Fergus Hume
A Creature of the Night: An Italian Enigma
Published by Good Press, 2019
EAN 4064066232146
Table of Contents
CREATURE OF THE NIGHT.
CHAPTER I.
THE GHOUL
I think it is Lord Beaconsfield who, in one of his brilliant stories, makes the clever observation that "adventures are to the adventurous," and certainly he who seeks for adventures even in this prosaic nineteenth century will surely succeed in his quest. Fate leads him, chance guides him, luck assists him, and although the adventure supplied by this trinity of circumstances may be neither so dangerous nor so picturesque as in the time of Borgia or Lazun, still it will probably be interesting, which after all is something to be grateful for in this eminently commonplace age of facts and figures. Still, even he who seeks not to prove the truth of Disraeli's aphorism, may, after the principle of Mahomet's mountain, have the adventure come to him, without the trouble of looking for it, and this was my case at Verona in the summer of 18--.
The Cranstons were always a poor family, that is, as regards money, although they certainly could not complain of a lack of ancestors; and when it came to my turn to represent the race, I found that my lately deceased father had left me comparatively nothing. Not having any fixed income, I therefore could not live without doing something to earn my bread; and not having any business capacity, I foresaw failure would be my lot in mercantile enterprise. I was not good-looking enough to inveigle a wealthy heiress into matrimony; and as, after a survey of my possessions, I found I had nothing but a few hundred pounds and an excellent baritone voice, I made up my mind to use the former in cultivating the latter with a view to an operatic career.
Italy, living on the traditions of the days of Rossini, of Donizetti and of Bellini, has still the reputation of possessing excellent singing-masters, so to Italy I went with a hopeful heart and a light purse, and established myself at Milan, where I took lessons, in singing, from Maestro Angello. Milan is a detestable city, hot and arid in summer, cold and humid in winter; and as a year after I arrived in the land of song the end of spring was unusually disagreeable, Maestro Angello went to Verona for a change of air, and thither I followed him with no small pleasure at escaping from that dreary commercial capital of the north which has all the disagreeables of Italian life without any of the compensating advantages of romance and beauty.
But Verona! ah, it was truly delightful, that sleepy town lying so peacefully on the banks of the rapid Adige, dreaming amid the riotous present of the splendid past, when Can Grande held his brilliant court, and received as an honoured guest the great poet Dante, exiled by ungrateful Florence. The city of the gay rhymer Catullus, merry lover of Lesbia, who wept more tears over her sparrow than she did over her poet. The city of Romeo and Juliet, star-crossed lovers as they were, who were recompensed for their short, unhappy lives by gaining immortality from the pen of Shakespeare as types of eternal love and eternal constancy, for the encouragement of all succeeding youths and maidens of later generations. Yes, indeed, with all these memories, historical and poetical, Verona was a pleasant place in which to idle away a summer, so I thanked the kind gods for my good fortune and enjoyed myself.
Not that I was idle. By no means! Maestro Angello kept me hard at work at exercises and scales, so I studied industriously most of the day and wandered about most of the night in the soft, cool moonlight, when Verona looked much more romantic than in the garish blaze of the Italian sun.
It was on one of these nights that an adventure happened to me, an adventure in which I was involved by the merest chance, although I confess that the vice of curiosity had a good deal to do with my entanglement therein.
After dining at the hotel I went out for my customary stroll, and having lighted a pipe as a preventive against the evil odours which seem inseparable from all Italian towns, I wandered on through the deserted streets in a listless, aimless fashion, contrasting in my own mind the magnificent Verona of the past with the dismal Verona of the present. Taken up with these fantastic dreamings, I did not notice particularly where I was going, or how quickly the time was passing, until I found myself on the Ponte Aleardi--that iron bridge which spans the Adige--and heard the church bells chiming the hour of eleven.
The moon was shining in the darkly blue sky amid the brilliant stars, and the leaden waters of the river shone like a band of steel in the pale, silvery light. On either side of the stream lowered dark masses of houses, from the windows of which gleamed here and there orange-coloured lights, while against the clear sky arose the tall steeples of the churches and the serrated outlines of full-foliaged trees. It was wonderfully beautiful, and the soft wind blowing through the night, rippled the swift waters to lines of ever-vanishing white; so leaning over the balustrade of the bridge, I dreamed and smoked, and smoked and dreamed, until the chiming of the half-hour warned me to return to my hotel.
The night, however, was so beautiful and cool, that I could not but think of my hot sleeping-chamber with repugnance, and feeling disinclined for rest, I made up my mind to stroll onward for some time. I might have visited that fraudulent tomb of Juliet in the moonlight, but as I had already seen it by day, and could not feel enthusiastic about such a palpable deception, I refused to be further victimised, and crossed over the bridge to the left shore of the river.
It was somewhat solitary, there, but I was not afraid of robbers, as I had but little money and no jewellery on me, and moreover I felt that, should occasion arise, I could use my fists sufficiently well to protect myself. Being thus at ease regarding my personal safety, I lighted a cigar which luckily happened to be in my pocket, and wandered on until I came within sight, of the cemetery.
Now I firmly believe that every one has in him a vein of superstition which is developed in accordance with his surroundings. Place a man at midday in a bustling city, and he scoffs at the idea of the supernatural; but let him find himself at midnight alone on a solitary moor, with the shadows of moonlight on every side, and all his inherent superstition will start to life, peopling the surrounding solitude with unseen phantoms, more terrible than those of the Arabian Nights. Whether it was the time of night, or the proximity of the burial-ground, I do not know, but I felt my breast fill with vague fears, and hastened to leave the uncanny spot as quickly as possible.
Fate, however, was against me, for in my blind speed, instead of crossing the bridge, I turned to the left, and unexpectedly found myself in the vicinity of another burial-ground. It was apparently much older than the one I had first seen, and there was a ruined wall around it, overtopped by tall, melancholy cypresses, looming black and funereal against the midnight sky. By this time I had recovered my nerve, and feeling somewhat ashamed of my former ignominious flight, I determined to punish myself by entering this antique abode of the dead, and examining it thoroughly.
With this idea I climbed over a portion of the broken wall, and in the shadow of the cypress-trees--shadow