Then away went Bob as quickly as he had come.
Branson glanced at his retreating figure one moment.
“Well,” he said, “I never thought I’d shake hands wi’ Bob Cooper! No matter; better please a fool than fecht ’im.”
“Branson!”
“Yes, Master Archie.”
“I don’t think Bob’s a fool; and I’m sure that, bad as he is, he loves his mother.”
“Quite right, Archie,” said Mr Walton.
Archie met his father at the gate, and ran towards him to tell him all his adventures about the fox and the hare. But Bob Cooper and everybody else was forgotten when he noticed what and whom he had behind him. The “whom” was Branson’s little boy, Peter; the “what” was one of the wildest-looking – and, for that matter, one of the wickedest-looking – Shetland ponies it is possible to imagine. Long-haired, shaggy, droll, and daft; but these adjectives do not half describe him.
“Why, father, wherever – ”
“He’s your birthday present, Archie.”
The boy actually flushed red with joy. His eyes sparkled as he glanced from his father to the pony and back at his father again.
“Dad,” he said at last, “I know now what old Kate means about ‘her cup being full.’ Father, my cup overflows!”
Well, Archie’s eyes were pretty nearly overflowing anyhow.
Chapter Four
In the Old Castle Tower
They were all together that evening in the green parlour as usual, and everybody was happy and merry. Even Rupert was sitting up and laughing as much as Elsie. The clatter of tongues prevented them hearing Mary’s tapping at the door; and the carpet being so thick and soft, she was not seen until right in the centre of the room.
“Why, Mary,” cried Elsie, “I got such a start, I thought you were a ghost!”
Mary looks uneasily around her.
“There be one ghost, Miss Elsie, comes out o’ nights, and walks about the old castle.”
“Was that what you came in to tell us, Mary?”
“Oh, no, sir! If ye please, Bob Cooper is in the yard, and he wants to speak to Master Archie. I wouldn’t let him go if I were you, ma’am.”
Archie’s mother smiled. Mary was a privileged little parlour maiden, and ventured at times to make suggestions.
“Go and see what he wants, dear,” said his mother to Archie.
It was a beautiful clear moonlight night, with just a few white snow-laden clouds lying over the woods, no wind and never a hush save the distant and occasional yelp of a dog.
“Bob Cooper!”
“That’s me, Master Archie. I couldn’t rest till I’d seen ye the night. The hare – ”
“Oh! that’s really nothing, Bob Cooper!”
“But allow me to differ. It’s no’ the hare altogether. I know where to find fifty. It was the way it was given. Look here, lad, and this is what I come to say, Branson and you have been too much for Bob Cooper. The day I went to that wood to thrash him, and I’d hae killed him, an I could. Ha! ha! I shook hands with him! Archie Broadbent, your father’s a gentleman, and they say you’re a chip o’ t’old block. I believe ’em, and look, see, lad, I’ll never be seen in your preserves again. Tell Branson so. There’s my hand on’t. Nay, never be afear’d to touch it. Good-night. I feel better now.”
And away strode the poacher, and Archie could hear the sound of his heavy tread crunching through the snow long after he was out of sight.
“You seem to have made a friend, Archie,” said his father, when the boy reported the interview.
“A friend,” added Mr Walton with a quiet smile, “that I wouldn’t be too proud of.”
“Well,” said the Squire, “certainly Bob Cooper is a rough nut, but who knows what his heart may be like?”
Archie’s room in the tower was opened in state next day. Old Kate herself had lit fires in it every night for a week before, though she never would go up the long dark stair without Peter. Peter was only a mite of a boy, but wherever he went, Fuss, the Skye terrier, accompanied him, and it was universally admitted that no ghost in its right senses would dare to face Fuss.
Elsie was there of course, and Rupert too, though he had to be almost carried up by stalwart Branson. But what a glorious little room it was when you were in it! A more complete boy’s own room could scarcely be imagined. It was a beau ideal; at least Rupert and Archie and Elsie thought so, and even Mr Walton and Branson said the same.
Let me see now, I may as well try to describe it, but much must be left to imagination. It was not a very big room, only about twelve feet square; for although the tower appeared very large from outside, the abnormal thickness of its walls detracted from available space inside it. There was one long window on each side, and a chair and small table could be placed on the sill of either. But this was curtained off at night, when light came from a huge lamp that depended from the ceiling, and the rays from which fought for preference with those from the roaring fire on the stone hearth. The room was square. A door, also curtained, gave entrance from the stairway at one corner, and at each of two other corners were two other doors leading into turret chambers, and these tiny, wee rooms were very delightful, because you were out beyond the great tower when you sat in them, and their slits of windows granted you a grand view of the charming scenery everywhere about.
The furniture was rustic in the extreme – studiously so. There was a tall rocking-chair, a great dais or sofa, and a recline for Rupert – “poor Rupert” as he was always called – the big chair was the guest’s seat.
The ornaments on the walls had been principally supplied by Branson. Stuffed heads of foxes, badgers, and wild cats, with any number of birds’ and beasts’ skins, artistically mounted. There were also heads of horned deer, bows and arrows – these last were Archie’s own – and shields and spears that Uncle Ramsay had brought home from savage wars in Africa and Australia. The dais was covered with bear skins, and there was quite a quantity of skins on the floor instead of a carpet. So the whole place looked primeval and romantic.
The bookshelf was well supplied with readable tales, and a harp stood in a corner, and on this, young though she was, Elsie could already play.
The guest to-night was old Kate. She sat in the tall chair in a corner opposite the door, Branson occupied a seat near her, Rupert was on his recline, and Archie and Elsie on a skin, with little Peter nursing wounded Fuss in a corner.
That was the party. But Archie had made tea, and handed it round; and sitting there with her cup in her lap, old Kate really looked a strange, weird figure. Her face was lean and haggard, her eyes almost wild, and some half-grey hair peeped from under an uncanny-looking cap of black crape, with long depending strings of the same material.
Old Kate was housekeeper and general female factotum. She was really a distant relation of the Squire, and so had it very much her own way at Burley Old Farm.
She came originally from “just ayant the Border,” and had a wealth of old-world stories to tell, and could sing queer old bits of ballads too, when in the humour.
Old Kate, however, said she could not sing to-night, for she felt as yet unused to the place; and whether they (the boys) believed in ghosts or not she (Kate) did, and so, she said, had her father before her. But she told stories – stories of the bloody raids of long, long ago, when Northumbria and the Scottish Borders were constantly at war – stories that kept her hearers enthralled while they listened, and to which the weird looks and strange voice of the narrator lent a peculiar charm.
Old Kate was just in the very midst of one of these when, twang! one of the strings of Elsie’s harp