Tilman then records the series of letters to The Times which had produced more eyewitnesses. One of them was from Ronald Kaulback, who on a journey to the Upper Salween in 1936 reported seeing at 16,000 feet five sets of tracks which looked exactly as though made by a bare-footed man. Two of his porters thought they had been made by snow leopards, but two claimed they were made by mountain men, which they described as like a man, white-skinned, with long hair on head, arms and shoulders. There were no bears recorded in that area. This letter produced another witness, Wing-Commander Beaumont, who had seen similar tracks near the source of the Ganges (however, bare-footed pilgrims are known to visit this sacred site). These letters in turn produced a volley from the zoologists, who suggested langurs might produce such footprints. Or giant pandas. Kaulback responded drily that he had seen and heard of no monkeys despite exploring the area for five months, and as for giant pandas there were no bamboo shoots, ‘a sine qua non for pandas without which they languish and die’.
At this point, Tilman summarises the evidence: ‘So far then we have as candidates for the authorship of queer tracks seen on three several occasions, snow leopards, outlaws, bears, pandas, ascetics, langurs, or X the unknown quantity (which we may as well call the ‘Abominable Snowman’) roughly in that order of probability.’
But Tilman is equivocal about the actual existence of the Abominable Snowman: ‘… everything turns upon the interpretation of footprints. And if fingerprints can hang a man, as they frequently do, surely footprints may be allowed to establish the existence of one.’ However, despite his taciturnity, Tilman did have a tongue and at times it was in his cheek. His dark humour was sometimes misunderstood. Earlier in the same book, Mount Everest, 1938, he discusses the idea of dropping expedition stores onto the slopes of Everest: ‘There is a good case for dropping bombs on civilians because so few of them can be described as inoffensive, but mountains can claim the rights of “open towns” and our self-respect should restrain us from dropping on them tents, tins, or possibly men.’ One American reviewer complained of Tilman’s complete lack of humour.
Tilman the satirist (and admirer of Jonathan Swift) reserves his ammunition for the irascible and scientific Frank Smythe, who had clearly irritated him on and off the slopes. He details his careful measuring of the prints ‘with the calm scientific diligence of a Sherlock Holmes’ and the way his photographs were carefully submitted to the ‘Zoological pundits’, who pronounced them to be made by a bear. ‘Whereupon, Mr Smythe, triumphantly flourishing his Sherpa’s affidavit, announced to his expectant audience that “a superstition of the Himalaya is now explained, at all events to Europeans”. In short, delenda est homo niveus disgustans;21 moreover, any tracks seen in the snow in the past, the present, or the future, may safely be ascribed to bears. As a non sequitur this bears comparison with the classic example: “No wonder they call this Stony Stratford, I was never so bitten by fleas in my life.”’22
He makes a good point: Smythe’s tracks were almost certainly those of the bear, but mystery footprints come in all shapes and sizes. Because his Sherpas had identified undisputed bear tracks as those of a wild man, Smythe had leaped to the conclusion that all mysterious tracks were made by bears. It was not his facts that were suspect but his inferences.
Tilman then produces his one-legged, carnivorous, hopping bird, weighing perhaps a ton, which he thought might explain the circular footprints he had seen. Perhaps pulling another leg, he suggests that a more likely explanation was that Abominable Snowmen had developed a primitive kind of snowshoe, despite these being unknown to the natives of the Himalayas.
Why was Tilman so anti-science? This is something that comes up again and again, and you can see the same tendency in the Bigfoot believers. Perhaps he wanted a space left for mystery in the Himalayas. In all of his writings about the yeti, Tilman adopted an anti-science ‘unbecoming levity’; as one interviewer found, ‘… it was obvious that he also belongs to the school which considers that the mystery of the yeti should be left uninvestigated; that once the unknown becomes known and the glamour dispelled, the interest evaporated.’23
This is an odd position. Tilman spent his exploring lifetime attempting to know the unknown among high mountains and cold seas. Was the glamour dispelled once the blanks on the maps and charts were filled in? In line with his generation, Tilman attended church and was a believer. However, he doesn’t seem to have ever been a lover. Unknowns that become knowns in these circumstances might be too disillusioning. Maybe he just preferred the yeti to be left as a mystery.
Towards the end of Appendix B, Tilman describes how on his return march from Everest in 1938 he took a side trip and bumped into Ernst Schäfer’s SS Tibet expedition. Over a few glasses of kümmel24 he begged the Auschwitz anthropologist Bruno Beger to look into the mystery of Homo odious and quite possibly asked him not to upset the applecart. This may have prompted Schäfer’s curt dismissal in his letter to Messner. I also suspect that Schäfer may have mixed him up with Smythe.
Tilman ends Appendix B with an account of what happened next. He and two Sherpas set out to make the first crossing of the Zemu Gap, a 19,000-foot col near Kangchenjunga. They noticed a single track of booted footprints ahead of them that Tilman disappointedly noted went over the col (thus making it a pass). Enquiring in Darjeeling, they could find no climbers boasting of the ascent: ‘men who climb in the Himalaya, though they may be strong, are not often silent.’ Further enquires elicited a response from John Hunt, the future leader of the successful 1953 Everest expedition, who said he had also seen tracks the previous year, and not only were there tracks, but actual steps had been cut in the far side of the pass.25
Tilman suggests that the maker of the tracks had picked up a pair of discarded climbing boots from the old German base camp near Kangchenjunga, and used them to cross the Zemu Gap. ‘I have hinted that the subject of our inquiry may not be as “dumb” as we think, and we are not to assume that a Snowman has not wit enough to keep his feet dry if they happen to be the shape that fits into boots.’
Tilman’s conclusion is that something has made the strange footprints he enumerates, including the strange Rongbuk stone footprint, and that something might as well be the Abominable Snowman. There is a dubious logic about this. He concludes with a veiled threat, which we may quail at: ‘I think he would be a bold and in some ways an impious sceptic who after balancing the evidence does not decide to give him the benefit of the doubt.’
So, covered with footprints, we end Appendix B perhaps more confused than when we began it, but with a vague feeling that we’ve been hoodwinked.
My next bookish proposition has been virtually unknown to the reading public since it first appeared in 1956. ‘For most people, it appears … the funniest book they have never heard of,’ wrote Bill Bryson, in a lavish preface that puts it on a par with The Diary of a Nobody (which Evelyn Waugh, in his turn, described as ‘the funniest book in the world’). This cult book is so loved by the mountaineering tendency that it has been taken around the world by climbers and Antarctic scientists, and inspired the names of a mountain in the Masson range in Antarctica, the northeast ridge of Pikes Peak, Colorado, and (perhaps more usefully) the famous bar and restaurant in Kathmandu, Nepal. It also presents solid evidence of the ‘Atrocious Snowman’.
The Ascent of Rum Doodle is a lethal parody of the stiff-upper-lipped, tight-arsed English school of expedition literature in which the sadder of us are steeped. It is the story of a group of utter incompetents who set out to climb the world’s highest mountain, the 40,500-foot Rum Doodle, a mountain ‘celebrated but rarely seen’ (a ‘rum do’ means a strange event). It is claimed by Bryson and others that The Ascent of Rum Doodle is based on Bill Tilman’s The Ascent of Nanda Devi, but I don’t think that is entirely correct. There is already quite enough self-parody in that book: when they reach the summit, Tilman writes, ‘we so far forgot ourselves as to shake hands on it’. No, I suggest that more likely texts to be satirised are Noel Odell’s Everest, 1925, Ralph Barker’s The Last