Madame Roland, Makers of History
The history of Madame Roland embraces the most interesting events of the French Revolution, that most instructive tragedy which time has yet enacted. There is, perhaps, contained in the memoirs of no other woman so much to invigorate the mind with the desire for high intellectual culture, and so much to animate the spirit heroically to meet all the ills of this eventful life. Notwithstanding her experience of the heaviest temporal calamities, she found, in the opulence of her own intellectual treasures, an unfailing resource. These inward joys peopled her solitude with society, and dispelled even from the dungeon its gloom. I know not where to look for a career more full of suggestive thought.
Chapter I
Childhood
Many characters of unusual grandeur were developed by the French Revolution. Among them all, there are few more illustrious, or more worthy of notice, than that of Madame Roland. The eventful story of her life contains much to inspire the mind with admiration and with enthusiasm, and to stimulate one to live worthily of those capabilities with which every human heart is endowed. No person can read the record of her lofty spirit and of her heroic acts without a higher appreciation of woman's power, and of the mighty influence one may wield, who combines the charms of a noble and highly-cultivated mind with the fascinations of female delicacy and loveliness. To understand the secret of the almost miraculous influence she exerted, it is necessary to trace her career, with some degree of minuteness, from the cradle to the hour of her sublime and heroic death.
In the year 1754, there was living, in an obscure workshop in Paris, on the crowded Quai des Orfevres, an engraver by the name of Gratien Phlippon. He had married a very beautiful woman, whose placid temperament and cheerful content contrasted strikingly with the restlessness and ceaseless repinings of her husband. The comfortable yet humble apartments of the engraver were over the shop where he plied his daily toil. He was much dissatisfied with his lowly condition in life, and that his family, in the enjoyment of frugal competence alone, were debarred from those luxuries which were so profusely showered upon others. Bitterly and unceasingly he murmured that his lot had been cast in the ranks of obscurity and of unsparing labor, while others, by a more fortunate, although no better merited destiny, were born to ease and affluence, and honor and luxury. This thought of the unjust inequality in man's condition, which soon broke forth with all the volcanic energy of the French Revolution, already began to ferment in the bosoms of the laboring classes, and no one pondered these wide diversities with a more restless spirit, or murmured more loudly and more incessantly than Phlippon. When the day's toil was ended, he loved to gather around him associates whose feelings harmonized with his own, and to descant upon their own grievous oppression and upon the arrogance of aristocratic greatness. With an eloquence which often deeply moved his sympathizing auditory, and fanned to greater intensity the fires which were consuming his own heart, he contrasted their doom of sleepless labor and of comparative penury with the brilliance of the courtly throng, living in idle luxury, and squandering millions in the amusements at Versailles, and sweeping in charioted splendor through the Champs Elysée.
Phlippon was a philosopher, not a Christian. Submission was a virtue he had never learned, and never wished to learn. Christianity, as he saw it developed before him only in the powerful enginery of the Roman Catholic Church, was, in his view, but a formidable barrier against the liberty and the elevation of the people – a bulwark, bristling with superstition and bayonets, behind which nobles and kings were securely intrenched. He consequently became as hostile to the doctrines of the Church as he was to the institutions of the state. The monarch was, in his eye, a tyrant, and God a delusion. The enfranchisement of the people, in his judgment, required the overthrow of both the earthly and the celestial monarch. In these ideas, agitating the heart of Phlippon, behold the origin of the French Revolution. They were diffused in pamphlets and daily papers in theaters and cafés. They were urged by workmen in their shops, by students in their closets. They became the inspiring spirit of science in encyclopedias and reviews, and formed the chorus in all the songs of revelry and libertinism. These sentiments spread from heart to heart, through Paris, through the provinces, till France rose like a demon in its wrath, and the very globe trembled beneath its gigantic and indignant tread.
Madame Phlippon was just the reverse of her husband. She was a woman in whom faith, and trust, and submission predominated. She surrendered her will, without questioning, to all the teachings of the Church of Rome. She was placid, contented, and cheerful, and, though uninquiring in her devotion, undoubtedly sincere in her piety. In every event of life she recognized the overruling hand of Providence, and feeling that the comparatively humble lot assigned her was in accordance with the will of God, she indulged in no repinings, and envied not the more brilliant destiny of lords and ladies. An industrious housewife, she hummed the hymns of contentment and peace from morning till evening. In the cheerful performance of her daily toil, she was ever pouring the balm of her peaceful spirit upon the restless heart of her spouse. Phlippon loved his wife, and often felt the superiority of her Christian temperament.
Of eight children born to these parents, one only, Jeanne Manon, or Jane Mary, survived the hour of birth. Her father first received her to his arms in 1754, and she became the object of his painful and most passionate adoration. Her mother pressed the coveted treasure to her bosom with maternal love, more calm, and deep, and enduring. And now Jane became the central star in this domestic system. Both parents lived in her and for her. She was their earthly all. The mother wished to train her for the Church and for heaven, that she might become an angel and dwell by the throne of God. These bright hopes gilded a prayerful mother's hours of toil and care. The father bitterly repined. Why should his bright and beautiful child – who even in these her infantile years was giving indication of the most brilliant intellect – why should she be doomed to a life of obscurity and toil, while the garden of the Tuileries and the Elysian Fields were thronged with children, neither so beautiful nor so intelligent, who were reveling in boundless wealth, and living in a world of luxury and splendor which, to Phlippon's imagination, seemed more alluring than any idea he could form of heaven? These thoughts were a consuming fire in the bosom of the ambitious father. They burned with inextinguishable flame.
The fond parent made the sprightly and fascinating child his daily companion. He led her by the hand, and confided to her infantile spirit all his thoughts, his illusions, his day-dreams. To her listening ear he told the story of the arrogance of nobles, of the pride of kings, and of the oppression by which he deemed himself unjustly doomed to a life of penury and toil. The light-hearted child was often weary of these complainings, and turned for relief to the placidity and cheerfulness of her mother's mind. Here she found repose – a soothing, calm, and holy submission. Still the gloom of her father's spirit cast a pensive shade over her own feelings, and infused a tone of melancholy and an air of unnatural reflection into her character. By nature, Jane was endowed with a soul of unusual delicacy. From early childhood, all that is beautiful or sublime in nature, in literature, in character, had charms to rivet her entranced attention. She loved to sit alone at her chamber window in the evening of a summer's day, to gaze upon the gorgeous hues of sunset. As her imagination roved through those portals of a brighter world, which seemed thus, through far-reaching vistas of glory, to be opened to her, she peopled the sun-lit expanse with the creations of her own fancy, and often wept in uncontrollable emotion through the influence of these gathering thoughts. Books of impassioned poetry, and descriptions of heroic character and achievements, were her especial delight. Plutarch's Lives, that book which, more than any other, appears to be the incentive of early genius, was hid beneath her pillow, and read and re-read with tireless avidity. Those illustrious heroes of antiquity became the companions of her solitude and of her hourly thoughts. She adored them and loved them as her own most intimate personal friends. Her character became insensibly