For no mail such cowards wear!
Done, Priest? Then, absolve and bless him!
Now – you three, stab thick and fast,
Deep and deeper! Dead at last?”
In October 1657 Cristina already felt suspicious of Monaldeschi. Keenly watching his actions, she had found him guilty of a double perfidy, and had led him on to a conversation touching a similar unfaithfulness. “What,” the Queen had said, “does the man deserve who should so have betrayed a woman?” “Instant death,” said Monaldeschi; “’twould be an act of justice.” “It is well,” said she; “I will remember your words.” As to the right of the Queen to execute Monaldeschi, it must be remembered that, by a special clause in the Act of Abdication, she retained absolute and sovereign jurisdiction over her servants of all kinds. The only objection made by the French Court was, that she ought not to have permitted the murder to take place at Fontainebleau. After this crime Cristina was compelled to leave France, and finally retired to Rome, giving herself up to her artistic tastes, science, chemistry and idleness. She died on April 19th, 1689; her epitaph on her tomb in St. Peter’s at Rome was chosen by herself – “Cristina lived sixty-three years.”
Notes. – “Quis separabit?” who shall separate? King Francis– François I. The gallery of this king is the most striking one in the palace. Diane, the gallery of Diana, the goddess. Primatice == Primaticcio, who designed some of the decorations of the Galerie de François I. Salamander sign: the emblem of Francis I., often repeated in the decorations. Florentine Le Roux == Rossi, the Florentine artist. Fontainebleau: its Château Royal is very famous. “Juno strikes Ixion,” who attempted to seduce her. Avon, a village near Fontainebleau.
Croisic. The scene of the Two Poets of Croisic. Le Croisic is a seaport on the southern coast of Brittany, with about 2500 inhabitants, and is a fashionable watering-place. It has a considerable industry in sardine fishing.
Cunizza, called Palma in Sordello, till, at the close of the poem the heroine’s historical name is given. She was the sister of Ezzelino III. Dante places her in Paradise (ix. 32). Longfellow, in his translation of the Divine Comedy, has the following note concerning her: “Cunizza was the sister of Azzolino di Romano. Her story is told by Rolandino, Liber Chronicorum, in Muratori (Rer. Ital. Script., viii. 173). He says that she was first married to Richard of St. Boniface; and soon after had an intrigue with Sordello – as already mentioned (Purg. vi., Note 74). Afterwards she wandered about the world with a soldier of Treviso, named Bonius, ‘taking much solace,’ says the old chronicler, ‘and spending much money’ (multa habendo solatia, et maximas faciendo expensas). After the death of Bonius, she was married to a nobleman of Braganza; and finally, and for a third time, to a gentleman of Verona. The Ottimo alone among the commentators takes up the defence of Cunizza, and says: ‘This lady lived lovingly in dress, song, and sport; but consented not to any impropriety or unlawful act; and she passed her life in enjoyment, as Solomon says in Ecclesiastes,’ alluding probably to the first verse of the second chapter – “I said in my heart, Go to now, I will prove thee with mirth; therefore enjoy pleasure; and behold, this is also vanity.”
“Dance, Yellows and Whites and Reds.” A beautiful lyric at the end of “Gerard de Lairesse,” in Parleyings with Certain People of Importance in their Day, begins with this line. It originally appeared in a little book published for the Edinburgh University Union Fancy Fair, in 1886.
Daniel Bartoli. Parleyings with Certain People of Importance in their Day: 1887. [The Man.] “Born at Ferrara in 1608, died at Rome in 1685. He was a learned Jesuit, and his great work was a history of his Order, in six volumes, published at various times. It is enriched with facts drawn from the Vatican records, from English colleges, and from memoirs sent him by friends in England; and is crowded with stories of miracles which are difficult of digestion by ordinary readers. His style is highly esteemed by Italians for its purity and precision, and his life was perfectly correct and virtuous” (Pall Mall Gazette, Jan. 18th, 1887). “His eloquence was wonderful, and his renown as a sacred orator became universal. He wrote many essays on scientific subjects; and although some of his theories have been refuted by Galileo, they are still cited as models of the didactic style, in which he excelled. His works on moral science and philology are numerous. Died 1684.” (Imp. Dict. Biog.)
[The Poem.] The poet tells the narrator of saintly legends that he has a saint worth worshipping whose history is not legendary at all, but very plain fact. It is her story which is told in the poem, and not that of Bartoli. The minister of a certain king had managed to induce a certain duke to yield two of his dukedoms to the king at his death. The promise was a verbal one, but the duke was to sign the deed of gift which deprived him of his rights when it was duly prepared by the lawyers. While this was in progress the duke met at his sister’s house a good and beautiful girl, the daughter of an apothecary. He proposed to marry her, and was accepted, notwithstanding the opposition of his family. The banns were duly published, and the marriage ceremony was soon to follow. Meanwhile this turn in the duke’s affairs came to the ear of the crafty minister of the king, who promptly informed his royal master that the assignment of the dukedoms might not proceed so smoothly under the altered circumstances. “I bar the abomination – nuptial me no such nuptials!” exclaimed the king. The minister hinted that caution must be used, lest by offending the duke the dukedoms might be lost. The next day the preliminary banquet, at which all the lady’s friends were present, took place; when lo – a thunderclap! – the king’s minister was announced, and the lady was requested to meet him at a private interview. She was informed that the duke must at once sign the paper which the minister held in his hand, ceding to the king the promised estates, or the king would withhold his consent to the marriage and the lady would be placed in strict seclusion. Should he, however, sign the deed of gift without delay, the king would give his consent to the marriage, and accord the bride a high place at court; and the druggist’s daughter would become not only the duke’s wife but the king’s favourite. They returned to the dining-room, and the lady, addressing the duke, who sat in mute bewilderment at the head of the table, made known the king’s commands. She told him that she knew he loved her for herself alone, and was conscious that her own love was equal to his. She bade him read the shameful document which the king had sent, and begged him to bid her destroy it. She implored him not to part with his dukedoms, which had been given him by God, though by doing so he might make her his wife: if, however, he could so far forget his duty as to yield to these demands, he would, in doing so, forfeit her love. The duke was furious, but could not be brought to yield to the lady’s request, and she left the place never to meet again. Next day she sent him back the jewellery he had given her. This story was told to a fervid, noble-hearted lord, who forthwith in a boyish way loved the lady. When he grew to be a man he married her, dropped from camp and court into obscurity, but was happy, till ere long his lady died. He would gladly have followed, but had to be content with turning saint, like those of whom Bartoli wrote. The poet next philosophises on the life which the duke might have led after this crisis in his history. He would sooner or later reflect sadly on the beautiful luminary which had once illumined his path: he could fancy her mocking him as false to Love; he would reflect how, with all his lineage and his bravery, he had failed at the test, but would recognise that it was not the true man who failed, not the ducal self which quailed before the monarch’s frown while the more royal Love stood near him to inspire him; – some day that true self would, by the strength of that good woman’s love, be raised from the grave of shame which covered it, and he would be hers once more.
Notes. – vi., Pari passu: with equal pace, together. xv., “Saint Scholastica … in Paynimrie”: she lived about the year 543. She was sister to St. Benedict, and consecrated herself to God from her earliest youth. The legend referred to is not given, either in Butler’s Lives of the Saints, or Mrs. Jameson’s Legends of the Monastic Orders. Paynimrie means the land of the infidel. xvi., Trogalia: sweetmeats and candies.
Dante is magnificently described in Sordello (Book I., lines 374-80): —
“Dante,