When the crowd of wanderers had gathered from all parts of the hill, and the fire had been completely trampled out, the ranger began his inquiries. Cleg was the chief suspect, because no one had seen any other person near the fire except himself. On the other hand no one had seen him light the whins, while all had seen him single-handed fighting the flames.
"It's Tim Kelly's loon, the housebreaker, that leeved in the Sooth Back!" said the inevitable officious stranger with the gratuitous local knowledge. At his father's ill-omened name there was an obvious hardening in the faces of the men who stood about.
"At ony rate, the loon is better in the lock-up," said the ranger sententiously.
At this Cleg's heart beat faster than ever. Many had been his perilous ploys, but never yet had he seen the inside of the prison. He acknowledged that he deserved it, but it was hard thus to begin his prison experience after having stayed to fight the fire, when he could easily have run away. There was unfairness somewhere, Cleg felt.
So, with the burnt relics of his sleeved waistcoat still in his hands, Cleg was dragged along down the edge of the Hunter's Bog. The ranger grasped him roughly by a handful of dirty shirt collar, and his strides were so long that Cleg's short legs were not more than half the time upon the ground.
But at a certain spring of clear, crystal water, which gushes out of the hillside from beneath a large round stone, the ranger paused.
He too had fought the flames, and he had cause to thirst. For it was Sunday afternoon, and he had arisen from his usual lethargic after-dinner sleep upon the settle opposite the kitchen fire.
So at the well he stooped to drink, one hand still on Cleg's collar, and the palm of the other set flat on the side of the boulder. It was Cleg's opportunity. He quickly twisted himself suddenly round, just after the ranger's lips had touched the water. The rotten cloth of his shirt tore, and Cleg sprang free. The ranger, jerked from the support of the stone, and at the same moment detached from his prisoner, fell forward with his head in the spring, while Cleg sped downhill like the wind. He was ready stripped for the race. So, leaving the panting chase far behind, he made for a portion of the encompassing wall, which none but he had ever scaled. Having clambered upon the top, he crossed his legs and calmly awaited the approach of the ranger.
"It's a warm day, Warrior," said Cleg; "ye seem to be sweatin'!"
"Ye limb o' Sawtan," panted the ranger, "gin ever I get ye this side o' the dyke, I'll break every bane in your body."
"Faith," answered Cleg, "ye should be braw an' thankfu', Warrior, for ye hae gotten what ye haena had for years, and had muckle need o'!"
"And what was that, ye de'il's buckie?" cried the angry ranger.
"A wash!" said Cleg Kelly, as he dropped down the city side of the wall, and sped home to his fortress.
ADVENTURE III.
WHY CLEG KELLY HATED HIS FATHER
This is a bad, black tale; yet, for the sake of what comes after, it must be told.
Cleg Kelly had a father. He was a deeply pockmarked man who hated his son; but not so bitterly as his son hated him. Once on a time Cleg Kelly had also a mother, and it is the story of his mother which remains to tell. The story of most men is the story of their mother. They drank love or hatred, scorn or sympathy, at her breasts.
So it was with Cleg Kelly. So let the story of Isbel Kelly be told. How a woman may be murdered in this land and none swing for it! How a woman may be put to the torture every day and every night for years, and the voice of her crying mount (we must believe it) into the ears of the God of Sabaoth, yet no murmur reach her nearest neighbour upon the earth! Gladlier would I tell a merrier tale, save that it is ever best to get the worst over first, as medicine goes before barley-sugar.
Isbel Kelly had not always been Isbel Kelly. That is to say, she had not always been unhappy. There was a time when Timothy Kelly had not come into her life. Isbel Beattie was once a country girl. She had sung in the morn as she went afield to call the dappled kine, as glad a milkmaid as any in song or story. Her foot was the lightest in the dance at the "kirn," her hand the deftest at the spinning-wheel, her cheerful presence the most desired when the butter would not come. For the butter ever comes fastest for a good-tempered woman. A vixenish disposition only curdles the milk. That is why young men, landward but wise, so eagerly offer to help the maids at the butter-making. And no sweeter maiden than Isbel Beattie ever wore print gowns and lilted "O whistle and I'll come to ye, my lad," in all the parish of Ormiland – that is, till Timothy Kelly came, and Isbel sang no more.
Isbel Beattie was "fey," they said, and would take no advice. Lads tight and trig stood in rows to wait for her as she came out of the kirk, on fine Sabbath days when the lilac blossoms, white and purple, were out, and there was a drooping sprig in every spruce bachelor's coat. But Isbel passed them all by with a toss of her head. She could have married a rather stupid young farmer of the best intentions and unquestioned solvency had she so chosen. But Isbel was "fey," and would take counsel from neither maid nor matron.
Now Timothy Kelly, the weasel-faced Irish harvestman, wormed himself into the girl's affections by ways of his own, as before and after he had undone many a trebly fastened door with his steel picklock.
From that day until the hour of her death Isbel Beattie saw no good day. A week after they were married, Timothy Kelly was drinking Isbel's last half-year's wages in a public-house, and Isbel was crying at home with a bruised cheek. She sang no more late or early; but learned to endure hardness and to pray that the kind Lord of whom she had heard in the kirk, might send a swift and easy death as the best thing to pray for.
Timothy Kelly was not long in Ormiland ere he removed to Edinburgh in the interests of business. He needed the metropolis for the exercise of his talents. So Isbel packed what he had left her, and followed him, faithful and weary-foot, to the city lane, and Timothy Kelly cursed her over his shoulder all the way. But she did not hear him, and his words did not hurt her. God had stopped her ears. For the sound of a dearer voice was in them, and the promise of the Eden joy answered Isbel, as though the Lord Almighty walked with her through the streets of the city in the cool of the day.
A week after an infant lay on the breast of Isbel Kelly, in a garret up Meggat's Close, off the Pleasance. A kindly neighbour looked in now and then when Tim Kelly was out, and comforted the young mother. When Tim came in he cursed them all impartially. His foul words sent the neighbours forth again, full of pity and indignation; and so he cast himself down to sleep off drink and temper on the couch of rags in the corner.
Towered fair-faced Edinburgh and its seething under-world held no man like Timothy Kelly. A sieve-net might have been drawn through it and no worse rascal caught than he. Cruel only where he dared with impunity to be cruel, plausible and fawning where it was to his interest so to be, Timothy Kelly was a type of the criminal who lives to profit by the strange infatuations of the weakest women. From silly servant girls at kitchen doors who thought him "a most civil-spoken young man," he obtained the professional information which enabled him to make unrecognised but accurate lists of the family silver upon some stormy midnight, when the policemen stood in doorways, or perambulated the city with their helmets down upon their brows.
Isbel Kelly wore thin and white, and the bruises on her face grew chronic, only occasionally changing the side. For in this matter Timothy Kelly had no weak partiality. Yet, in the midst of all, Cleg Kelly gained in years and strength, his mother many a time shielding him from blows with her own frail body. There was a soft light on her face when she looked at him. When her husband was out Isbel watched Cleg all day long as he lay on the bed and kicked with sturdy limbs, or sprawled restlessly about the house. The dwelling was not extensive. It consisted of one room, and Tim Kelly's "hidie holes," where he kept the weapons of his craft – curious utensils, with iron crab fingers set at various angles upon the end of steel stalks.
Now, it is the strangest, yet one of the commonest, things in this world that Isbel Kelly loved her husband, and at the worst times said no word against him. It was a mistake. She ought to have outfaced him, insulted him, defied him, given him blow for blow. Then he might have been a reasonably decent husband, according to the standard of Meggat's Close.
But