Andrew Lang
Violet Fairytales
35 Tales of Magic and Fantasy
Published by
Books
- Advanced Digital Solutions & High-Quality eBook Formatting -
2020 OK Publishing
EAN 4064066309879
Table of Contents
The Story of Three Wonderful Beggars
The Three Princes and Their Beasts
The Goat’s Ears of the Emperor Trojan
The Nine Pea-Hens and the Golden Apples
The Child Who Came from an Egg
How a Fish Swam in the Air and a Hare in the Water
The History of Dwarf Long Nose
The Maiden with the Wooden Helmet
The Young Man Who Would Have His Eyes Opened
The Boys with the Golden Stars
The Princess Who was Hidden Underground
The Girl Who Pretended to be a Boy
The Prince Who Wanted to See the World
PREFACE
The Editor takes this opportunity to repeat what he has often said before, that he is not the author of the stories in the Fairy Books; that he did not invent them ‘out of his own head.’ He is accustomed to being asked, by ladies, ‘Have you written anything else except the Fairy Books?’ He is then obliged to explain that he has not written the Fairy Books, but, save these, has written almost everything else, except hymns, sermons, and dramatic works.
The stories in this Violet Fairy Book, as in all the others of the series, have been translated out of the popular traditional tales in a number of different languages. These stories are as old as anything that men have invented. They are narrated by naked savage women to naked savage children. They have been inherited by our earliest civilised ancestors, who really believed that beasts and trees and stones can talk if they choose, and behave kindly or unkindly. The stories are full of the oldest ideas of ages when science did not exist, and magic took the place of science. Anybody who has the curiosity to read the ‘Legendary Australian Tales,’ which Mrs. Langloh Parker has collected from the lips of the Australian savages, will find that these tales are closely akin to our own. Who were the first authors of them nobody knows—probably the first men and women. Eve may have told these tales to amuse Cain and Abel. As people grew more civilised and had kings and queens, princes and princesses, these exalted persons generally were chosen as heroes and heroines. But originally the characters were just ‘a man,’ and ‘a woman,’ and ‘a boy,’ and ‘a girl,’ with crowds of beasts, birds, and fishes, all behaving like human beings. When the nobles and other people became rich and educated, they forgot the old stories, but the country people did not, and handed them down, with changes at pleasure, from generation to generation. Then learned men collected and printed the country people’s stories, and these we have translated, to amuse children. Their tastes remain like the tastes of their naked ancestors, thousands of years ago, and they seem to like fairy tales better than history, poetry, geography, or arithmetic, just