Musical Myths and Facts, Volume 2 (of 2). Engel Carl

so graciously remember them, and present them with a musical treasure so precious!

      We, therefore, throw ourselves at the feet of your Serene Highness, and before the Archipiscopal Pastoral Staff, and express as well as it is in our power our most dutiful thanks, with every devotion and reverence, as we are in duty bound to your sovereign clemency for ever.

      This memorial of your highest favour shall be permanently preserved in the archives of the Elector's church at Munich, to the everlasting glory of God, to the honour of the Holy Virgin and of the Holy Archangel Michael, and in memory of your gracious condescension.

      Moreover, we admire the very great merit of the music of your Serene Highness not only on account of the high position of its composer, but also on account of its very pleasing artistic effect, which has astonished every one, when the music had been carefully examined by all the Gregorian musicians we summoned to try it. We all – not only I, who consider myself the most insignificant, but also the Gregorian disciples – we all pray in deep humility that the kindly blessings of Heaven may for many years support your Serene Highness in your beneficent functions, for the advantage of the Church, and for the consolation of all good people, especially also for the benefit of your dependants, of whom the Gregorian disciples delight in being the most humble. Permit me to recommend especially these, together with myself, your most humble servant, in our deepest reverence, to your most gracious favour and benevolence. We thus continually pray with bended knees, venturing to hope with the most implicit confidence that Heaven's blessing will result to us from the Archipiscopal Mitre and Pastoral Staff, which we humbly reverence with our kisses.

Your Serene Highness'

Most humble Servant,

Gregorius Schilger, Soc. Jesu,

Inspector of the St. Gregorian House.

      Munich, August 7th, 1720."

      There are some touching instances on record of royal personages in affliction finding relief and consolation in studying music. The last King of Hanover had the misfortune of being nearly deprived of his eyesight some time before he came to the throne. As Crown Prince he published a pamphlet entitled 'Ideas and Reflections on the Properties of Music,' from which a few short extracts may find a place here, as they show how soothing a balm this art was to him: —

      "From early youth I have striven to make music my own. It has become to me a companion and comforter through life; it has become more and more valuable to me the more I learnt to comprehend and appreciate its boundless exuberance of ideas, its inexhaustible fulness, the more intimately its whole poetry was interwoven with my whole being… By means of music, ideas, feelings, and historical events, natural phenomena, pictures, scenes of life of all sorts, are as clearly and intelligibly expressed as by any language in words; and we are ourselves enabled to express ourselves in such a manner and to make ourselves understood by others… Of all the senses of man, sight and hearing are those by which most effect is produced upon mind and heart, and which are consequently the most powerful springs for the moral and rational feelings, actions, and opinions of men. But Hearing appears to be the most influential and operative of the two organs; for this reason, that by inharmonious discordant tones our feelings may be so shocked, even to their deepest recesses, and so painfully wounded as to drive us almost beside ourselves; which impression cannot possibly be produced in us by a bad picture, a dreary landscape, or a very faulty poem… I have known persons whose spirits were broken, and their hearts rent by care, grief, and affliction. They wandered about, murmuring at their fate, absorbed in meditation, in vain seeking hope, in vain looking for a way to escape. But, the excess of their inward pangs needed alleviation; the heart discovered the means of procuring it: the deep-drawn sighs of the oppressed bosom were involuntarily converted into tones of lamentation, and this unconscious effusion was productive of relief, composure, and courageously calm resignation. Yes, indeed, it is above all in the gloomy hours of affliction that Music is a soothing comforter, a sympathizing friend to the sufferer; it gives expression to the gnawing anguish which rends the soul, and which it thereby mitigates and softens: it lends a tear to the stupefaction of grief; it drops mollifying healing balsam into every wounded heart. Whoever has experienced this effect himself, or witnessed it in others, will admit with me that for this fairest service rendered by the art we cannot sufficiently thank and revere it."

      How sad and suggestive are these lines, penned by a royal musician!