On the History of Gunter's Scale and the Slide Rule during the Seventeenth Century. Florian Cajori. Читать онлайн. Newlib. NEWLIB.NET

Автор: Florian Cajori
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Жанр произведения: Зарубежная классика
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isbn: http://www.gutenberg.org/ebooks/42216
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at 10, and proceeding to 100, being one entire Radius, and graduated into as many divisions as the largeness of the instrument will admit, being 10 to 10 50 into 50 parts, and from 50 to 100 into 20 parts in one unit of increase, but the Tangents are divided into single minutes from the beginning to the end, both in the first, second and third Radiusses, and the sines into minutes; also from 30 minutes to 40 degrees, and from 40 to 60, into every two minutes, and from 60 to 80 in every 5th minute, and from 80 to 85 every 10th, and the rest as many as can be well discovered.

      The versed sines are set after the manner of Mr. Gunter’s Cross-staff, and divided into every 10th minutes beginning at 0, and proceeding to 156 going backwards under the line of Tangents.

      4. Fourthly, beyond the Tangent of 45 in one single line, for one Turn is the secants to 51 degrees, being nothing else but the sines reitterated beyond 90.

      5. Fifthly, you have the line of Tangents beyond 45, in 5 turnes to 85 degrees, whereby all trouble of backward working is avoided.

      6. Sixthly, you have in one circle the 180 degrees of a Semicircle, and also a line of natural sines, for finding of differences in sines, for finding hour and Azimuth.

      7. Seventhly, next the verge or outermost edge is a line of equal parts to get the Logarithm of any number, or the Logarithm sine and Tangent of any ark or angle to four figures besides the carracteristick.

      8. Eightly and lastly, in the space place between the ending of the middle five turnes, and one half of the circle are three prickt lines fitted for reduction. The uppermost being for shillings, pence and farthings. The next for pounds, and ounces, and quarters of small Averdupoies weight. The last for pounds, shillings and pence, and to be used thus: If you would reduce 16s. 3d. 2q. to a decimal fraction, lay the hair or edge of one of the legs of the index on 16. 3½ in the line of 1. s. d. and the hair shall cut on the equal parts 81 16; and the contrary, if you have a decimal fraction, and would reduce it to a proper fraction, the like may you do for shillings, and pence, and pounds, and ounces.

The uses of the lines follow

      As to the use of these lines, I shall in this place say but little, and that for two reasons. First, because this instrument is so contrived, that the use is sooner learned then any other, I speak as to the manner, and way of using it, because by means of first second and third radiusses, in sines and Tangents, the work is always right on, one way or other, according to the Canon whatsoever it be, in any book that treats of the Logarithms, as Gunter, Wells, Oughtred, Norwood, or others, as in Oughtred from page 64 to 107.

      Secondly, and more especially, because the more accurate, and large handling thereof is more then promised, if not already performed by more abler pens, and a large manuscript thereof by my Sires meanes, provided many years ago, though to this day not extant in print; so for his sake I claiming my interest therein, make bold to present you with these few lines, in order to the use of them: And first note,

      1. Which soever of the two legs is set to the first term in the question, that I call the first leg always, and the other being set to the second term, I call the second leg.

      The exact nature of the contrivance with the “two legs” is not described, but it was probably a flat pair of compasses, attached to the metallic surface on which the serpentine line was drawn. In that case the instrument was a slide rule, rather than a form of Gunter’s line. In his publication of 1661, as also in later publications,13 John Brown devoted more space to Gunter’s scales, requiring the use of a separate pair of compasses, than to slide rules.

Changes introduced by William Leybourn

      The same remark applies to William Leybourn who, after speaking of Seth Partridge’s slide rule, returns to forms of Gunter’s scale, saying:14

      There is yet another way of disposing of this Line of Proportion, by having one Line of the full length of the Ruler, and another Line of the same Radius broken in two parts between 3 and 4; so that in working your Compasses never go off of the Line: This is one of the best contrivances, but here Compasses must be used. These are all the Contrivances that I have hitherto seen of these Lines: That which I here speak of, and will shew how to use, is only two Lines of one and the same Radius, being set upon a plain Ruler of any length (the larger the better) having the beginning of one Line, at the end of the other, the divisions of each Line being set so close together, that if you find any number upon one of the Lines, you may easily see what number stands against it on the other Line. This is all the Variation..

      Example 1. If a Board be 1 Foot 64 parts broad, how much in length of that Board will make a Foot Square? Look upon one of your Lines (it matters not which) for 1 Foot 64 parts, and right against it on the other Line you shall find 61; and so many parts of a Foot will make a Foot square of that Board.

      This contrivance solves the equation 1.64x=1, yielding centesimal parts of a foot.

      James Atkinson15 speaks of “Gunter’s scale” as “usually of Boxwood.. commonly 2 ft. long, 1½ inch broad” and “of two kinds: long Gunter or single Gunter, and the sliding Gunter. It appears that during the seventeenth century (and long after) the Gunter’s scale was a rival of the slide rule.

      III. RICHARD DELAMAIN’S GRAMMELOGIA

      We begin with a brief statement of the relations between Oughtred and Delamain. At one time Delamain, a teacher of mathematics in London, was assisted by Oughtred in his mathematical studies. In 1630 Delamain published the Grammelogia, a pamphlet describing a circular slide rule and its use. In 1631 he published another tract, on the Horizontall Quadrant.16 In 1632 appeared Oughtred’s Circles of Proportion17 translated into English from Oughtred’s Latin manuscript by another pupil, William Forster, in the preface of which Forster makes the charge (without naming Delamain) that “another.. went about to pre-ocupate” the new invention. This led to verbal disputes and to the publication by Delamain of several additions to the Grammelogia, describing further designs of circular slide rules and also stating his side of the bitter controversy, but without giving the name of his antagonist. Oughtred’s Epistle was published as a reply. Each combatant accuses the other of stealing the invention of the circular slide rule and the horizontal quadrant.

