Praise for The Real Thing
“In The Real Thing … [Stoppard] turns his attention to private passion—and he does so without mortgaging an intellect that has few equals in the contemporary theater.”
—New York Times
“Tom Stoppard is justly renowned for his erudition and wit, but in his 1980s drama The Real Thing he also found a (philandering) heartbeat.”
—Entertainment Weekly
“Fidelity, love, fiction, passion, authenticity—these are just a few of the juicy issues running around Tom Stoppard’s masterful 1982 marital drama … The Real Thing is exceedingly well made, a keen and touching study of fidelity, fiction and marital love … Stoppard’s brainy love story melts our hearts.”
—Time Out New York
“A play that is at once tightly structured and expansive.”
—San Francisco Chronicle
“This play[’s] … intellectual pyrotechnics are matched by its heart.”
—Hollywood Reporter
“[An] entertaining and engaging award-winning play.”
“[The Real Thing] is about both love and art, and it is wise, witty, and astonishing through and through … Enthralling.”
—Financial Times (UK)
“When it comes to putting erotic love in its place, no contemporary English playwright has done so with such illuminating rigour or eloquence as Tom Stoppard.”
—Evening Standard (UK)
“A heart-wrenching play … [and] poignant postmodern comedy.”
—Guardian (UK)
THE REAL THING
Also by Tom Stoppard
PLAYS
The Hard Problem
Enter a Free Man
The Real Inspector Hound
After Magritte
Jumpers
Travesties
Dirty Linen and New-Found-Land
Every Good Boy Deserves Favour
Night and Day
Dogg’s Hamlet, Cahoot’s Macbeth
Undiscovered Country
(adapted from Arthur Schnitzler’s Das weite Land) On the Razzle (adapted from Johann Nestroy’s Einen Jux will er sich machen) Arcadia Rough Crossing (adapted from Ferenc Molnár’s Play at the Castle) Dalliance (adapted from Arthur Schnitzler’s Liebelei) Hapgood Rosencrantz & Guildenstern Are Dead Indian Ink (an adaptation of In the Native State) The Invention of Love Voyage: The Coast of Utopia Part I Shipwreck: The Coast of Utopia Part II Salvage: The Coast of Utopia Part III Rock ‘n’ Roll The Coast of Utopia: A Trilogy
TELEVISION SCRIPTS
A Separate Peace
Teeth
Another Moon Called Earth
Neutral Ground
Professional Foul
Squaring the Circle
Parade’s End
FICTION
Lord Malquist & Mr. Moon
TOM STOPPARD
THE REAL THING
Grove Press
New York
Copyright © 1982, 1983, 1984 by Tom Stoppard
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CAUTION: Professionals and amateurs are hereby warned that The Real Thing is subject to a royalty. It is fully protected under the copyright laws of the United States, Canada, United Kingdom, and all British Commonwealth countries, and all countries covered by the International Copyright Union, the Pan-American Copyright Convention, and the Universal Copyright Convention. All rights, including professional, amateur, motion picture, recitation, public reading, radio broadcasting, television, video or sound taping, all other forms of mechanical or electronic reproduction, such as information storage and retrieval systems and photocopying, and rights of translation into foreign languages, are strictly reserved.
First-class professional, stock, and amateur applications for permission to perform it, and those other rights stated above, must be made in advance to Samuel French, Inc., 235 Park Avenue South, New York, NY 10003, and for professional rights, to United Agents LLP, 12–26 Lexington Street, London, W1F 0LE.
Printed in the United States of America
Originally published in 1982 by Faber and Faber Ltd., Great Britain First published in 1984 in the United States by Faber and Faber, Inc.
First Grove Press paperback edition: October 2017
Library of Congress Cataloging-in-Publication Data available for this title.
ISBN 978-0-8021-2744-0
eISBN 978-0-8021-8887-8
Grove Press
an imprint of Grove Atlantic
154 West 14th Street
New York, NY 10011
Distributed by Publishers Group West
17 18 19 20 10 9 8 7 6 5 4 3 2 1
For Miriam
Contents
PRODUCTION CREDITS
The Real Thing was originally produced in London on 16 November 1982 at the Strand Theatre, directed by Peter Wood.
The cast was as follows:
| Max Charlotte Henry Annie Billy Debbie Brodie |
Jeremy Clyde
|