Louis Tracy
The Revellers
Published by Good Press, 2019
EAN 4064066221218
Table of Contents
“IT IS THE FIRST STEP THAT COUNTS”
GEORGE PICKERING PLAYS THE MAN
SHOWING HOW MARTIN’S HORIZON WIDENS
FOR ONE, THE NIGHT; FOR ANOTHER, THE DAWN
CHAPTER I
QUESTIONINGS
“And the king was much moved, and went up to the chamber over the gate, and wept: and as he went, thus he said, O my son Absalom, my son, my son Absalom! Would God I had died for thee, O Absalom, my son, my son!”
The voice of the reader was strident, his utterance uneven, his diction illiterate. Yet he concluded the 18th chapter of the second Book of Samuel with an unctuous force born of long familiarity with the text. His laborious drone revealed no consciousness of the humanism of the Jewish King. To suggest that the Bible contained a mine of literature, a series of stories of surpassing interest, portraying as truthfully the lives of the men and women of to-day as of the nomad race which a personal God led through the wilderness, would have provoked from this man’s mouth a sluggish flood of protest. The slow-moving lips, set tight after each syllabic struggle, the shaggy eyebrows overhanging horn-rimmed spectacles, the beetling forehead and bull-like head sunk between massive shoulders, the very clutch of the big hands on the Bible held stiffly at a distance, bespoke a triumphant dogmatism that found as little actuality in the heartbroken cry of David as in a description of a seven-branched candlestick.
The boy who listened wondered why people should “think such a lot about” high priests and kings who died so long ago. David was interesting