“So have I, unfortunately. Pray make my apologies to her. I was rude. The circumstances upset me.”
“You are not upset, sir,” said Jansenius loudly. “You do not care a damn.”
Trefusis recoiled.
“You damned my feelings, and I will damn yours,” continued Jansenius in the same tone. Trefusis involuntarily looked at the door through which he had lately passed. Then, recovering himself, he said quietly:
“It does not matter. She can’t hear us.”
Before Jansenius could reply his wife hurried upstairs, caught him by the arm, and said, “Don’t speak to him, John. And you,” she added, to Trefusis, “WILL you begone?”
“What!” he said, looking cynically at her. “Without my dead! Without my property! Well, be it so.”
“What do you know of the feelings of a respectable man?” persisted Jansenius, breaking out again in spite of his wife. “Nothing is sacred to you. This shows what Socialists are!”
“And what fathers are, and what mothers are,” retorted Trefusis, giving way to his temper. “I thought you loved Hetty, but I see that you only love your feelings and your respectability. The devil take both! She was right; my love for her, incomplete as it was, was greater than yours.” And he left the house in dudgeon.
But he stood awhile in the avenue to laugh at himself and his father-in-law. Then he took a hansom and was driven to the house of his solicitor, whom he wished to consult on the settlement of his late wife’s affairs.
CHAPTER X
The remains of Henrietta Trefusis were interred in Highgate Cemetery the day before Christmas Eve. Three noblemen sent their carriages to the funeral, and the friends and clients of Mr. Jansenius, to a large number, attended in person. The bier was covered with a profusion of costly Bowers. The undertaker, instructed to spare no expense, provided long-tailed black horses, with black palls on their backs and black plumes upon their foreheads; coachmen decorated with scarves and jack-boots, black hammercloths, cloaks, and gloves, with many hired mourners, who, however, would have been instantly discharged had they presumed to betray emotion, or in any way overstep their function of walking beside the hearse with brass-tipped batons in their hands.
Among the genuine mourners were Mr. Jansenius, who burst into tears at the ceremony of casting earth on the coffin; the boy Arthur, who, preoccupied by the novelty of appearing in a long cloak at the head of a public procession, felt that he was not so sorry as he ought to be when he saw his papa cry; and a cousin who had once asked Henrietta to marry him, and who now, full of tragic reflections, was enjoying his despair intensely.
The rest whispered, whenever they could decently do so, about a strange omission in the arrangements. The husband of the deceased was absent. Members of the family and intimate friends were told by Daniel Jansenius that the widower had acted in a blackguard way, and that the Janseniuses did not care two-pence whether he came or stayed at home; that, but for the indecency of the thing, they were just as glad that he was keeping away. Others, who had no claim to be privately informed, made inquiries of the undertaker’s foreman, who said he understood the gentleman objected to large funerals. Asked why, he said he supposed it was on the ground of expense. This being met by a remark that Mr. Trefusis was very wealthy, he added that he had been told so, but believed the money had not come from the lady; that people seldom cared to go to a great expense for a funeral unless they came into something good by the death; and that some parties the more they had the more they grudged. Before the funeral guests dispersed, the report spread by Mr. Jansenius’s brother had got mixed with the views of the foreman, and had given rise to a story of Trefusis expressing joy at his wife’s death with frightful oaths in her father’s house whilst she lay dead there, and refusing to pay a farthing of her debts or funeral expenses.
Some days later, when gossip on the subject was subsiding, a fresh scandal revived it. A literary friend of Mr. Jansenius’s helped him to compose an epitaph, and added to it a couple of pretty and touching stanzas, setting forth that Henrietta’s character had been one of rare sweetness and virtue, and that her friends would never cease to sorrow for her loss. A tradesman who described himself as a “monumental mason” furnished a book of tomb designs, and Mr. Jansenius selected a highly ornamental one, and proposed to defray half the cost of its erection. Trefusis objected that the epitaph was untrue, and said that he did not see why tombstones should be privileged to publish false statements. It was reported that he had followed up his former misconduct by calling his father-in-law a liar, and that he had ordered a common tombstone from some cheap-jack at the East-end. He had, in fact, spoken contemptuously of the monumental tradesman as an “exploiter” of labor, and had asked a young working mason, a member of the International Association, to design a monument for the gratification of Jansenius.
The mason, with much pains and misgiving, produced an original design. Trefusis approved of it, and resolved to have it executed by the hands of the designer. He hired a sculptor’s studio, purchased blocks of marble of the dimensions and quality described to him by the mason, and invited him to set to work forthwith.
Trefusis now encountered a difficulty. He wished to pay the mason the just value of his work, no more and no less. But this he could not ascertain. The only available standard was the market price, and this he rejected as being fixed by competition among capitalists who could only secure profit by obtaining from their workmen more products than they paid them for, and could only tempt customers by offering a share of the unpaid-for part of the products as a reduction in price. Thus he found that the system of withholding the indispensable materials for production and subsistence from the laborers, except on condition of their supporting an idle class whilst accepting a lower standard of comfort for themselves than for that idle class, rendered the determination of just ratios of exchange, and consequently the practice of honest dealing, impossible. He had at last to ask the mason what he would consider fair payment for the execution of the design, though he knew that the man could no more solve the problem than he, and that, though he would certainly ask as much as he thought he could get, his demand must be limited by his poverty and by the competition of the monumental tradesman. Trefusis settled the matter by giving double what was asked, only imposing such conditions as were necessary to compel the mason to execute the work himself, and not make a profit by hiring other men at the market rate of wages to do it.
But the design was, to its author’s astonishment, to be paid for separately. The mason, after hesitating a long time between two-pounds-ten and five pounds, was emboldened by a fellow-workman, who treated him to some hot whiskey and water, to name the larger sum. Trefusis paid the money at once, and then set himself to find out how much a similar design would have cost from the hands of an eminent Royal Academician. Happening to know a gentleman in this position, he consulted him, and was informed that the probable cost would be from five hundred to one thousand pounds. Trefusis expressed his opinion that the mason’s charge was the more reasonable, somewhat to the indignation of his artist friend, who reminded him of the years which a Royal Academician has to spend in acquiring his skill. Trefusis mentioned that the apprenticeship of a mason was quite as long, twice as laborious, and not half so pleasant. The artist now began to find Trefusis’s Socialistic views, with which he had previously fancied himself in sympathy, both odious and dangerous. He demanded whether nothing was to be allowed for genius. Trefusis warmly replied that genius cost its possessor nothing; that it was the inheritance of the whole race incidentally vested in a single individual, and that if that individual employed his monopoly of it to extort money from others, he deserved nothing better than hanging. The artist lost his temper, and suggested that if Trefusis could not feel that the prerogative of art was divine, perhaps he could understand that a painter was not such a fool as to design a tomb for five pounds when he might be painting a portrait for a thousand. Trefusis retorted that the fact of a man paying a thousand pounds for a portrait proved that he had not earned the money, and was therefore either a thief or a beggar. The common workman who sacrificed sixpence from his week’s wages for a cheap photograph to present to his sweetheart,