Different editions or impressions

      There are at least five different editions, or impressions, of the Grammelogia which we designate, for convenience, as follows:

      Grammelogia I, 1630. One copy in the Cambridge University Library.18

      Grammelogia II, I have not seen a copy of this.

      Grammelogia III, One copy in the Cambridge University Library.19

      Grammelogia IV, One copy in the British Museum, another in the Bodleian Library, Oxford.20

      Grammelogia V, One copy in the British Museum.

      In Grammelogia I the first three leaves and the last leaf are without pagination. The first leaf contains the title-page; the second leaf, the dedication to the King and the preface “To the Reader;” the third leaf, the description of the Mathematical Ring. Then follow 22 numbered pages. Counting the unnumbered pages, there are altogether 30 pages in the pamphlet. Only the first three leaves of this pamphlet are omitted in Grammelogia IV and V.

      In Grammelogia III the Appendix begins with a page numbered 52 and bears the heading “Conclusion;” it ends with page 68, which contains the same two poems on the mathematical ring that are given on the last page of Grammelogia I but differs slightly in the spelling of some of the words. The 51 pages which must originally have preceded page 52, we have not seen. The edition containing these we have designated Grammelogia II. The reason for the omission of these 51 pages can only be conjectured. In Oughtred’s


<p>13</p>

A Collection of Centers and Useful Proportions on the Line of Numbers, by John Brown, 1662(?), 16 pages; Description and Use of the Triangular Quadrant, by John Brown, London, 1671; Wingate’s Rule of Proportion in Arithmetick and Geometry: or Gunter’s Line. Newly rectified by Mr. Brown and Mr. Atkinson, Teachers of the Mathematicks, London, 1683; The Description and Use of the Carpenter’s-Rule: Together with the Use of the Line of Numbers commonly call’d Gunter’s-Line, by John Brown, London, 1704.

<p>14</p>

William Leybourn, op. cit., pp. 129, 130, 132, 133.

<p>15</p>

James Atkinson’s edition of Andrew Wakely’s The Mariners Compass Rectified, London, 1694 [Wakely’s preface dated 1664, Atkinson’s preface, 1693]. Atkinson adds An Appendix containing Use of Instruments most useful in Navigation. Our quotation is from this Appendix, p. 199.

<p>16</p>

R. Delamain, The Making, Description, and Use of a small portable Instrument.. called a Horizontall Quadrant, etc., London, 1631.

<p>17</p>

Oughtred’s description of his circular slide rule of 1632 and his rectilinear slide rule of 1633, as well as a drawing of the circular slide rule, are reproduced in Cajori’s History of the Slide Rule, Addenda, pp. ii-vi.

<p>18</p>

The full title of the Grammelogia I is as follows:

Gram̄elogia | or, | The Mathematicall Ring. | Shewing (any reasonable Capacity that hath | not Arithmeticke) how to resolve and worke | all ordinary operations of Arithmeticke. | And those which are most difficult with greatest | facilitie: The extraction of Roots, the valuation of | Leases, &c. The measuring of Plaines | and Solids. | With the resolution of Plaine and Sphericall | Triangles. | And that onely by an Ocular Inspection, | and a Circular Motion. | Naturae secreta tempus aperit. | London printed by John Haviland, 1630.

<p>19</p>

Grammelogia III is the same as Grammelogia I, except for the addition of an appendix, entitled:

De la Mains | Appendix | Vpon his | Mathematicall | Ring. Attribuit nullo (praescripto tempore) vitae | vsuram nobis ingeniique Deus. | London, |

.. The next line or two of this title-page which probably contained the date of publication, were cut off by the binder in trimming the edges of this and several other pamphlets for binding into one volume.

<p>20</p>

Grammelogia IV has two title pages. The first is Mirifica Logarithmoru’ Projectio Circularis. There follows a diagram of a circular slide rule, with the inscription within the innermost ring: Nil Finis, Motvs, Circvlvs vllvs Habet. The second title page is as follows:

Grammelogia | Or, the Mathematicall Ring. | Extracted from the Logarythmes, and projected Circular: Now published in the | inlargement thereof unto any magnitude fit for use: shewing any reason- | able capacity that hath not Arithmeticke how to resolve and worke, | all ordinary operations of Arithmeticke: | And those that are most difficult with greatest facilitie, the extracti- | on of Rootes, the valuation of Leases, &c. the measuring of Plaines and Solids, | with the resolution of Plaine and Sphericall Triangles applied to the | Practicall parts of Geometrie, Horologographie, Geographie | Fortification, Navigation, Astronomie, &c. | And that onely by an ocular inspection, and a Circular motion, Invented and first published, by R. Delamain, Teacher, and Student of the Mathematicks. | Naturae secreta tempus aperit. |

There is no date. There follows the diagram of a second circular slide rule, with the inscription within the innermost ring: Typus proiectionis Annuli adaucti vt in Conslusione Lybri praelo commissi, Anno 1630 promisi. There are numerous drawings in the Grammelogia, all of which, excepting the drawings of slide rules on the engraved title-pages of Grammelogia IV and V, were printed upon separate pieces of paper and then inserted by hand into the vacant spaces on the printed pages reserved for them. Some drawings are missing, so that the Bodleian Grammelogia IV differs in this respect slightly from the copy in the British Museum and from the British Museum copy of Grammelogia V.