In 1917 mankind seemed already to be awakening from the war-nightmare. Mutinies broke out in sixteen separate French army corps, 115 regiments were involved, divisions elected soldiers’ councils and whole regiments set out for Paris to demand a reasonable wind-up of the struggle. The one last hope of the despairing soldiers, said Pierre Laval, had been Stockholm. That disappointment had made life unbearable. But the storm abated with the entry of the United States of America into the war, and the powers in control of the Western World were still able to pursue their dreadful obsessions for another year.
War Pictures for Posterity by Pen, Pencil and Camera devotes a whole volume (xxi) to the tragedy of a special Russian infantry corps in France. Fifteen thousand Russians had been sent thither in 1916 to be equipped and armed and put into the line with the French armies. Many of these poor lads scarcely knew the difference between a Frenchman and a German, and the ostensible objects of the war were quite beyond their understanding. But they heard of the revolution in their own country and they resolved to consider their attitude with regard to it. They elected representatives and put it to the vote whether they should continue to fight, which meant for them to take part in that “experiment” of Nivelle’s known to be in preparation at the time. They chose what seemed to them the generous part and went into the battle. The French command used them ruthlessly, and nearly 6,000 were killed or wounded. The rest came out of the line and mutinied. They would fight no more. Thereupon these defenceless men were surrounded by trustworthy French troops, a great concentration of guns was assembled, fire was opened upon them suddenly and they were massacred. Horrible photographs of the details of this — photographs hidden away at the time from the authorities and brought to light later — are given in the summary already cited.
For nearly a year the French lost confidence in the morale of their own men and dared make no more great attacks, but their allies offered up another 400,000 men in the battle of Paschendaele and accounted for 300,000 Germans, and in the spring the Germans made a vast multitudinous attack in the West which succeeded at first and then collapsed, whereupon their antagonists, reinforced by new armies from America, waded back through blood to a dreadful final victory. The last nine months of the conflict saw more slaughter than any preceding year. From March 21st, 1918, to November 11th in the same year the British suffered 830,000 casualties, the French and Belgians 964,000 and the Germans 1,470,000. There were also 2,000,000 American troops brought to Europe before the end, and of these more than half were actually engaged in the fighting. Their casualties were certainly not less than 350,000. Portuguese and other contingents from the most unexpected quarters also contributed to that culminating death-roll, but it is impossible for us now to give exact numbers for these minor forces.
These are the gross figures of warfare. But War Pictures devotes three volumes, perhaps the most horrible of all, to the presentation of various details of the fighting in which these vast multitudes suffered and perished. These three volumes are like the microscopic slides in a specimen book of anatomy, which show us from a selected scrap of tissue the texture of the whole. Little figures stand out enlarged, chosen by the hazard that they wrote or talked or carried a camera, to represent the nameless millions who have left no record. We have accounts of men who were left to lie out for days between the lines, tortured by thirst and stifled by the stench of their own corruption, and yet who survived to tell the tale. We have the stories of men who fell into heaps of rotting dead, and lay there choking, and of men who were gassed. The tortures of gas were already many and various, and most of the mixtures then used left tormenting weaknesses in the system for the rest of life. We have descriptions of the rude surgery of the time and abstracts of the mental disorders through which minds fled from reality. There are also some dreadful pictures of mutilated men, faceless, crippled, grotesquely distorted, and an autobiography of one of the blinded (Outstaying My Welcome, by Fritz Schiff, 1923). Scores of thousands of unhappy fragments of humanity had to be hidden away in special institutions until they died, they were at once so terrifying and so pitiful and hopeless. The world forgot them even while they lived.
The distortion of souls was even more dreadful than the distortion of bodies. One of the most lurid items in that dreadful assemblage of realities is a lecture on the use of the bayonet, which chanced to be printed, reprinted later by anti-war propagandists and so preserved for us, delivered by a certain Sergeant-Major Franklin to some English cadets in London. To us he is incredible in his ferocity; we are almost forced to believe he was drunk or mad, until we realize from the “laughter” that punctuated his utterances, from the hearty thanks of his commanding officer, and the “three cheers” which rewarded him at the conclusion of his discourse, that he was merely expressing the spirit of war service as it was then understood.
“If you see a wounded German,” he said, “shove him out and have no nonsense about it.”
He was all against taking prisoners — and for murdering them after surrender. He told with sympathy and approval of how a corporal under him butchered a group of German boys. “Can I do these blokes in, sir?” asked the corporal, pointing to a bunch of disarmed enemies.
“Please yourself,” said the sergeant-major. . . .
When they had been “done in”, the honest corporal, a released convict from Dartmoor prison, came back to the sergeant-major very gratified and honoured, and, still in favour, discussed the technical difficulties of withdrawing a bayonet quickly in order to be ready for the “next fellow”.
That was, that is, the spirit to which war brings a human being. Sergeant-Major Franklin had his abundant equivalents in every army engaged. We are able to quote an English document, freely published. Participants in many other countries had less freedom. On the whole the English were as gentle as any other soldiers. But fear and bloodlust, it is plain, wipe out all the slowly acquired restraints and tolerance of social order very quickly and completely from any breed of men. History must not be written in pink and gilt. Prisoners and wounded were not simply neglected and ill-treated and “shoved out”. Many were actually tortured to death — either by way of reprisals or in sheer wanton cruelty. There is also a series of photographs of foully mutilated bodies, mutilated and indecently displayed while they were dying or immediately after they were dead. Those millions marched indeed right out of civilization, right out of any sort of human life as we know it to-day, marched down to something viler than mere bestiality, when they marched into the war zone.
After the summer of 1918, which brought with it the certainty of ultimate defeat, the combatant energy of Germany evaporated. Everywhere there was distress and hunger due to a rigorous blockade. The discipline of the land relaxed; the country behind the front was infested by stragglers; the Higher German Command found itself now, like its antagonists, unable to rely upon the men to advance, found itself unable to rely upon their resistance to an enemy attack. They became eager to surrender — taking the off-chance of meeting experimental corporals from Dartmoor on the way.
Wherever there was still loyalty and obedience, however, men were still callously sacrificed by the Higher Command. War Pictures (vol. xxvii, 23842 et seq,) show the German machine-gunners in their pits, on the defensive against advancing British and American