Now the Duc de Beaufort, hot-headed and giddy, without either judgment or principles, cares little for either Cardinal, Coadjutor, or Queen, – is utterly indifferent as to who may rule or who may serve, provided always his own claims, as prince of the blood, to the most lucrative posts are admitted. But he does care very much for an affront offered to the Duchesse de Montbazon, of whom he is desperately enamoured.
The Duchesse de Montbazon, stepmother of the Duchesse de Chevreuse, and lady in waiting to the Queen, finds late one evening, on returning to her hotel, two love-letters dropped on the floor of her private closet. One is from a gentleman, the other is from a lady; both are unsigned. She of course at once decides that the handwriting of the one is that of the lady she most hates, that of the other, the lover of that same lady, whom she hates even more, if possible, than the lady herself. Now the lady whom she hates most is the Duchesse de Longueville, younger, more attractive, and more powerful than herself. The gentleman she selects is the Count de Coligni, who had deserted her for the sake of the Duchess. The next morning, at the Queen's lever, Madame de Montbazon shows these two love-letters to every one, and being the mistress of a caustic tongue, makes some diverting remarks on their contents. Her words are repeated to the Duchesse de Longueville; she denies the fact altogether. Her mother, the Princesse de Condé, Charlotte de Montmorenci, broadly hints to Anne of Austria that the Prince de Condé, the greatest general France had ever possessed since the days of the Constable de Bourbon, will join the malcontent parliament, nay, may even lead Spain into France, if her Majesty does not instantly cause the Duchesse de Montbazon to retract all she has said of his sister. Such is patriotism under the Regency! The Queen, overwhelmed by the clamour of the two duchesses, invokes the help of Cardinal Mazarin. The Cardinal, in his Italian-French, soothes and persuades both, muttering many classic oaths of Cospetto and Corpo di Bacco under his breath. He goes to and fro between the ladies, flatters both, and proposes terms of apology. Every suggestion is objected to; an hour is spent over each word. Such a negotiation is far more difficult than the government of France. All conclusion seems impossible, the Queen at last speaks with authority. She says that "if Madame de Montbazon will not retract, she shall lose her place at Court."
So Spain is not at this time to invade France under the command of Condé, and the Duchesse de Longueville is to receive an apology.
The apology is to be made at the Hôtel de Condé. The Duchesse de Longueville – a superb blonde, with melting blue eyes, golden-brown hair, transparent complexion, and a dazzling neck and shoulders, a coronet of orient pearls and a red feather on her head, a chaplet of the same jewels clasping her throat, wearing a robe of blue tissue, bordered and worked with pearls – stands in the great saloon of her father's ancestral palace. Her feet rest on a dais of cloth of gold and silver; the dais is covered by a canopy spangled with stars. The walls of the saloon are covered with bright frescoes of birds, fruit, and flowers, panelled into golden frames. Four great chandeliers of crystal and silver are placed on pedestals at each corner of the room, lighting up a glittering crowd of princes and princesses of the blood who stand beside the Duchess on the estrade. The greatest nobles of France are present. The doors are flung open, and the Duchesse de Montbazon, a dainty brunette, brilliant, audacious, enticing, who, although forty, is still in the zenith of her charms, flashes into the room in full court costume, her sacque (or train) of amber satin brocaded with gold reaching many yards behind her. The colour on her cheeks is heightened either by rouge or passion; her eyes glitter, and her whole bearing is of one who would say, "I must do this, but I defy you." She knows that all the gentlemen take part with her, if the ladies side with her enemy. She walks straight up to the dais on which the Duchesse de Longueville, née Princesse de Condé, stands, stops, looks her full in the face, then leisurely and with the utmost unconcern casts her eyes round on the company, smiles sweetly to the Duc de Beaufort, and bows to those princes and nobles who are her champions, particularly to the Ducs d'Orléans and de Guise. Then she unfolds her painted fan, and with insolent unconcern reads what follows from a slip of pink paper attached to one of the jewelled sticks:
"Madame, I come here to assure your highness that I am quite innocent of any intention of injuring you. Had it not been so I would humbly beg your pardon, and willingly submit to any punishment her Majesty might see fit to impose on me. I entreat you, therefore, to believe that I have never failed in the esteem which your virtues command, nor in the respect due to your high rank."
The Duchesse de Longueville's soft blue eyes, usually incapable of any other expression but tenderness or supplication, look absolutely wicked, so defiant is the bearing of Madame de Montbazon. She advances to the edge of the estrade, draws herself up with an imperious air, and casting a haughty glance at her rival, who, crimson in the face, is fanning herself violently and ogling the Duc de Beaufort, reading also from her fan, pronounces the following words, dictated by Cardinal Mazarin:
"Madame, I am willing to believe that you took no part in the calumny which has been circulated to my prejudice. I make this acknowledgment in deference to the commands of the Queen."
Thus ends the quarrel; but not the consequences. The whole Court and city is in an uproar. The citizens are deeply interested, and to a man take part with the chère amie of Beaufort against the Duchesse de Longueville, and against Condé and Mazarin.
Condé is not sure if he will not after all lead the Spaniards against France. The Duchesse de Montbazon feeds the flame for her private ends. She lays all the blame of her humiliation on Cardinal Mazarin, which exasperates Beaufort to madness. She incites Henri, Duc de Guise, another of her adorers – the wildest, bravest, and most dissolute of princes – to challenge the Comte de Coligni, whom she had designated as the writer of one of the love-letters. A duel is fought in the Place Royale. The Duchesse de Montbazon watches the while out of a window of the palace of the Duc de Rohan, her cousin. Coligni is killed. He falls, it is said, into the arms of the Duchesse de Longueville, who is present on the Place, disguised as a page.
The Duc de Beaufort, whose turbulent folly foreshadows the grand seigneur of later reigns and almost excuses the great Revolution, refuses to receive a royal herald, sent to him by the Queen, turns his back upon her Majesty at her lever, and threatens the life of the Cardinal. The Duchesse de Montbazon is banished.
CHAPTER IX.
THE DUC DE BEAUFORT
THE Duc de Beaufort is summoned to a private audience at the Louvre. On his way up the grand staircase entering from the inner quadrangle he meets his mother, the Duchesse de Vendôme, and his sister, the Duchesse de Nemours, who, their attendance on the Queen over, are descending.
"Good God! Francis," cries his mother, raising her hands with a gesture of horror, "I thought you were safe at Rambouillet. You within the Louvre at this moment? You must be mad!" And she throws herself upon him and tries to bar his further passage.
"Oh, my brother!" exclaims his sister Nemours, in the same breath, throwing her arms around his neck; "in the name of the Holy Virgin, do not tempt your fate. Fly, dear Francis – fly, while you can – our coach is waiting below – come with us instantly." And Madame de Nemours takes him by the arm, and tries to draw him downwards.
Beaufort plants himself firmly on the stair. His first impulse is to push them both forcibly aside, and to proceed; his next to curse their folly in the spicy argot of the halles. He does neither; but stands open-mouthed, his fierce eyes demanding an explanation he does not condescend to ask. The explanation is soon forthcoming.
"My son," cries his mother, bursting into tears, and seizing on his hand to detain him, as he makes a motion as if to evade them, "listen to me, I implore you. Your sister and I have been in waiting on the Queen many hours to-day. She is terribly incensed against you. People have been coming all day with tales to her here, at the Louvre. Crowds have filled her audience chamber."
"Mille