A Woman of Thirty. Honore de Balzac. Читать онлайн. Newlib. NEWLIB.NET

Автор: Honore de Balzac
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Жанр произведения: Зарубежная классика
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Julie’s pale face than all the assumed gaiety died out of it; it was as if a light had been extinguished. She felt no wish to look at the landscape, no curiosity to see the horseman who was galloping towards them at such a furious pace, and, ensconcing herself in her corner, stared out before her at the hindquarters of the post-horses, looking as blank as any Breton peasant listening to his recteur’s sermon.

      Suddenly a young man riding a valuable horse came out from behind the clump of poplars and flowering briar-rose.

      “It is an Englishman,” remarked the Colonel.

      “Lord bless you, yes, General,” said the post-boy; “he belongs to the race of fellows who have a mind to gobble up France, they say.”

      The stranger was one of the foreigners traveling in France at the time when Napoleon detained all British subjects within the limits of the Empire, by way of reprisals for the violation of the Treaty of Amiens, an outrage of international law perpetrated by the Court of St. James. These prisoners, compelled to submit to the Emperor’s pleasure, were not all suffered to remain in the houses where they were arrested, nor yet in the places of residence which at first they were permitted to choose. Most of the English colony in Touraine had been transplanted thither from different places where their presence was supposed to be inimical to the interests of the Continental Policy.

      The young man, who was taking the tedium of the early morning hours on horseback, was one of these victims of bureaucratic tyranny. Two years previously, a sudden order from the Foreign Office had dragged him from Montpellier, whither he had gone on account of consumptive tendencies. He glanced at the Comte d’Aiglemont, saw that he was a military man, and deliberately looked away, turning his head somewhat abruptly towards the meadows by the Cise.

      “The English are all as insolent as if the globe belonged to them,” muttered the Colonel. “Luckily, Soult will give them a thrashing directly.”

      The prisoner gave a glance to the caleche as he rode by. Brief though that glance was, he had yet time to notice the sad expression which lent an indefinable charm to the Countess’ pensive face. Many men are deeply moved by the mere semblance of suffering in a woman; they take the look of pain for a sign of constancy or of love. Julie herself was so much absorbed in the contemplation of the opposite cushion that she saw neither the horse nor the rider. The damaged trace meanwhile had been quickly and strongly repaired; the Count stepped into his place again; and the post-boy, doing his best to make up for lost time, drove the carriage rapidly along the embankment. On they drove under the overhanging cliffs, with their picturesque vine-dressers’ huts and stores of wine maturing in their dark sides, till in the distance uprose the spire of the famous Abbey of Marmoutiers, the retreat of St. Martin.

      “What can that diaphanous milord want with us?” exclaimed the Colonel, turning to assure himself that the horseman who had followed them from the bridge was the young Englishman.

      After all, the stranger committed no breach of good manners by riding along on the footway, and Colonel d’Aiglemont was fain to lie back in his corner after sending a scowl in the Englishman’s direction. But in spite of his hostile instincts, he could not help noticing the beauty of the animal and the graceful horsemanship of the rider. The young man’s face was of that pale, fair-complexioned, insular type, which is almost girlish in the softness and delicacy of its color and texture. He was tall, thin, and fair-haired, dressed with the extreme and elaborate neatness characteristic of a man of fashion in prudish England. Any one might have thought that bashfulness rather than pleasure at the sight of the Countess had called up that flush into his face. Once only Julie raised her eyes and looked at the stranger, and then only because she was in a manner compelled to do so, for her husband called upon her to admire the action of the thoroughbred. It so happened that their glances clashed; and the shy Englishman, instead of riding abreast of the carriage, fell behind on this, and followed them at a distance of a few paces.

      Yet the Countess had scarcely given him a glance; she saw none of the various perfections, human and equine, commended to her notice, and fell back again in the carriage, with a slight movement of the eyelids intended to express her acquiescence in her husband’s views. The Colonel fell asleep again, and both husband and wife reached Tours without another word. Not one of those enchanting views of everchanging landscape through which they sped had drawn so much as a glance from Julie’s eyes.

      Mme. d’Aiglemont looked now and again at her sleeping husband. While she looked, a sudden jolt shook something down upon her knees. It was her father’s portrait, a miniature which she wore suspended about her neck by a black cord. At the sight of it, the tears, till then kept back, overflowed her eyes, but no one, save perhaps the Englishman, saw them glitter there for a brief moment before they dried upon her pale cheeks.

      Colonel d’Aiglemont was on his way to the South. Marshal Soult was repelling an English invasion of Bearn; and d’Aiglemont, the bearer of the Emperor’s orders to the Marshal, seized the opportunity of taking his wife as far as Tours to leave her with an elderly relative of his own, far away from the dangers threatening Paris.

      Very shortly the carriage rolled over the paved road of Tours, over the bridge, along the Grande-Rue, and stopped at last before the old mansion of the ci-devant Marquise de Listomere-Landon.

      The Marquise de Listomere-Landon, with her white hair, pale face, and shrewd smile, was one of those fine old ladies who still seem to wear the paniers of the eighteenth century, and affects caps of an extinct mode. They are nearly always caressing in their manners, as if the heyday of love still lingered on for these septuagenarian portraits of the age of Louis Quinze, with the faint perfume of poudre a la marechale always clinging about them. Bigoted rather than pious, and less of bigots than they seem, women who can tell a story well and talk still better, their laughter comes more readily for an old memory than for a new jest – the present intrudes upon them.

      When an old waiting-woman announced to the Marquise de Listomere-Landon (to give her the title which she was soon to resume) the arrival of a nephew whom she had not seen since the outbreak of the war with Spain, the old lady took off her spectacles with alacrity, shut the Galerie de l’ancienne Cour (her favorite work), and recovered something like youthful activity, hastening out upon the flight of steps to greet the young couple there.

      Aunt and niece exchanged a rapid glance of survey.

      “Good-morning, dear aunt,” cried the Colonel, giving the old lady a hasty embrace. “I am bringing a young lady to put under your wing. I have come to put my treasure in your keeping. My Julie is neither jealous nor a coquette, she is as good as an angel. I hope that she will not be spoiled here,” he added, suddenly interrupting himself.

      “Scapegrace!” returned the Marquise, with a satirical glance at her nephew.

      She did not wait for her niece to approach her, but with a certain kindly graciousness went forward herself to kiss Julie, who stood there thoughtfully, to all appearance more embarrassed than curious concerning her new relation.

      “So we are to make each other’s acquaintance, are we, my love?” the Marquise continued. “Do not be too much alarmed of me. I always try not to be an old woman with young people.”

      On the way to the drawing-room, the Marquise ordered breakfast for her guests in provincial fashion; but the Count checked his aunt’s flow of words by saying soberly that he could only remain in the house while the horses were changing. On this the three hurried into the drawing-room. The Colonel had barely time to tell the story of the political and military events which had compelled him to ask his aunt for a shelter for his young wife. While he talked on without interruption, the older lady looked from her nephew to her niece, and took the sadness in Julie’s white face for grief at the enforced separation. “Eh! eh!” her looks seemed to say, “these young things are in love with each other.”

      The crack of the postilion’s whip sounded outside in the silent old grass-grown courtyard. Victor embraced his aunt once more, and rushed out.

      “Good-bye, dear,” he said, kissing his wife, who had followed him down to the carriage.

      “Oh! Victor, let me come still further with you,” she pleaded coaxingly. “I do not want to leave you – ”

      “Can