‘We do play rough, don’t we?’ he whispered. Junkies are great patronizers of the violent cinema and their dialogue is faultless.
‘Rough?’ I was surprised. ‘Oh, dear me, no. Later we play rough. If you don’t talk.’ Maybe I went to the same cinema as he did. I picked up the cigarette that lay smouldering on the carpet, sniffed at it in disgust and squashed it out in an ashtray. The waiter rose unsteadily, still shaken and unsteady on his feet, and I didn’t believe any of it. When he spoke again, the snarl had gone from his face and voice. He had decided to play it cool, the calm before the storm, an old and worn-out script, maybe we should both start attending the opera instead.
‘What would you like to talk about?’ he asked.
‘About what you’re doing in my room for a start. And who sent you here.’
He smiled wearily. ‘The law has already tried to make me tell things. I know the law. You can’t make me talk. I’ve got my rights. The law says so.’
‘The law stops right outside my front door here. This side of that door we’re both beyond the law. You know that. In one of the great civilized cities of the world you and I are living in our own little jungle. But there’s a law there too. Kill or be killed.’
Maybe it was my own fault for putting ideas in his head. He dived hard and low to get under my gun but not low enough for his chin to get under my knee. It hurt my knee quite badly and by that token should have laid him out, but he was tough, grabbed at the only leg I had left in contact with the ground and brought us both down. My gun went spinning and we rolled about on the floor for a bit, belabouring each other enthusiastically. He was a strong boy, too, as strong as he was tough, but he laboured under two disadvantages: a strict training on marijuana had blunted the honed edge of his physical fitness, and though he had a highly developed instinct for dirty fighting he’d never really been trained to it. By and by we were on our feet again with my left hand pushing his right wrist somewhere up between his shoulder-blades.
I pushed his wrist higher and he screamed as if in agony, which he might well have been as his shoulder was making a peculiar cracking noise, but I couldn’t be sure so I pushed a bit higher and removed all doubt, then thrust him out on to the balcony in front of me and forced him over the balustrade until his feet were clear of the ground and he was hanging on to the balustrade with his free left hand as if his life depended on it, which indeed it did.
‘You an addict or a pusher?’ I enquired.
He mouthed an obscenity in Dutch, but I know Dutch, including all the words I shouldn’t. I put my right hand over his mouth for the sort of sound he was about to make could be heard even above the roar of the traffic, and I didn’t want to alarm the citizens of Amsterdam unnecessarily. I eased the pressure and removed my hand.
‘Well?’
‘A pusher.’ His voice was a sobbing croak. ‘I sell them.’
‘Who sent you?’
‘No! No! No!’
‘Your decision. When they pick what’s left of you from the pavement there they’ll think you’re just another cannabis smoker who got too high and took a trip into the wild blue yonder.’
‘That’s murder!’ He was still sobbing, but his voice was only a husky whisper now, maybe the view was making him dizzy. ‘You wouldn’t—’
‘Wouldn’t I? Your people killed a friend of mine this afternoon. Exterminating vermin can be a pleasure. Seventy feet’s a long drop and not a mark of violence. Except that every bone in your body will be broken. Seventy feet. Look!’
I heaved him a bit further over the balustrade so that he could have a better look and had to use both hands to haul him back again.
‘Talk?’
He made a hoarse sound in his throat, so I hauled him off the balustrade and pushed him inside to the centre of the room. I said, ‘Who sent you?’
I’ve said he was tough, but he was a great deal tougher than I had ever imagined. He should have been fear-stricken and in agony, and I have no doubt that he was both, but that didn’t stop him from whirling round convulsively to his right in a full circle and breaking free from my grip. The sheer unexpectedness of it had caught me off guard. He came at me again, a knife that had suddenly appeared in his left hand curving upwards in a wicked arc and aimed for a point just below the breastbone. Normally, he would probably have done a nice job of carving but the circumstances were abnormal: his timing and reactions were gone. I caught and clamped his knife wrist in both my hands, threw myself backwards, straightened a leg under him as I jerked his arm down and sent him catapulting over me. The thud of his landing shook the room and probably quite a few adjacent rooms at that.
I twisted and got to my feet in one motion but the need for haste was gone. He was on the floor on the far side of the room, his head resting on the balcony sill. I lifted him by his lapels and his head lolled back till it almost touched his shoulder blades. I lowered him to the floor again. I was sorry he was dead, because he'd probably had information that could have been invaluable to me, but that was the only reason I was sorry.
I went through his pockets, which held a good number of interesting articles but only two that were of interest to me: a case half full of handmade reefers and a couple of scraps of paper. One paper bore the typed letters and figures MOO 144, the other two numbers – 910020 and 2789. Neither meant a thing to me but on the reasonable assumption that the floor-waiter wouldn't have been carrying them on his person unless they had some significance for him I put them away in a safe place that had been provided for me by my accommodating tailor, a small pocket that had been let into the inside of the right trouser-leg about six inches above the ankle.
I tidied up what few signs of struggle there had been, took the dead man’s gun, went out on the balcony, leaned out over the balustrade and spun the gun upwards and to the left. It cleared the coaming and landed soundlessly on the roof about twenty feet away. I went back inside, flushed the reefer end down the toilet, washed the ashtray and opened every door and window to let the sickly smell evaporate as soon as possible. Then I dragged the waiter across to the tiny hall and opened the door on to the passage.
The hallway was deserted. I listened intently, but could hear nothing, no sound of approaching footfalls. I crossed to the lift, pressed the button, waited for the lift to appear, opened the door a crack, inserted a matchbox between jamb and door so that the latter couldn’t close and complete the electrical circuit then hurried back to my suite. I dragged the waiter across to the lift, opened the door, dumped him without ceremony on the lift floor, withdrew the matchbox and let the door swing to. The lift remained where it was: obviously, no one was pressing the button of that particular lift at that particular moment.
I locked the outside door to my suite with the skeleton and made my way back to the fire-escape, by now an old and trusted friend. I reached street level unobserved and made my way round to the main entrance. The ancient at the barrel-organ was playing Verdi now and Verdi was losing by a mile. The operator had his back to me as I dropped a guilder into his tin can. He turned to thank me, his lips parted in a toothless smile, then he saw who it was and his jaw momentarily dropped open. He was at the very bottom of the heap and no one had bothered to inform him that Sherman was abroad. I gave him a kindly smile and passed into the foyer.
There were a couple of uniformed staff behind the desk, together with the manager, whose back was at the moment towards me. I said loudly: ‘Six-one-six, please.’
The manager turned round sharply, his eyebrows raised high but not high enough. Then he gave me his warmhearted crocodile smile.
‘Mr Sherman. I didn’t know you were out.’
‘Oh yes, indeed. Pre-dinner constitutional. Old English custom, you know.’