The Fifth Queen Crowned. Ford Ford Madox. Читать онлайн. Newlib. NEWLIB.NET

Автор: Ford Ford Madox
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in, Lascelles. I am about cleaning out some stables of mine.'

      The door moved noiselessly and heavily back, taking the hangings with it; as if with the furtive eyes and feathery grace of a blonde fox Cranmer's spy came round the great boards.

      'Ay! I am doing some cleansing,' the King said again. 'Come hither and mend thy pen to write.'

      Against the King's huge bulk – Henry was wearing purple and black upon that day – and against the Archbishop's black and pillar-like form, Lascelles, in his scarlet, with his blonde and tender beard had an air of being quill-like. The bones of his knees through his tight and thin silken stockings showed almost as those of a skeleton; where the King had great chains of gilt and green jewels round his neck, and where the Archbishop had a heavy chain of silver, he had a thin chain of fine gold and a tiny badge of silver-gilt. He dragged one of his legs a little when he walked. That was the fashion of that day, because the King himself dragged his right leg, though the ulcer in it had been cured.

      Sitting askew in his chair at the table, the King did not look at this gentleman, but moved the fingers of his outstretched hand in token that his crook of the leg was kneeling enough for him.

      'Take your tablets and write,' Henry said; 'nay, take a great sheet of parchment and write – '

      'Your Grace,' he added to the Archbishop, 'ye are the greatest penner of solemn sentences that I have in my realm. What I shall say roughly to Lascelles you shall ponder upon and set down nobly, at first in the vulgar tongue and then in fine Latin.' He paused and added —

      'Nay; ye shall write it in the vulgar tongue, and the Magister Udal shall set it into Latin. He is the best Latinist we have – better than myself, for I have no time – '

      Lascelles was going between a great cabinet with iron hinges and the table. He fetched an inkhorn set into a tripod, a sandarach, and a roll of clean parchment that was tied around with a green ribbon.

      Upon the gold and red of the table he stretched out the parchment as if it had been a map. He mended his pen with a little knife and kneeled down upon the rushes beside the table, his chin level with the edge. His whole mind appeared to be upon keeping the yellowish sheet straight and true upon the red and gold, and he raised his eyes neither to the Archbishop's white face nor yet to the King's red one.

      Henry stroked the short hairs of his neck below the square grey beard. He was reflecting that very soon all the people in that castle, and very soon after, most of the people in that land would know what he was about to say.

      'Write now,' he said. '"Henry – by the grace of God – Defender of the Faith – King, Lord Paramount."' He stirred in his chair.

      'Set down all my styles and titles: "Duke Palatine – Earl – Baron – Knight" – leave out nothing, for I will show how mighty I am.' He hummed, considered, set his head on one side and then began to speak swiftly —

      'Set it down thus: "We, Henry, and the rest, being a very mighty King, such as few have been, are become a very humble man. A man broken by years, having suffered much. A man humbled to the dust, crawling to kiss the wounds of his Redeemer. A Lord of many miles both of sea and land." Why, say —

      '"Guide and Leader of many legions, yet comes he to thee for guidance." Say, too, "He who was proud cometh to thee to regain his pride. He who was proud in things temporal cometh to thee that he may once more have the pride of a champion in Christendom – "'

      He had been speaking as if with a malicious glee, for his words seemed to strike, each one, into the face of the pallid figure, darkly standing before him. And he was aware that each word increased the stiff and watchful constraint of the figure that knelt beside the table to write. But suddenly his glee left him; he scowled at the Archbishop as if Cranmer had caused him to sin. He pulled at the collar around his throat.

      'No,' he cried out, 'write down in simple words that I am a very sinful man. Set it down that I grow old! That I am filled with fears for my poor soul! That I have sinned much! That I recall all that I have done! An old man, I come to my Saviour's Regent upon earth. A man aware of error, I will make restitution tenfold! Say I am broken and aged and afraid! I kneel down on the ground – '

      He cast his inert mass suddenly a little forward as if indeed he were about to come on to his knees in the rushes.

      'Say – ' he muttered – 'say – '

      But his face and his eyes became suffused with blood.

      'It is a very difficult thing,' he uttered huskily, 'to meddle in these sacred matters.'

      He fell heavily back into his chair-straps once more.

      'I do not know what I will have you to say,' he said.

      He looked broodingly at the floor.

      'I do not know,' he muttered.

      He rolled his eyes, first to the face of the Archbishop, then to Lascelles —

      'Body of God – what carved turnips!' he said, for in the one face there was only panic, and in the other nothing at all. He rolled on to his feet, catching at the table to steady himself.

      'Write what you will,' he called, 'to these intents and purposes. Or stay to write – I will send you a letter much more good from the upper rooms.'

      Cranmer suddenly stretched out, with a timid pitifulness, his white hands. But, rolling his huge shoulders, like a hastening bear, the King went over the rushes. He pulled the heavy door to with such a vast force that the latch came again out of the hasp, and the door, falling slowly back and quivering as if with passion, showed them his huge legs mounting the little staircase.

      A long silence fell in that dim room. The Archbishop's lips moved silently, the spy's glance went, level, along his parchment. Suddenly he grinned mirthlessly and as if at a shameless thought.

      'The Queen will write the letter his Grace shall send us,' he said.

      Then their eyes met. The one glance, panic-stricken, seeing no issue, hopeless and without resource, met the other – crafty, alert, fox-like, with a dance in it. The glances transfused and mingled. Lascelles remained upon his knees as if, stretching out his right knee behind him, he were taking a long rest.

      II

      It was almost within earshot of these two men in their dim cell that the Queen walked from the sunlight into shadow and out again. This great terrace looked to the north and west, and, from the little hillock, dominating miles of gently rising ground, she had a great view over rolling and very green country. The original builders of the Castle of Pontefract had meant this terrace to be flagged with stone: but the work had never been carried so far forward. There was only a path of stone along the bowshot and a half of stone balustrade; the rest had once been gravel, but the grass had grown over it; that had been scythed, and nearly the whole space was covered with many carpets of blue and red and other very bright colours. In the left corner when you faced inwards there was a great pavilion of black cloth, embroidered very closely with gold and held up by ropes of red and white. Though forty people could sit in it round the table, it appeared very small, the walls of the castle towered up so high. They towered up so high, so square, and so straight that from the terrace below you could hardly hear the flutter of the huge banner of St George, all red and white against the blue sky, though sometimes in a gust it cracked like a huge whip, and its shadow, where it fell upon the terrace, was sufficient to cover four men.

      To take away from the grimness of the flat walls many little banners had been suspended from loopholes and beneath windows. Swallow-tailed, long, or square, they hung motionless in the shelter, or, since the dying away of the great gale three days before, had looped themselves over their staffs. These were all painted green, because that was the Queen's favourite colour, being the emblem of Hope.

      A little pavilion, all of green silk, at the very edge of the platform, had all its green curtains looped up, so that only the green roof showed; and, within, two chairs, a great leathern one for the King, a little one of red and white wood for the Queen, stood side by side as if they conversed with each other. At the top of it was a golden image of a lion, and above the peak of the entrance another, golden too, of the Goddess Flora, carrying a cornucopia of flowers, to