"Yes; I presume you feel yourself drawn to any place where ancient prejudices are garnered up," she answered, not without archness. "I know by the stand you take about our cause that you share the superstitions of the old bookmen. You ought to have been at one of those really mediæval universities that we saw on the other side, at Oxford, or Göttingen, or Padua. You would have been in perfect sympathy with their spirit."
"Well, I don't know much about those old haunts," Ransom rejoined. "I reckon this is good enough for me. And then it would have had the advantage that your residence isn't far, you know."
"Oh, I guess we shouldn't have seen you much at my residence! As you live in New York, you come, but here you wouldn't; that is always the way." With this light philosophy Verena beguiled the transit to the library, into which she introduced her companion with the air of a person familiar with the sanctified spot. This edifice, a diminished copy of the chapel of King's College, at the greater Cambridge, is a rich and impressive institution; and as he stood there, in the bright, heated stillness, which seemed suffused with the odour of old print and old bindings, and looked up into the high, light vaults that hung over quiet book-laden galleries, alcoves and tables, and glazed cases where rarer treasures gleamed more vaguely, over busts of benefactors and portraits of worthies, bowed heads of working students and the gentle creak of passing messengers—as he took possession, in a comprehensive glance, of the wealth and wisdom of the place, he felt more than ever the soreness of an opportunity missed; but he abstained from expressing it (it was too deep for that), and in a moment Verena had introduced him to a young lady, a friend of hers, who, as she explained, was working on the catalogue, and whom she had asked for on entering the library, at a desk where another young lady was occupied. Miss Catching, the first-mentioned young lady, presented herself with promptness, offered Verena a low-toned but appreciative greeting, and, after a little, undertook to explain to Ransom the mysteries of the catalogue, which consisted of a myriad little cards, disposed alphabetically in immense chests of drawers. Ransom was deeply interested, and as, with Verena, he followed Miss Catching about (she was so good as to show them the establishment in all its ramifications), he considered with attention the young lady's fair ringlets and refined, anxious expression, saying to himself that this was in the highest degree a New England type. Verena found an opportunity to mention to him that she was wrapped up in the cause, and there was a moment during which he was afraid that his companion would expose him to her as one of its traducers; but there was that in Miss Catching's manner (and in the influence of the lofty halls) which deprecated loud pleasantry, and seemed to say, moreover, that if she were treated to such a revelation she should not know under what letter to range it.
"Now there is one place where perhaps it would be indelicate to take a Mississippian," Verena said, after this episode. "I mean the great place that towers above the others—that big building with the beautiful pinnacles, which you see from every point." But Basil Ransom had heard of the great Memorial Hall; he knew what memories it enshrined, and the worst that he should have to suffer there; and the ornate, overtopping structure, which was the finest piece of architecture he had ever seen, had moreover solicited his enlarged curiosity for the last half-hour. He thought there was rather too much brick about it, but it was buttressed, cloistered, turreted, dedicated, superscribed, as he had never seen anything; though it didn't look old, it looked significant; it covered a large area, and it sprang majestic into the winter air. It was detached from the rest of the collegiate group, and stood in a grassy triangle of its own. As he approached it with Verena she suddenly stopped, to decline responsibility. "Now mind, if you don't like what's inside, it isn't my fault."
He looked at her an instant, smiling. "Is there anything against Mississippi?"
"Well, no, I don't think she is mentioned. But there is great praise of our young men in the war."
"It says they were brave, I suppose."
"Yes, it says so in Latin."
"Well, so they were—I know something about that," Basil Ransom said. "I must be brave enough to face them—it isn't the first time." And they went up the low steps and passed into the tall doors. The Memorial Hall of Harvard consists of three main divisions: one of them a theatre, for academic ceremonies; another a vast refectory, covered with a timbered roof, hung about with portraits and lighted by stained windows, like the halls of the colleges of Oxford; and the third, the most interesting, a chamber high, dim, and severe, consecrated to the sons of the university who fell in the long Civil War. Ransom and his companion wandered from one part of the building to another, and stayed their steps at several impressive points; but they lingered longest in the presence of the white, ranged tablets, each of which, in its proud, sad clearness, is inscribed with the name of a student-soldier. The effect of the place is singularly noble and solemn, and it is impossible to feel it without a lifting of the heart. It stands there for duty and honour, it speaks of sacrifice and example, seems a kind of temple to youth, manhood, generosity. Most of them were young, all were in their prime, and all of them had fallen; this simple idea hovers before the visitor and makes him read with tenderness each name and place—names often without other history, and forgotten Southern battles. For Ransom these things were not a challenge nor a taunt; they touched him with respect, with the sentiment of beauty. He was capable of being a generous foeman, and he forgot, now, the whole question of sides and parties; the simple emotion of the old fighting-time came back to him, and the monument around him seemed an embodiment of that memory; it arched over friends as well as enemies, the victims of defeat as well as the sons of triumph.
"It is very beautiful—but I think it is very dreadful!" This remark, from Verena, called him back to the present. "It's a real sin to put up such a building, just to glorify a lot of bloodshed. If it wasn't so majestic, I would have it pulled down."
"That is delightful feminine logic!" Ransom answered. "If, when women have the conduct of affairs, they fight as well as they reason, surely for them too we shall have to set up memorials."
Verena retorted that they would reason so well they would have no need to fight—they would usher in the reign of peace. "But this is very peaceful too," she added, looking about her; and she sat down on a low stone ledge, as if to enjoy the influence of the scene. Ransom left her alone for ten minutes; he wished to take another look at the inscribed tablets, and read again the names of the various engagements, at several of which he had been present. When he came back to her she greeted him abruptly, with a question which had no reference to the solemnity of the spot. "If Miss Birdseye knew you were coming out to see me, can't she easily tell Olive? Then won't Olive make her reflexions about your neglect of herself?"
"I don't care for her reflexions. At any rate, I asked Miss Birdseye, as a favour, not to mention to her that she had met me," Ransom added.
Verena was silent a moment. "Your logic is most as good as a woman's. Do change your mind and go to see her now," she went on. "She will probably be at home by the time you get to Charles Street. If she was a little strange, a little stiff with you before (I know just how she must have been), all that will be different to-day."
"Why will it be different?"
"Oh, she will be easier, more genial, much softer."
"I don't believe it," said Ransom; and his scepticism seemed none the less complete because it was light and smiling.
"She is much happier now—she can afford not to mind you."
"Not to mind me? That's a nice inducement for a gentleman to go and see a lady!"
"Well, she will be more gracious, because she feels now that she is more successful."
"You mean because she has brought you out? Oh, I have no doubt that has cleared the air for her immensely, and you have improved her very much. But I have got a charming impression out here, and I have no wish to put another—which won't be charming, anyhow you arrange it—on top of it."
"Well, she will be sure to know you have been round here, at any rate," Verena rejoined.
"How will she know, unless you tell her?"
"I tell her everything," said the girl; and now as soon as she had spoken, she blushed. He stood before her, tracing a figure on the mosaic