Even though she was only just past thirty, Detective Inspector Julia Gabrielsson had seen plenty of dead bodies. Probably more than most police officers, with the exception of the bull elephants in the far corridor of the Violent Crime Unit. The old guys with minty breath who appraised her figure unashamedly, used password as the password on their computers, and could never be reached after two o’clock. But she doubted that the closet alcoholics in the Tic Tac club had ever seen anything as disgusting as the body lying on the autopsy table in front of her. If you could actually call it a body.
Nine years had passed since her earliest visit to the Forensic Medicine Unit in Solna. Her first body hadn’t wanted to make a lot of fuss. He lay there quietly in his apartment for a whole summer while the maggots slowly dissolved him onto the parquet floor, and she felt her knees wobble when the body bag was opened. The body on the slab in front of them was worse. Much worse.
She glanced at her colleague, Amante, who was standing beside her. His Adam’s apple was bobbing up and down frenetically in his freshly shaven neck. Not exactly a gentle introduction. As long as he didn’t actually throw up. She stepped back discreetly to remove her shoes and trousers from the danger zone.
Amante seemed to notice her looking. He turned his head and gave her an apologetic smile. The eyes behind his dark-framed glasses were brown and looked simultaneously friendly and mournful, which surprised Julia. Revulsion would have been much more expected. Or why not a hint of good old Get-me-out-of-here panic? That would have been perfectly understandable. After all, her new partner wasn’t a proper police officer but a civilian investigator. Infinitely more at home sitting in a cozy office surrounded by statistics than getting stuck in practical police work. The only question was why her fat boss had without warning foisted an oversensitive office clerk on her? She made up her mind to solve that particular mystery before the day was out.
The thin-haired pathologist in front of them leafed through his sheaf of papers but evidently failed to find the form he was looking for. Unless he was just searching for the right words with which to start his explanation. Somewhere in the depths of the Forensic Medicine Center an air-conditioning unit rumbled to life, making a subdued but ominous sound.
Amante swallowed again. Julia nodded at him and forced herself to summon up something that resembled an encouraging smile.
Just look away for a minute, she thought. That’s a perfectly understandable human response. The living don’t like to see the dead. Don’t like to be reminded of what lies ahead. Rich, poor, good or evil. Sooner or later we all end up lying there with cold, stiff limbs. All the same in death. That’s why most people look away from the dead, say something unrelated, or make some stupid joke simply to break the silence.
But not her. She belonged to a considerably smaller group of people. People who exploit the silence surrounding the dead. Observing. Listening. Understanding.
Everyone has a rhythm, a way they move through life. She learned that in her first year in Violent Crime. With some people you can see their rhythm fairly easily, but others require more concentration. Especially if you’re trying to work out that rhythm in hindsight. Reading it from homes, belongings, bodies, and—not least—crime scenes. It’s easy to let yourself be distracted. Do what most of her colleagues did and concentrate on the things that are yelling for attention. Weapons, accessories, blood, fingerprints. Obvious signs of violence and death.
That’s often enough to get them quite a long way, but sometimes it takes more than that. Sometimes it takes someone like her, who stands completely silent, just listening carefully. Seeking out the tiny details that disturb the rhythm. A glass missing from a cupboard, a belt that’s been fastened wrongly, a small bruise in an odd place, maybe just a lingering smell. Little things that appear to be utterly inconsequential to everyone except her, but that turn out to be the exact opposite when seen in context.
That was how Julia had built her reputation in Violent Crime. Not by talking, shouting orders, or cross-examining suspects. But by listening.
The dead body on the examination table hadn’t yet said anything to her, hadn’t revealed its identity or what sort of life it had lived. Which wasn’t terribly strange, seeing as someone had gone to great lengths to make sure the corpse would stay silent.
To start with, the body was naked. And it had been chopped into fourteen pieces. Twelve of them were on the metal table in front of them. The pathologist had put everything in the correct place. Head, torso, upper and lower arms, thighs, shins, and feet. But because the pieces weren’t joined together, the body looked like a macabre puppet, too absurd to be human.
The skin, which only partially covered the body parts, was gray and half-dissolved. In several places the bones jutted out. The fat, sinews, and muscles that ought to have been around them were either gone or transformed into a pale, soapy sludge out of which seawater was still oozing. It formed small pools on the stainless steel worktop before the law of gravity persuaded the water to start to make its way slowly toward the gullies at the corners of the table.
Where the corpse’s face should have been