accused of talking too much; and Sydney Smith once said of him: "He is certainly more agreeable since his return from India. His enemies might perhaps have said before – though I never did so – that he talked rather too much; but now he has occasional flashes of silence that make his conversation perfectly delightful!" In a party in which eminent men are present, the rule is said to be that, for good conversation, the number of talkers should never be fewer than the Graces or more than the Muses. Goldsmith, who wrote so charmingly and exhibited such a remarkable versatility with the pen, could make no figure in conversation. Fox, Bentley, Burke, Curran, and Swift were all brilliant talkers; Tasso, Dante, Gray, and Dryden44 were all taciturn. Of Ben Jonson it is said that he was mostly without speech, sitting by the hour quite silent in society, sucking in the wine and humor of his companions.

      Sheridan had the reputation of being a brilliant conversationalist; but we all know that many of his "impromptus" were laboriously prepared beforehand, and that he was wont to lie in wait silently for half an evening watching his opportunity to discharge the arrows of his polished wit. One would be glad to learn how it was with Shakespeare in society. He could hold his own in a controversy, however, as Thomas Fuller, in his "Worthies of England," says, "Many were the wet-combats between him and Ben Jonson:45 which two I behold like a Spanish great galleon and an English man-of-war; master Jonson, like the former, was built far higher in learning; solid, but slow, in his performances. Shakespeare, like the English man-of-war, lesser in bulk but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds by the quickness of his wit and invention." Shakespeare himself has said, "Silence is only commendable in a neat's tongue dried and a maid not vendible;" but the ancient stoics thought that by silence they heard other men's imperfections and concealed their own.

      The diplomatist Metternich said he had never known more than ten or twelve persons with whom it was pleasant to converse. Margaret Fuller said Carlyle's talk was an amazement to her, though she was familiar with his writings. His conversation, she declared, was a splendor scarcely to be faced with steady eye. He did not converse – only harangued. She thought him "arrogant and overbearing, but it was not the arrogance of littleness, nor self-love, but rather the arrogance of some old Scandinavian conqueror; it was his nature, the untamable impulse that had given him power to crush the dragons. She was not led to love or revere him, but liked him heartily, – liked to see him the powerful smith, the Siegfried, melting all the old iron in his furnace till it glows to a sunset red and burns you, if you senselessly go too near."46

      When Dr. Johnson was asked why he was not invited out to dine as Garrick47 was, he answered, as if it was a great triumph to him, "Because great lords and ladies don't like to have their mouths stopped!" He indulged a furious hatred to Americans, and whenever there was an opportunity sneered at them even more bitterly than he did at Scotchmen. It will be remembered that he thought something could be made out of a Scotchman "if you caught him young;" but he would not admit even this saving clause as regarded Americans. He said, "I am willing to love all, all mankind, except an American." He called them "robbers and pirates;" adding, "I'd burn and destroy them!"

      These words were addressed to Miss Anna Seward, of Lichfield. It was in the grammar school of this ancient cathedral town that Addison, Dr. Johnson, 788788and Garrick received their early education, and Johnson was a native of the place. Miss Seward's father was the canon resident of Lichfield Cathedral. In his family there was a beautiful young lady named Honora Sneyd, a companion to his daughter. John André, a cultured London youth, fell in love with Honora, and was tacitly accepted. The young man was somewhat suddenly called back to the metropolis on business, and a separation thus ensued which seemed to wean the lady's affections from him, so that she soon after married a Mr. Edgeworth and in the course of time became the mother of Maria Edgeworth, the well-known novel-writer.48 John André remained faithful to his first love, and came to America carrying in his bosom a miniature of Honora suspended from his neck. His sad fate during our Revolutionary War is well known to all. He was the Major André whom Washington reluctantly executed as a spy, and whose memorial is now conspicuous in Westminster Abbey.

