SELECTED FAIRY TALES
Hans Christian Andersen
William Collins
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This eBook edition published by William Collins in 2014
Life & Times section © HarperCollinsPublishers Ltd
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Classic Literature: Words and Phrases adapted from Collins English Dictionary
Cover by e-Digital Design
Cover image: Little Mermaid, by Hans Christian Andersen (1805–75) (colour litho), Hardy, E. S. (19th century) / Private Collection / The Bridgeman Art Library
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Source ISBN: 9780007558155
Ebook Edition © August 2014 ISBN: 9780007558162
Version: 2014-07-30
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It is almost impossible nowadays to pass through childhood without the companionship of Hans Christian Andersen’s fairy-tale creations: the plucky Ugly Duckling, the beautiful Little Mermaid, the foolish Emperor in his ‘new clothes’. A welcome salve to the gorier excesses of the Brothers Grimm, Andersen has for almost two centuries enchanted children – and adults – as a satirist, teller of fantastical tales, moral guide and bringer of hope into the bleakest of beginnings. But for one so treasured by his readers, Andersen led a life of remarkable solitude: he dragged himself from rags to riches and drew widely on the experience in his stories, but he was never able to shake off the mantle of lonely eccentric – a man much admired but rarely loved. His was, in effect, a fairy tale without the happy ending.
The Danish Dickens
Andersen knew he had made it as a writer during an 1847 visit to England, where he was invited to a grand society party and introduced to Charles Dickens. The great novelist, described in Andersen’s diary as ‘the living English writer whom I love the most’, appeared just as captivated by his Danish counterpart and the two began a correspondence that lasted ten years.
As an author, Andersen shared a number of themes with Dickens – notably childhood, poverty, social injustice and reversals of fortune – and in later life both men carved out second careers giving wildly popular public readings, but Andersen had in addition suffered an upbringing worthy of a Dickensian hero. Born in Odense, Denmark, in 1805, he was the only child of a shoemaker and a washerwoman of no fixed address. He made sporadic appearances at charity schools until the age of eleven, when he was forced by his father’s death to find work, first at a cloth mill and then a tobacco factory. Determined to escape the crippling poverty into which he had been born, he stowed away in a wagon bound for Copenhagen at the age of just fourteen, hoping to find his fortune.
Luck and Perseverance
That Andersen was able to become the author of his own destiny is thanks in large part to a series of fortuitous encounters along the way, beginning with his father, Hans. The young Andersen may have been an unenthusiastic schoolboy, but in the evenings Andersen Senior instilled in him a passion for extraordinary stories, reading to him from the Arabian Nights, the fables of Jean de la Fontaine and the Bible – though one of his favourite yarns, unproven to this day, was that the family was descended from Danish nobility. Even when he was sent out to make money, the boy enjoyed sharing folk tales with his adult co-workers, many of which influenced the stories he went on to write.
Life in Odense was certainly hard, but Denmark’s second city was at least large enough to have its own theatre – one that attracted travelling performers from the Royal Theatre in Copenhagen – and Andersen made his first visit there aged seven. By the time he arrived in the capital in 1819, his only dream was to join the theatre as a dancer, singer, actor or writer.
The dream