Praise for C.E. MURPHY and her books
THE NEGOTIATOR
Hands of Flame “Fast-paced action and a twisty-turny plot make for a good read … Fans of the series will be sad to leave Margrit’s world behind, at least for the time being.” —RT Book Reviews
House of Cards “Violent confrontations add action on top of tense intrigue in this involving, even thrilling, middle book in a divertingly different contemporary fantasy romance series.” —LOCUS
“The second title in Murphy’s Negotiator series is every bit as interesting and fun as the first. Margrit is a fascinatingly complex heroine who doesn’t shy away from making difficult choices.”
—RT Book Reviews
Heart of Stone “[An] exciting series opener … Margrit makes for a deeply compelling heroine as she struggles to sort out the sudden upheaval in her professional and romantic lives.” —Publishers Weekly
“A fascinating new series … as usual, Murphy delivers interesting worldbuilding and magical systems, believable and sympathetic characters and a compelling story told at a breakneck pace.”
—RT Book Reviews
Author’s Note
Leaving a world is hard to do. Three books in, and as a writer you’ve really gotten into its depths and people’ve begun to ask interesting questions that make you think of things you never thought of before. There are backstories to fill in and futures to consider, and they rarely settle back to sleep without putting up a bit of a fight.
This is the second time I’ve finished a trilogy, and the second time that I’ve been left thinking, “There are still a lot of books I could write for this world….” E-mail has suggested that people might be glad if I did—and someday I very probably will.
But now it’s back to the Walker Papers for me! I’ve written a lot of books since Coyote Dreams, and I miss Jo and the gang, so I hope I’ll see all of you there in a few months’ time.
Catie
Hands of Flame
C.E. Murphy
For Sarah
who was the first to want
an Alban of her own
ACKNOWLEDGMENTS
Thanks are, as usual, due to both my agent,
Jennifer Jackson, and my editor,
Mary-Theresa Hussey, for their insights.
It turns out Matrice really did read the acknowledgments in the last two books, and it was with great relief that I discovered she thought I’d gotten it almost entirely right this time.
I’ll never be able to say thank you enough to cover
artist Chris McGrath, or the art department, who
have worked together to give me gorgeous books
to show off.
Ted (and my parents, and my agent, but mostly
Ted, since he’s the one who has to live with me)
did a remarkable job of keeping me more or less
functional during the writing of this book, and that
was no easy task. I love you, hon, and I couldn’t do
this without you.
ONE
NIGHT MARES DROVE HER out of bed to run.
She’d become accustomed to another sort of dream over the last weeks: erotic, exotic, filled with impossible beings and endless possibility. But these were different, burning images of a man’s death in flames. Not by flame, but in it: the color of her dreams was ever-changing crimson licked with saffron, as though varying the light might result in a happier ending.
It never did.
The scent of salt water rose up, more potent in recollection than it had been in reality. It tangled brutally with the smell of copper before the latter won out, blood flavor tangy at the back of her throat. She couldn’t remember if she’d actually smelled it, but her dreams tasted of it.
Small kindness: fire burned those odors away, whether they were real or not. But that left her with flame again, and for all that she was proud of her running speed, she couldn’t outpace the blaze.
There was a dragon in the fire, red and sinuous and deadly. It battled a pale creature of immense strength; of unbreaking stone. A gargoyle, so far removed from human imagination that there were no legends of them, as there were of so many of their otherworldly brethren.
Between them was another creature: a djinn, one of mankind’s imaginings, but not of the sort to grant wishes. It drifted in its element of air, clearly forgotten by dragon and gargoyle alike, though it was the thing they fought over. It faded in and out of solidity, impossible to strike when it didn’t attack. But there were moments of vulnerability, times when to do damage it must become part of the world. It became real with a weapon lifted to strike the dragon a deathblow.
And she, who had been nothing more than an unremembered observer, struck back. She fired a weapon of absurd proportions: a child’s watergun, filled with salt water.
The djinn died, not from the streams of water, but from their result. The gargoyle pounced, moving as she had: to save the dragon. But salt water bound the djinn to solidity, and heavy stone crushed the slighter creature’s fragile form.
The silence that followed was marked by the snapping of fire.
Margrit ground her teeth together and ran harder, trying to escape her nightmares.
She struggled not to look up as she ran. It had been almost two weeks since she’d sent Alban from her side, and every night since then she’d been driven to the park in the small hours of the morning. Not even her housemates knew she was running: she was careful to slip in and out of the apartment as quietly as she could, avoiding Cole as he got up for his early shift, leaving his fiancée asleep. It was best to avoid him, especially. Nothing had been the same since he’d glimpsed Alban in his broad-shouldered gargoyle form.
Margrit could no longer name the emotion that ran through her when she thought of Alban. It had ranged from fear to fascination to desire, and some of all of that remained in her, complicated and uncertain. Hope, too, but laced with bitter despair. Too many things to name, too complex to label in the aftermath of Malik al-Massri ‘s death.
Not that the inability to catalog emotion stopped her from trying. Only the slap of her feet against the pavement, the jarring pressure in her knees and hips, and the sharp, cold air of an April night, helped to drive away the exhausting attempts to come to terms with—
With what her life had become. With what she’d done to survive; what she’d done to help Alban survive. To help Janx survive. Her friends—ordinary humans, people whose lives hadn’t been star-crossed by the Old Races—seemed to barely know her any longer. Margrit felt she hardly knew herself.
She’d asked for time, and that, of all things, was a gargoyle’s to give: the Old Races lived forever, or near enough that to her perspective it made no difference. They could die violently; that, she’d seen. But left alone to age, they carried on for centuries. Alban could afford a little time.
Margrit could not.
She