Arthur Stringer
Never-Fail Blake
Published by Good Press, 2019
EAN 4064066226404
Table of Contents
Blake, the Second Deputy, raised his gloomy hound's eyes as the door opened and a woman stepped in. Then he dropped them again.
"Hello, Elsie!" he said, without looking at her.
The woman stood a moment staring at him. Then she advanced thoughtfully toward his table desk.
"Hello, Jim!" she answered, as she sank into the empty chair at the desk end. The rustling of silk suddenly ceased. An aphrodisiac odor of ambergris crept through the Deputy-Commissioner's office.
The woman looped up her veil, festooning it about the undulatory roll of her hat brim. Blake continued his solemnly preoccupied study of the desk top.
"You sent for me," the woman finally said. It was more a reminder than a question. And the voice, for all its quietness, carried no sense of timidity. The woman's pale face, where the undulating hat brim left the shadowy eyes still more shadowy, seemed fortified with a calm sense of power. It was something more than a dormant consciousness of beauty, though the knowledge that men would turn back to a face so wistful as hers, and their judgment could be dulled by a smile so narcotizing, had not a little to do with the woman's achieved serenity. There was nothing outwardly sinister about her. This fact had always left her doubly dangerous as a law-breaker.
Blake himself, for all his dewlap and his two hundred pounds of lethargic beefiness, felt a vague and inward stirring as he finally lifted his head and looked at her. He looked into the shadowy eyes under the level brows. He could see, as he had seen before, that they were exceptional eyes, with iris rings of deep gray about the ever-widening and ever-narrowing pupils which varied with varying thought, as though set too close to the brain that controlled them. So dominating was this pupil that sometimes the whole eye looked violet, and sometimes green, according to the light.
Then his glance strayed to the woman's mouth, where the upper lip curved outward, from the base of the straight nose, giving her at first glance the appearance of pouting. Yet the heavier underlip, soft and wilful, contradicted this impression of peevishness, deepened it into one of Ishmael-like rebellion.
Then Blake looked at the woman's hair. It was abundant and nut-brown, and artfully and scrupulously interwoven and twisted together. It seemed to stand the solitary pride of a life claiming few things of which to be proud. Blake remembered how that wealth of nut-brown hair was daily plaited and treasured and coiled and cared for, the meticulous attentiveness with which morning by morning its hip-reaching abundance was braided and twisted and built up about the small head, an intricate structure of soft wonder which midnight must ever see again in ruins, just as the next morning would find idly laborious fingers rebuilding its ephemeral glories. This rebuilding was done thoughtfully and calmly, as though it were a religious rite, as though it were a sacrificial devotion to an ideal in a life tragically forlorn of beauty.
He remembered, too, the day when he had first seen her. That was at the time of "The Sick Millionaire" case, when he had first learned of her association with Binhart. She had posed at the Waldorf as a trained nurse, in that case, and had met him and held him off and outwitted him at every turn. Then he had decided on his "plant." To effect this he had whisked a young Italian with a lacerated thumb up from the City Hospital and sent him in to her as an injured elevator-boy looking for first-aid treatment. One glimpse of her work on that thumb showed her to be betrayingly ignorant of both figure-of-eight and spica bandaging, and Blake, finally satisfied as to the imposture, carried on his investigation, showed "Doctor Callahan" to be Connie Binhart, the con-man and bank thief, and sent the two adventurers scurrying away to shelter.
He remembered, too, how seven months after that first meeting Stimson of the Central Office had brought her to Headquarters, fresh from Paris, involved in some undecipherable way in an Aix-les-Bains diamond robbery. The despatches had given his office very little to work on, and she had smiled at his thunderous grillings and defied his noisy threats. But as she sat there before him, chic and guarded, with her girlishly frail body so arrogantly well gowned, she had in some way touched his lethargic imagination. She showed herself to be of finer and keener fiber than the sordid demireps with whom he had to do. Shimmering and saucy and debonair as a polo pony, she had seemed a departure from type, something above the meretricious termagants round whom he so often had to weave his accusatory webs of evidence.
Then, the following autumn, she was still again mysteriously involved in the Sheldon wire-tapping coup. This Montreal banker named Sheldon, from whom nearly two hundred thousand dollars had been wrested, put a bullet through his head rather than go home disgraced, and she had straightway been brought down to Blake, for, until the autopsy and the production of her dupe's letters, Sheldon's death had been looked upon as a murder.
Blake had locked himself in with the white-faced Miss Elsie Verriner, alias Chaddy Cravath, alias Charlotte Carruthers, and for three long hours he had pitted his dynamic brute force against her flashing and snake-like evasiveness.