The pope and the doge divide the spoil. With well-dissembled regret, Innocent took the new order of things in the city of Constantinople under his protection. The bishop of Rome at last appointed the Bishop of Constantinople. The acknowledgment of papal supremacy was complete. Rome and Venice divided between them the ill-gotten gains of their undertaking. If anything had been wanting to open the eyes of Europe, surely what had thus occurred should have been enough. The pope and the doge – the trader in human credulity and the trader of the Adriatic – had shared the spoils of a crusade meant by religious men for the relief of the Holy Land. Works of art carried to Venice. The bronze horses, once brought by Augustus from Alexandria, after his victory over Antony and transferred from Rome to Constantinople by its founder, were set before the Church of St Mark. They were the outward and visible sign of a less obvious event that was taking place. For to Venice was brought a residue of the literary treasures that had escaped the fire and the destroyer; and while her comrades in the outrage were satisfied, in their ignorance, with fictitious relics, she took possession of the poor remnant of the glorious works of art, of letters, and of science. Through these was hastened the intellectual progress of the West.
The punishment of Constantinople. So fell Constantinople, and fell by the parricidal hands of Christians. The days of retribution for the curse she had inflicted on Western civilization were now approaching. In these events she received a first instalment of her punishment. Three hundred years previously, the historian Luitprand, who was sent by the Emperor Otho I. to the court of Nicephorus Phocas, says of her, speaking as an eye-witness, "That city, once so wealthy, so flourishing, is now famished, lying, perjured, deceitful, rapacious, greedy, niggardly, vainglorious;" and since Luitprand's time she had been pursuing a downward career. It might have been expected that the concentration of all the literary and scientific treasures of the Roman empire in Constantinople would have given rise to great mental vigour – that to Europe she would have been a brilliant focus of light. The literary worthlessness of that city. But when the works on jurisprudence by Tribonian, under Justinian, have been mentioned, what is there that remains? There is Stephanus, the grammarian, who wrote a dictionary, and Procopius, the historian, who was secretary to Belisarius in his campaigns. There is then a long interval almost without a literary name, to Theophylact Simocatta, and to the Ladder of Paradise of John Climacus. The mental excitement of the iconoclastic dispute presents us with John of Damascus; and the ninth century, the Myriobiblion and Nomacanon of Photius. Then follows Constantine Porphyrogenitus, vainly and voluminously composing; and Basil II. doubtless truly expresses the opinion of the time, as he certainly does the verdict of posterity respecting the works of his country, when he says that learning is useless and unprofitable lumber. The Alexiad of Anna Comnena, and the history of Byzantine affairs by Nicephorous Bryennius, hardly redeem their age. This barrenness and worthlessness was the effect of the system introduced by Constantine the Great. The long line of emperors had been consistent in one policy – the repression or expulsion of philosophy; and yet it is the uniform testimony of those ages that the Eastern convents were full of secret Platonism – that in stealth, the doctrines of Plato were treasured up in the cells of Asiatic monks. The Byzantines had possessed in art and letters all the best models in the world, yet in a thousand years they never produced one original. Millions of Greeks never advanced one step in philosophy or science – never made a single practical discovery, composed no poem, no tragedy worth perusal. The spirit of their superficial literature – if literature it can be called – is well shadowed forth in the story of the patriarch Photius, who composed at Bagdad, at a distance from his library, an analysis of 280 works he had formerly read. The absurdity of its intellectual pursuits. The final age of the city was signalized by the Baarlamite controversy respecting the mysterious light of Mount Thabor – the possibility of producing a beatific vision and of demonstrating, by an unceasing inspection of the navel for days and nights together, the existence of two eternal principles, a visible and an invisible God!
Cause of all this. What was it that produced this barrenness, this intellectual degradation in Constantinople? The tyranny of Theology over Thought.
But with the capture of Constantinople by the Latins other important events were occurring. Everywhere an intolerance of papal power was engendering. Heresy follows literature. The monasteries became infected, and even from the holy lips of monks words of ominous import might be heard. In the South of France the intellectual insurrection first took form. There the influence of the Mohammedans and Jews beyond the Pyrenees began to manifest itself. Spread of gay literature from Spain. The songs of gallantry; tensons, or poetical contests of minstrels; satires of gay defiance; rivalry in praise of the ladies; lays, serenades, pastourelles, redondes, such as had already drawn forth the condemnation of the sedate Mussulmen of Cordova, had gradually spread through Spain and found a congenial welcome in France. The Troubadours and Trouvères. The Troubadours were singing in the langue d'Oc in the south, and the Trouvères in the langue d'Oil in the north. Thence the merry epidemic spread to Sicily and Italy. Men felt that a relief from the grim ecclesiastic was coming. Kings, dukes, counts, knights, prided themselves on their gentle prowess. The humbler minstrels found patronage among ladies and at courts: sly satires against the priests, and amorous ditties, secured them a welcome among the populace. When the poet was deficient in voice, a jongleur