Benito Cereno. Herman Melville. Читать онлайн. Newlib. NEWLIB.NET

Автор: Herman Melville
Издательство: Ingram
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Жанр произведения: Классическая проза
Год издания: 0
isbn: 9781974996841
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      BENITO CERENO

      By

      HERMAN MELVILLE

      This edition published by Dreamscape Media LLC, 2017

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       About Herman Melville:

      Herman Melville (August 1, 1819 — September 28, 1891) was an American novelist, short story writer, and poet of the American Renaissance period. His best known works include Typee (1846), a romantic account of his experiences in Polynesian life, and his whaling novel Moby-Dick (1851). His work was almost forgotten during his last thirty years. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. He developed a complex, baroque style: the vocabulary is rich and original, a strong sense of rhythm infuses the elaborate sentences, the imagery is often mystical or ironic, and the abundance of allusion extends to Scripture, myth, philosophy, literature, and the visual arts.

      Born in New York City as the third child of a merchant in French dry goods, Melville's formal education ended abruptly after his father died in 1832, leaving the family in financial straits. Melville briefly became a schoolteacher before he took to sea in 1839 as a common sailor on a merchant ship. In 1840 he signed aboard the whaler Acushnet for his first whaling voyage, but jumped ship in the Marquesas Islands. After further adventures, he returned to Boston in 1844. His first book, Typee (1846), a highly romanticized account of his life among Polynesians, became such a best-seller that he worked up a sequel, Omoo (1847). These successes encouraged him to marry Elizabeth Shaw, of a prominent Boston family, but were hard to sustain. His first novel not based on his own experiences, Mardi (1849), is a sea narrative that develops into a philosophical allegory, but was not well-received. Redburn (1849), a story of life on a merchant ship, and his 1850 expose of harsh life aboard a Man-of-War, White-Jacket yielded warmer reviews but not financial security.

      In August 1850, Melville moved his growing family to Arrowhead, a farm near Pittsfield, Massachusetts, where he established a profound but short-lived friendship with Nathaniel Hawthorne, to whom he dedicated Moby-Dick. Moby-Dick was another commercial failure, published to mixed reviews. Melville's career as a popular author effectively ended with the cool reception of Pierre (1852), in part a satirical portrait of the literary scene. His Revolutionary War novel Israel Potter appeared in 1855. From 1853 to 1856, Melville published short fiction in magazines, most notably "Bartleby, the Scrivener" (1853), "The Encantadas" (1854), and "Benito Cereno" (1855). These and three other stories were collected in 1856 as The Piazza Tales. In 1857, he voyaged to England, where he reunited with Hawthorne for the first time since 1852, and then went on to tour the Near East. The Confidence-Man (1857), was the last prose work he published during his lifetime. He moved to New York to take a position as Customs Inspector and turned to poetry. Battle-Pieces and Aspects of the War (1866) was his poetic reflection on the moral questions of the Civil War. In 1867 his oldest child, Malcolm, died at home from a self-inflicted gunshot. Clarel: A Poem and Pilgrimage in the Holy Land, a metaphysical epic, appeared in 1876. In 1886, his second son, Stanwix, died and Melville retired. During his last years, he privately published two volumes of poetry, left one volume unpublished, and returned to prose of the sea: the novella Billy Budd, left unfinished at his death, was published in 1924.

      Melville's death from cardiovascular disease in 1891 subdued a reviving interest in his work. The 1919 centennial of his birth became the starting point of the "Melville Revival". Critics discovered his work, scholars explored his life, his major novels and stories have become world classics, and his poetry has gradually attracted respect.

      Source: Wikipedia

      Benito Cereno

      IN THE YEAR 1799, Captain Amasa Delano, of Duxbury, in Massachusetts, commanding a large sealer and general trader, lay at anchor, with a valuable cargo, in the harbour of St. Maria—a small, desert, uninhabited island towards the southern extremity of the long coast of Chili. There he had touched for water.

      On the second day, not long after dawn, while lying in his berth, his mate came below, informing him that a strange sail was coming into the bay. Ships were then not so plenty in those waters as now. He rose, dressed, and went on deck.

      The morning was one peculiar to that coast. Everything was mute and calm; everything grey. The sea, though undulated into long roods of swells, seemed fixed, and was sleeked at the surface like waved lead that has cooled and set in the smelter's mould. The sky seemed a grey mantle. Flights of troubled grey fowl, kith and kin with flights of troubled grey vapours among which they were mixed, skimmed low and fitfully over the waters, as swallows over meadows before storms. Shadows present, foreshadowing deeper shadows to come.

      To Captain Delano's surprise, the stranger, viewed through the glass, showed no colours; though to do so upon entering a haven, however uninhabited in its shores, where but a single other ship might be lying, was the custom among peaceful seamen of all nations. Considering the lawlessness and loneliness of the spot, and the sort of stories, at that day, associated with those seas, Captain Delano's surprise might have deepened into some uneasiness had he not been a person of a singularly undistrustful good nature, not liable, except on extraordinary and repeated excitement, and hardly then, to indulge in personal alarms, any way involving the imputation of malign evil in man. Whether, in view of what humanity is capable, such a trait implies, along with a benevolent heart, more than ordinary quickness and accuracy of intellectual perception, may be left to the wise to determine.

      But whatever misgivings might have obtruded on first seeing the stranger would almost, in any seaman's mind, have been dissipated by observing that the ship, in navigating into the harbour, was drawing too near the land, for her own safety's sake, owing to a sunken reef making out off her bow. This seemed to prove her a stranger, indeed, not only to the sealer, but the island; consequently, she could be no wonted freebooter on that ocean. With no small interest, Captain Delano continued to watch her– a proceeding not much facilitated by the vapours partly mantling the hull, through which the far matin light from her cabin streamed equivocally enough; much like the sun– by this time crescented on the rim of the horizon, and apparently, in company with the strange ship, entering the harbor– which, wimpled by the same low, creeping clouds, showed not unlike a Lima intriguante's one sinister eye peering across the Plaza from the Indian loop-hole of her dusk saya-y-manta.

      It might have been but a deception of the vapours, but, the longer the stranger was watched, the more singular appeared her manoeuvres. Ere long it seemed hard to decide whether she meant to come in or no – what she wanted, or what she was about. The wind, which had breezed up a little during the night, was now extremely light and baffling, which the more increased the apparent uncertainty of her movements.

      Surmising, at last, that it might be a ship in distress, Captain Delano ordered his whale-boat to be dropped, and, much to the wary opposition of his mate, prepared to board her, and, at the least, pilot her in. On the night previous, a fishing-party of the seamen had gone a long distance to some detached rocks out of sight from the sealer, and, an hour or two before day-break, had returned, having met with no small success. Presuming that the stranger might have been long off soundings, the good captain put several baskets of the fish, for presents, into his boat, and so pulled away. From her continuing too near the sunken reef, deeming her in danger, calling to his men, he made all haste to apprise those on board of their situation. But, some time ere the boat came up, the wind, light though it was, having shifted, had headed the vessel off, as well as partly broken the vapours from about her.

      Upon gaining a less remote view, the ship, when made signally visible on the verge of the leaden-hued swells,