Pygmalion (Illustrated). GEORGE BERNARD SHAW

another taboo to its philosophy of taboos; there had grown up a mystical horror of those fermented drinks which are part of the food of civilised mankind. Doubtless many persons take an extreme line on this matter solely because of some calculation of social harm; many, but not all and not even most. Many people think that paper money is a mistake and does much harm. But they do not shudder or snigger when they see a cheque-book. They do not whisper with unsavoury slyness that such and such a man was “seen” going into a bank. I am quite convinced that the English aristocracy is the curse of England, but I have not noticed either in myself or others any disposition to ostracise a man simply for accepting a peerage, as the modern Puritans would certainly ostracise him (from any of their positions of trust) for accepting a drink. The sentiment is certainly very largely a mystical one, like the sentiment about the seventh day. Like the Sabbath, it is defended with sociological reasons; but those reasons can be simply and sharply tested. If a Puritan tells you that all humanity should rest once a week, you have only to propose that they should rest on Wednesday. And if a Puritan tells you that he does not object to beer but to the tragedies of excess in beer, simply propose to him that in prisons and workhouses (where the amount can be absolutely regulated) the inmates should have three glasses of beer a day. The Puritan cannot call that excess; but he will find something to call it. For it is not the excess he objects to, but the beer. It is a transcendental taboo, and it is one of the two or three positive and painful prejudices with which Bernard Shaw began. A similar severity of outlook ran through all his earlier attitude towards the drama; especially towards the lighter or looser drama. His Puritan teachers could not prevent him from taking up theatricals, but they made him take theatricals seriously. All his plays were indeed “plays for Puritans.” All his criticisms quiver with a refined and almost tortured contempt for the indulgencies of ballet and burlesque, for the tights and the double entente. He can endure lawlessness but not levity. He is not repelled by the divorces and the adulteries as he is by the “splits.” And he has always been foremost among the fierce modern critics who ask indignantly, “Why do you object to a thing full of sincere philosophy like The Wild Duck while you tolerate a mere dirty joke like The Spring Chicken?” I do not think he has ever understood what seems to me the very sensible answer of the man in the street, “I laugh at the dirty joke of The Spring Chicken because it is a joke. I criticise the philosophy of The Wild Duck because it is a philosophy.”

      Shaw does not do justice to the democratic ease and sanity on this subject; but indeed, whatever else he is, he is not democratic. As an Irishman he is an aristocrat, as a Calvinist he is a soul apart; he drew the breath of his nostrils from a land of fallen principalities and proud gentility, and the breath of his spirit from a creed which made a wall of crystal around the elect. The two forces between them produced this potent and slender figure, swift, scornful, dainty and full of dry magnanimity; and it only needed the last touch of oligarchic mastery to be given by the overwhelming oligarchic atmosphere of our present age. Such was the Puritan Irishman who stepped out into the world. Into what kind of world did he step?

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      It is now partly possible to justify the Shavian method of putting the explanations before the events. I can now give a fact or two with a partial certainty at least that the reader will give to the affairs of Bernard Shaw something of the same kind of significance which they have for Bernard Shaw himself. Thus, if I had simply said that Shaw was born in Dublin the average reader might exclaim, “Ah yes — a wild Irishman, gay, emotional and untrustworthy.” The wrong note would be struck at the start. I have attempted to give some idea of what being born in Ireland meant to the man who was really born there. Now therefore for the first time I may be permitted to confess that Bernard Shaw was, like other men, born. He was born in Dublin on the 26th of July, 1856.

      Just as his birth can only be appreciated through some vision of Ireland, so his family can only be appreciated by some realisation of the Puritan. He was the youngest son of one George Carr Shaw, who had been a civil servant and was afterwards a somewhat unsuccessful business man. If I had merely said that his family was Protestant (which in Ireland means Puritan) it might have been passed over as a quite colourless detail. But if the reader will keep in mind what has been said about the degeneration of Calvinism into a few clumsy vetoes, he will see in its full and frightful significance such a sentence as this which comes from Shaw himself: “My father was in theory a vehement teetotaler, but in practice often a furtive drinker.” The two things of course rest upon exactly the same philosophy; the philosophy of the taboo. There is a mystical substance, and it can give monstrous pleasures or call down monstrous punishments. The dipsomaniac and the abstainer are not only both mistaken, but they both make the same mistake. They both regard wine as a drug and not as a drink. But if I had mentioned that fragment of family information without any ethical preface, people would have begun at once to talk nonsense about artistic heredity and Celtic weakness, and would have gained the general impression that Bernard Shaw was an Irish wastrel and the child of Irish wastrels. Whereas it is the whole point of the matter that Bernard Shaw comes of a Puritan middle-class family of the most solid respectability; and the only admission of error arises from the fact that one member of that Puritan family took a particularly Puritan view of strong drink. That is, he regarded it generally as a poison and sometimes as a medicine, if only a mental medicine. But a poison and a medicine are very closely akin, as the nearest chemist knows; and they are chiefly akin in this; that no one will drink either of them for fun. Moreover, medicine and a poison are also alike in this; that no one will by preference drink either of them in public. And this medical or poisonous view of alcohol is not confined to the one Puritan to whose failure I have referred, it is spread all over the whole of our dying Puritan civilisation. For instance, social reformers have fired a hundred shots against the public-house; but never one against its really shameful feature. The sign of decay is not in the public-house, but in the private bar; or rather the row of five or six private bars, into each of which a respectable dipsomaniac can go in solitude, and by indulging his own half-witted sin violate his own half-witted morality. Nearly all these places are equipped with an atrocious apparatus of ground-glass windows which can be so closed that they practically conceal the face of the buyer from the seller. Words cannot express the abysses of human infamy and hateful shame expressed by that elaborate piece of furniture. Whenever I go into a public-house, which happens fairly often, I always carefully open all these apertures and then leave the place, in every way refreshed.

      In other ways also it is necessary to insist not only on the fact of an extreme Protestantism, but on that of the Protestantism of a garrison; a world where that religious force both grew and festered all the more for being at once isolated and protected. All the influences surrounding Bernard Shaw in boyhood were not only Puritan, but such that no non-Puritan force could possibly pierce or counteract. He belonged to that Irish group which, according to Catholicism, has hardened its heart, which, according to Protestantism has hardened its head, but which, as I fancy, has chiefly hardened its hide, lost its sensibility to the contact of the things around it. In reading about his youth, one forgets that it was passed in the island which is still one flame before the altar of St. Peter and St. Patrick. The whole thing might be happening in Wimbledon. He went to the Wesleyan Connexional School. He went to hear Moody and Sankey. “I was,” he writes, “wholly unmoved by their eloquence; and felt bound to inform the public that I was, on the whole, an atheist. My letter was solemnly printed in Public Opinion, to the extreme horror of my numerous aunts and uncles.” That is the philosophical atmosphere; those are the religious postulates. It could never cross the mind of a man of the Garrison that before becoming an atheist he might stroll into one of the churches of his own country, and learn something of the philosophy that had satisfied Dante and Bossuet, Pascal and Descartes.

      In the same way I have to appeal to my theoretic preface at this third point of the drama of Shaw’s career. On leaving school he stepped into a secure business position which he held steadily for four years and which he flung away almost in one day. He rushed even recklessly to London; where he was quite unsuccessful and practically starved for six years. If I had mentioned this act on the first page of this book it would have seemed to have either the simplicity of a mere fanatic or else to cover some ugly escapade of youth or some quite