Globalization. George Ritzer. Читать онлайн. Newlib. NEWLIB.NET

Автор: George Ritzer
Издательство: John Wiley & Sons Limited
Серия:
Жанр произведения: Социология
Год издания: 0
isbn: 9781119527312
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not), but also by merely threatening to use those reserves in certain ways. For example, China has so many dollars that should it decide to “dump” them for other currencies (say, the euro), the value of the dollar would go into free fall.

      Echoing Georges Duhamel’s (1931) notion of an American “menace,” Servan-Schreiber saw America as a business, industrial, and economic threat to Europe. His view, and the fear of the day, is reflected in the opening line of his book (which seems laughable in the light of subsequent developments such as the rise of European [e.g. BMW and Volkswagen], and the decline of American [e.g. GM], industry): “Fifteen years from now it is quite possible that the world’s third greatest industrial power, just after the US and Russia, will not be Europe, but American industry in Europe” (Servan-Schreiber 1968: 3). Whatever the errors in this view in light of today’s realities (in addition to those mentioned above, the rise of the EU, Japan, and China), it is reflective of the sense of the day of the power, especially, industrially, of Americanization.

      In the ensuing years, fears of Americanization, at least of US industries, declined and were replaced by other ideas and fears, most of which were seen as threatening to the US, as well. One such idea, reflective of the remarkable post-war development of Japanese industry, was “Japanization” (Elger and Smith 1994), and that was later supplemented, and to some degree replaced, by fears of the “Asian Tigers” (e.g. Singapore), the European Union and most recently, and likely more enduringly, China (Huntington 2011).

      Of course, the work on the economy, even that which includes both production and consumption, touches on only a small part of the literature on Americanization. Needless to say, there is also much interest in Americanization in such areas as politics (Harding 2008; Pont-Sorribes et al., 2018), the law (Westbrook 2006), the military (Amin 2019), culture, and so on. For example, in the realm of politics, the political campaigns in recent European elections (especially in Great Britain and France) have come to look increasingly like those in America, and prominent American political consultants have played a growing role in them.

      Clearly Americanization, from the point of view of this definition, does indeed exist, in that all of these things (products, cathedrals of consumption, military expansionism, etc.) and much more are being exported by the US and being imported in great numbers by other nations. However, this also immediately gets us to another of the complexities mentioned above – which American imports are we talking about? It might be that we can agree that Americanization is an accurate label for the exportation and importation of some of these products (e.g. Coca-Cola and McDonald’s), but it does not apply in the case of others (e.g. TVs and video recorders that were largely invented by Americans and pioneered by American corporations, but few, if any, of which are produced there any longer). Thus, in discussing Americanization – as well as its absence – we need to specify the import under consideration. All imports from the US may not involve Americanization, and imports from the US may be declining, but the US remains a major exporter of all sorts of things to other nations, including many that are closely identified with it.

      A similar complication occurs when we distinguish among cultural, social, communicative, political, and economic Americanization. Again, in discussing Americanization, which form are we talking about? For example, America has had a powerful influence on China economically, but its political impact in terms of democratization, at least until now, has been comparatively small. There are even differences within each of these domains. For example, within the realm of culture, it has been argued that “musically, the twentieth century was the American century” (Blake 2004: 149), but while that might be true, it almost certainly was not the case in painting or sculpture. Similar differences and complexities exist in all of the other realms mentioned