The impostor of whom I am speaking descends originally from Falsehood, who was the mother of Nonsense, who gave birth to a son called Frenzy, who married one of the daughters of Folly, commonly known by the name of Laughter, from whom came that monstrous infant of which I have been speaking. I shall set down at length the genealogical table of False Humour, and, at the same time, place by its side the genealogy of True Humour, that the reader may at one view behold their different pedigree and relations: —
I might extend the allegory, by mentioning several of the children of False Humour, who are more in number than the sands of the sea, and might in particular enumerate the many sons and daughters of which he is the actual parent. But as this would be a very invidious task, I shall only observe in general that False Humour differs from the True, as a monkey does from a man.
First of all, he is exceedingly given to little apish tricks and buffooneries.
Secondly, he so much delights in mimicry, that it is all one to him whether he exposes by it vice and folly, luxury and avarice; or, on the contrary, virtue and wisdom, pain and poverty.
Thirdly, he is wonderfully unlucky, inasmuch that he will bite the hand that feeds him, and endeavour to ridicule both friends and foes indifferently. For, having but small talents, he must be merry where he can, not where he should.
Fourthly, being entirely devoid of reason, he pursues no point either of morality or instruction, but is ludicrous only for the sake of being so.”
III.
THE FLATTERER
“Who flatters is of all mankind the lowest, Save him who courts the flattery.”
The Flatterer is a false friend clothed in the garb of a true one. He speaks words from a foul heart through fair lips. His eyes affect to see only beauty and perfection, and his tongue pours out streams of sparkling praises. He is enamoured of your appearance, and your general character commands his admiration. You have no fault which he may correct, or delinquency which he may rebuke. The last time he met you in company, your manners pleased him beyond measure; and though you saw it not, yet he observed how all eyes were brightened by seeing you. If you occupy a position of authority whence you can bestow a favour which he requires, you are “most gracious, powerful, and good.” His titles are all in the superlative, and his addresses full of wondering interjections. His object is more to please than to speak the truth. His art is nothing but delightful trickery by means of smoothing words and complacent looks. He would make men fools by teaching them to overrate their abilities. Those who walk in the vale of humility amid the modest flowers of virtue and favoured with the presence of the Holy One, he would lift into the Utopian heights of vanity and pride, that they might fall into the condemnation of the Devil. He gathers all good opinions and approving sentiments that he might carry them to his prey, losing nothing in weight and number during their transit. He is one of Fame’s best friends, helping to furnish her with some of her strongest and richest rumours. But conscience has not a greater adversary; for when it comes forth to do its office in accusation or reproof, he anticipates its work, and bribes her with flattering speech. Like the chamelion, he changes his appearance to suit his purpose. He sometimes affects to be nothing but what pleases the object of his admiration, whose virtues he applauds and whose imperfections he pretends it to be an advantage to imitate. When he walks with his friend, he would feign have him believe that every eye looks at him with interest, and every tongue talks of him with praise – that he to whom he deigns to give his respects is graced with peculiar honour. He tells him he knows not his own worth, lest he should be too happy or vain; and when he informs him of the good opinions of others, with a mock-modesty he interrupts himself in the relation, saying he must not say any more lest he be considered to flatter, making his concealment more insinuating than his speech. He approaches with fictitious humility to the creature of his praise, and hangs with rivetted attention upon his lips, as though he spake with the voice of an oracle. He repeats what phrase or sentence may particularly gratify him, and both hands are little enough to bless him in return. Sometimes he extols the excellencies of his friend in his absence, but it is in the presence of those who he is pretty certain will convey it to his ears. In company, he sometimes whispers his commendations to the one next him, in such a way that his friend may hear him in the other part of the room.
The Flatterer is a talker who insinuates himself into every circle; and there are few but are fond of his fair speech and gaudy praise. He conceals himself with such dexterousness that few recognise him in his true character. Those with whom he has to do too frequently view him as a friend, and confide in his communications. What door is not open to the man who brings the ceremonious compliments of praise in buttery lips and sugared words – who carries in his hand a bouquet of flowers, and in his face the complacent smile, addressing you in words which feed the craving of vanity, and yet withal seem words of sincere friendship and sound judgment?
Where is the man who has the moral courage, the self-abnegation to throw back honied encomiums which come with apparent reality, although from a flatterer? “To tell a man that he cannot be flattered is to flatter him most effectually.”
“Honey’d assent,
How pleasant art thou to the taste of man,
And woman also! flattery direct
Rarely disgusts. They little know mankind
Who doubt its operation: ’tis my key,
And opes the wicket of the human heart.”
“The firmest purpose of a human heart
To well-tim’d artful flattery may yield.”
“’Tis an old maxim in the schools
That flattery’s the food of fools;
Yet now and then your men of wit
Will condescend to take a bit.”
The Flatterer is a lurking foe, a dangerous friend, a subtle destroyer. “A flattering mouth worketh ruin.” “He that speaketh flattery to his friends, even the eyes of his children shall fail.” “A man that flattereth his neighbour spreadeth a net for his feet.” The melancholy results of flattery are patent before the world, both on the page of history and in the experience of mankind. How many thousand young men who once stood in the uprightness of virtue are now debased and ruined through the flattery of the “strange woman,” so graphically described by Solomon in Prov. vii., “With her much fair speech she caused him to yield, with the flattering of her lips she forced him. He goeth after her straightway, as an ox goeth to the slaughter, or as a fool to the correction of the stocks; till a dart strike through his liver; as a bird hasteth to the snare, and knoweth not that it is for his life” (vers. 21-23). “She hath cast down many wounded: yea, many strong men have been slain by her. Her house is the way to hell, going down to the chambers of death” (vers. 26, 27).
And as the virtuous young man is thus led into ruin by the flattering tongue of the strange woman; so the virtuous young female is sometimes led into ruin by the flattering tongue of the lurking enemy of beauty and innocence. I cannot give a more striking and pathetic illustration of this than the one portrayed by the incomparable hand of Pollok: —
“Take one example, one of female woe.
Loved by her father, and a mother’s love,
In rural peace she lived, so fair, so light
Of heart, so good and young, that reason scarce
The eye could credit, but would doubt, as she
Did stoop to pull the lily or the rose
From morning’s dew, if it reality
Of flesh and blood, or holy vision, saw,
In imagery of perfect womanhood.
But short her bloom – her happiness was short.
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