The Thlinkeet family, commencing at the north, comprises the Ugalenzes,138 on the shore of the continent between Mount St Elias and Copper River; the Yakutats, of Bering Bay; the Chilkats, at Lynn Canal; the Hoodnids, at Cross Sound; the Hoodsinoos, of Chatham Strait; and, following down the coast and islands, the Takoos, the Auks, the Kakas, the Sitkas,139 the Stikines,140 and the Tungass. The Sitkas on Baranoff Island141 are the dominant tribe.
Descending from the north into more genial climes, the physical type changes, and the form assumes more graceful proportions. With the expansion of nature and a freer play of physical powers, the mind expands, native character becomes intensified, instinct keener, savage nature more savage, the nobler qualities become more noble; cruelty is more cruel, torture is elevated into an art, stoicism is cultivated,142 human sacrifice and human slavery begin, and the oppression and degradation of woman is systematized. "If an original American race is accepted," says Holmberg, "the Thlinkeets must be classed with them." They claim to have migrated from the interior of the continent, opposite Queen Charlotte Island.
The Ugalenzes spend their winters at a small bay east from Kadiak, and their summers near the mouth of Copper River, where they take fish in great quantities. Their country also abounds in beaver. The Chilkats make two annual trading excursions into the interior. The Tacully tribes, the Sicannis and Nehannes, with whom the Chilkats exchange European goods for furs, will allow no white man to ascend their streams.
Naturally, the Thlinkeets are a fine race; the men better formed than the boatmen of the north;143 the women modest, fair, and handsome;144 but the latter have gone far out of their way to spoil the handiwork of nature. Not content with daubing the head and body with filthy coloring mixtures; with adorning the neck with copper-wire collars, and the face with grotesque wooden masks; with scarring their limbs and breast with keen-edged instruments; with piercing the nose and ears, and filling the apertures with bones, shells, sticks, pieces of copper, nails, or attaching to them heavy pendants, which drag down the organs and pull the features out of place;145 they appear to have taxed their inventive powers to the utmost, and with a success unsurpassed by any nation in the world, to produce a model of hideous beauty.
This success is achieved in their wooden lip-ornament, the crowning glory of the Thlinkeet matron, described by a multitude of eye-witnesses; and the ceremony of its introduction may be not inappropriately termed, the baptism of the block. At the age of puberty, – some say during infancy or childhood, – in the under lip of all free-born female Thlinkeets,146 a slit is made parallel with the mouth, and about half an inch below it.147 If the incision is made during infancy, it is only a small hole, into which a needle of copper, a bone, or a stick is inserted, the size being increased as the child grows. If the baptism is deferred until the period when the maiden merges into womanhood, the operation is necessarily upon a larger scale, and consequently more painful.148 When the incision is made, a copper wire, or a piece of shell or wood, is introduced, which keeps the wound open and the aperture extended; and by enlarging the object and keeping up a continuous but painful strain, an artificial opening in the face is made of the required dimensions. On attaining the age of maturity, this wire or other incumbrance is removed and a block of wood inserted. This block is oval or elliptical in shape, concaved or hollowed dish-like on the sides, and grooved like the wheel of a pulley on the edge in order to keep it in place.149 The dimensions of the block are from two to six inches in length, from one to four inches in width, and about half an inch thick round the edge, and highly polished.150 Old age has little terror in the eyes of a Thlinkeet belle, for larger lip-blocks are introduced as years advance, and each enlargement adds to the lady's social status, if not to her facial charms. When the block is withdrawn, the lip drops down upon the chin like a piece of leather, displaying the teeth, and presenting altogether a ghastly spectacle.151 This custom is evidently associated in their minds with womanly modesty, for when La Pérouse asked them to remove their block, some refused; those who complied manifesting the same embarrassment shown by a European woman who uncovers her bosom. The Yakutats alone of all the Thlinkeet nation have never adopted this fashion.
Their dress, which is made from wolf, deer, bear, or other skin, extends from the shoulder to the knee, and consists of a mantle, or cape, with sleeves, which reaches down to the waist, and to which the women attach a skirt, or gown, and the men a belt and apron. A white blanket is made from the wool of the wild sheep, embroidered with figures, and fringed with furs, all of native work. This garment is most highly prized by the men. They wear it thrown over the shoulder so as to cover the whole body.
Vancouver thus describes the dress of a chief at Lynn Canal. His "external robe was a very fine large garment, that reached from his neck down to his heels, made of wool from the mountain sheep, neatly variegated with several colors, and edged and otherwise decorated with little tufts or frogs of woolen yarn, dyed of various colors. His head-dress was made of wood, much resembling in its shape a crown, adorned with bright copper and brass plates, from whence hung a number of tails or streamers, composed of wool and fur, wrought together, dyed of various colors, and each terminating in a whole ermine skin. The whole exhibited a magnificent appearance, and indicated a taste for dress and ornament that we had not supposed the natives of these regions to possess."
The men make a wooden mask, which rests on a neckpiece, very ingeniously carved, and painted in colors, so as to represent the head of some bird or beast or mythological being. This was formerly worn in battle, probably, as La Pérouse suggests, in order to strike terror into the hearts of enemies, but is now used only on festive occasions.152
A small hat of roots and bark, woven in the shape of a truncated cone, ornamented with painted figures and pictures of animals, is worn by both sexes.153 Ordinarily, however, the men wear nothing on the head; their thick hair, greased and covered with ochre and birds' down, forming a sufficient covering. The hat is designed especially for rainy weather, as a protection to the elaborately dressed hair.154 Besides their every-day dress, they have a fantastic costume for tribal holidays.
For their winter habitations, a little back from the ocean, the Thlinkeets build substantial houses of plank or logs, sometimes of sufficient strength to serve as a fortress. They are six or eight feet in height, the base in the form of a square or parallelogram, the roof of poles placed at an angle of forty-five degrees and covered with bark. The entrance is by a small side door. The fire, which is usually kept burning night and day, occupies the centre of the room; over it is a smoke-hole of unusual size, and round the sides of the room are apartments or dens which are used as store-houses, sweat-houses, and private family rooms. The main room is very public and very filthy.155 Summer huts are light portable buildings, thrown up during hunting excursions in the interior, or on the sea-beach in the fishing-season. A frame is made of stakes driven into the ground, supporting a roof, and the whole covered with bark, or with green or dry branches, and skins or bark over all. The door is closed by bark or a curtain of skins. Each hut is the rendezvous for a small colony, frequently covering twenty or thirty persons, all under the direction of one chief.156
The food of the Thlinkeets