The task was finished the night before Rotfeld left for the docks at Danzig. He made his final trip to Schaalman’s leading a dray-cart loaded with a large wooden crate, a modest brown dress, and a pair of women’s shoes.
Schaalman appeared not to have slept for some time. His eyes were dark smudges, and he was pale, as though drained of some essential energy. He lit a lamp that hung above the worktable, and Rotfeld caught his first true glimpse of his intended.
She was tall, almost as tall as Rotfeld himself, and well proportioned: a long torso, breasts that were small but firm, a sturdy waist. Her hips were perhaps a bit square, but on her it seemed correct, even appealing. In the dim light he spied the dark shadow between her legs; he glanced away from it as though disinterested, aware of Schaalman’s mocking eyes, and the pounding of his own blood.
Her face was wide and heart shaped, her eyes set far apart. They were closed; he could not tell their color. The nose was small and curved under at the tip, above full lips. Her hair was brown and had a slight wave, and was cut to brush her shoulders.
Tentative, half-believing, he placed a hand on her cool shoulder. “It looks like skin. It feels like skin.”
“It’s clay,” said the old man.
“How did you do this?”
The old man only smiled, and said nothing.
“And the hair, and eyes? The fingernails? Are they clay too?”
“No, those are real enough,” Schaalman said, blandly innocent. Rotfeld remembered handing over the case of money, and wondering what sort of supplies the old man needed to buy. He shivered and decided not to think about it again.
They dressed the clay woman and carefully lifted her heavy body into the crate. Her hair tangled about her face as they arranged her, and Rotfeld waited until the old man’s back was turned before gently smoothing it into place again.
Schaalman found a small piece of paper and wrote on it the two necessary commands—one to bring her to life, and one to destroy her. He folded the paper twice, and placed it in an oilskin envelope. On the envelope he wrote COMMANDS FOR THE GOLEM, and then handed it to Rotfeld. His client was eager to wake her, but the old man was against it. “She might be disoriented for a time,” he said. “And the ship will be too crowded. If someone realized what she was, they’d throw you both overboard.” Reluctantly, Rotfeld agreed to wait until they reached America; and they nailed the lid on the crate, sealing her away.
The old man poured them each a finger of schnapps from a dusty bottle. “To your golem,” he said, raising his glass.
“To my golem,” Rotfeld echoed, and downed the schnapps. It was a triumphant moment, marred only by his persistent stomachache. He’d always had a delicate constitution, and the stress of the last few weeks had ruined his digestion. Ignoring his stomach, he helped the old man lift the crate into the dray-cart, and then led the horse away. The old man waved after the departing Rotfeld, as though seeing off a pair of newlyweds. “I wish you joy of her!” he called, and his cackle echoed through the trees.
The ship set sail from Danzig, and made its stop in Hamburg without incident. Two nights later Rotfeld lay in his narrow bunk, the oilskin envelope labeled COMMANDS FOR THE GOLEM tucked away in a pocket. He felt like a child who’d been given a present and then instructed not to open it. It would have been easier if he could’ve slept, but the pain in his stomach had grown into a lump of misery on the right side of his abdomen. He felt slightly feverish. The cacophony of steerage surrounded him: a hundred diverse snores, the hiccupping sobs of babies, an occasional retch as the ship rode from swell to trough.
He turned over, squirming against the pain, and reflected: surely the old man’s advice was overcautious. If she was as obedient as promised, there’d be no harm in waking her, just to see. Then he could command her to lie in the crate until they reached America.
But what if she didn’t work properly? What if she didn’t wake at all, but only lay there, a lump of clay in the shape of a woman? It struck him for the first time that he’d seen no proof that Schaalman could do what he’d promised. Panicked, he fished the envelope from his pocket, withdrew from it the scrap of paper. Gibberish, meaningless words, a jumble of Hebrew letters! What a fool he’d been!
He swung his legs over the side of his bunk, and fetched a kerosene lamp off its nail. Pressing a hand to his side, he hurried through the maze of bunks to the stairwell and down to the hold.
It took him nearly two hours to find the crate, two hours of picking his way through stacks of suitcases and boxes bound with twine. His stomach burned, and cold sweat dripped into his eyes. Finally he moved aside a rolled-up carpet, and there it was: his crate, and in it his bride.
He found a crowbar, pried the nails from the crate, and yanked off the lid. Heart pounding, he pulled the paper from his pocket, and carefully sounded out the command labeled To Wake the Golem.
He held his breath, and waited.
Slowly the Golem came to life.
First to wake were her senses. She felt the roughness of wood under her fingertips, the cold, damp air on her skin. She sensed the movement of the boat. She smelled mildew, and the tang of seawater.
She woke a little more, and knew she had a body. The fingertips that felt the wood were her own. The skin that the air chilled was her skin. She moved a finger, to see if she could.
She heard a man nearby, breathing. She knew his name and who he was. He was her master, her entire purpose; she was his golem, bound to his will. And right now he wanted her to open her eyes.
The Golem opened her eyes.
Her master was kneeling above her in the dim light. His face and hair were drenched with sweat. With one hand he braced himself on the edge of the crate; the other was pressed at his stomach.
“Hello,” Rotfeld whispered. An absurd shyness had tightened his voice. “Do you know who I am?”
“You’re my master. Your name is Otto Rotfeld.” Her voice was clear and natural, if a bit deep.
“That’s right,” he said, as though to a child. “And do you know who you are?”
“A golem.” She paused, considering. “I don’t have a name.”
“Not yet,” Rotfeld said, smiling. “I’ll have to think of one for you.”
Suddenly he winced. The Golem didn’t need to ask why, for she could feel it as well, a dull ache that echoed his. “You’re in pain,” she said, concerned.
“It’s nothing,” Rotfeld said. “Sit up.”
She sat up in the crate, and looked about. The kerosene lamp cast a feeble light that roamed with the ship’s rocking. Long shadows loomed and retreated across stacks of luggage and boxes. “Where are we?” she asked.
“On a ship, crossing the ocean,” Rotfeld said. “We’re on our way to America. But you must be very careful. There are many people on this ship, and they’d be frightened if they knew what you were. They might even try to harm you. You’ll need to lie here very still until we reach land.”
The ship leaned sharply, and the Golem clutched at the edges of the crate.
“It’s