      Peter Corneille, the great French dramatic poet, had nothing in his exterior that indicated his genius. As to his conversational powers, they were simply insipid, and never failed to weary all listeners. Nature had endowed him with brilliant gifts, but forgot to grant him the ordinary accomplishments. He did not even speak correct French, which he never failed to write with perfection. When his friends represented to him how much more he might please by not disdaining to correct these trivial errors, he would smile and say, "I am none the less Peter Corneille!" We learn from Rogers that in the early days of his popularity Byron was quite diffident in society, or at least never ventured to take part in the conversation. If any one happened to let fall an observation which offended him, he never attempted to reply, but treasured it up for days, and would then come out with some cutting remarks, giving them as his deliberate opinion, the result of his experience of the individual's character. Southey49 was stiff, reserved, sedate, and so wrapped up in a garb of asceticism that Charles Lamb once stutteringly told him he was "m-made for a m-m-monk, but somehow the co-co-cowl didn't fit."

      Racine made this confidential confession to his son: "Do not think that I am sought after by the great on account of my dramas; Corneille composed nobler verses than mine, but no one notices him, and he only pleases by the mouth of the actors. I never allude to my works when with men of the world, but I amuse them about matters they like to hear. My talent with them consists not in making them feel that I have any, but in showing them that they have." The well-remembered saying about Goldsmith's lack of conversational power is excellent because it was so true; namely, that "he wrote like an angel and talked like poor Poll."50 Fisher Ames and Rufus Choate were distinguished for their conversational powers. Stuart, the American painter, was remarkable in this respect; and so were Washington Allston, Edgar A. Poe, Margaret


<p>43</p>

"Men of genius," says Longfellow, "are often dull and inert in society; as the blazing meteor, when it descends to earth, is only a stone."

<p>44</p>

Dryden said of himself: "My conversation is slow and dull, my humor saturnine and reserved. In short, I am none of these who endeavor to break jests in company, or make repartees." And yet at Will's Coffee-House, where the wits of the town met, his chair in winter was always in the warmest nook by the fire, and in summer was placed in the balcony. "To bow to him, and to hear his opinion of Racine's last tragedy or of Bossuet's treatise on epic poetry was thought a privilege. A pinch from his snuff-box was an honor sufficient to turn the head of a young enthusiast." Every one must remember how, in Scott's novel of the "Pirate," Claud Halcro is continually boasting of having obtained at least that honor from "Glorious John."

<p>45</p>

Jonson was a bricklayer, like his father before him. "Let them blush not that have, but those who have not, a lawful calling," says Thomas Fuller as he records this fact; and goes on to say that "Jonson helped in the construction of Lincoln's Inn, with a trowel in his hand and a book in his pocket. Some gentlemen pitying that his parts should be buried under the rubbish of so mean a calling, did by their bounty manumise him freely to follow his own ingenious inclinations."

<p>46</p>

Margaret Fuller by marriage became the Marchioness of Ossoli, and with her husband and child perished in the wreck of the brig "Elizabeth," from Leghorn, near Fire Island, in 1850. She was one of the most gifted literary women of America.

<p>47</p>

Garrick was so popular that it was impossible for him to respond to half the social invitations which he received from the nobility. Even royalty itself honored him by private interviews, often listening to his readings in the domestic circle of the palace. Though he was always rewarded by the hearty approval of the king and queen, he said its effect upon him was like a "wet blanket" compared with the thunders of applause which he usually received in public.

<p>48</p>

Sir Walter Scott greatly admired Maria Edgeworth's novels, complimenting "her wonderful power of vivifying all her persons and making them live as beings in your mind." Lord Jeffrey honored "their singular union of sober sense and inexhaustible invention." She died in 1849, in her eighty-second year.

<p>49</p>

Southey was marvellously industrious, as over one hundred published volumes testify. Few men have been students so long and consecutively. He possessed one of the largest private libraries in England. He says: "Having no library within reach, I live upon my own stores, which are, however, more ample perhaps than were ever before possessed by one whose whole estate was in his inkstand." He generously supported the family of Coleridge, who were left destitute. His first wife was a sister of Coleridge's wife.

<p>50</p>

"To expect an author to talk as he writes is ridiculous," says Hazlitt; "even if he did, you would find fault with him as a pedant."