Mrs. Oliphant
The Doctor's Family
Published by Good Press, 2019
EAN 4057664596819
Table of Contents
Chronicles of Carlingford
THE DOCTOR'S FAMILY
CHAPTER I.
Young Dr. Rider lived in the new quarter of Carlingford: had he aimed at a reputation in society, he could not possibly have done a more foolish thing; but such was not his leading motive. The young man, being but young, aimed at a practice. He was not particular in the mean time as to the streets in which his patients dwelt. A new house, gazing with all its windows over a brick-field, was as interesting to the young surgeon as if it had been one of those exclusive houses in Grange Lane, where the aristocracy of Carlingford lived retired within their garden walls. His own establishment, though sufficiently comfortable, was of a kind utterly to shock the feelings of the refined community: a corner house, with a surgery round the corner, throwing the gleam of its red lamp over all that chaotic district of half-formed streets and full-developed brick-fields, with its night-bell prominent, and young Rider's name on a staring brass plate, with mysterious initials after it. M.R.C.S. the unhappy young man had been seduced to put after his name upon that brass plate, though he was really Dr. Rider, a physician, if not an experienced one. Friends had advised him that in such districts people were afraid of physicians, associating only with dread adumbrations of a guinea a visit that miscomprehended name; so, with a pang, the young surgeon had put his degree in his pocket, and put up with the inferior distinction. Of course, Dr. Marjoribanks had all the patronage of Grange Lane. The great people were infatuated about that snuffy old Scotchman—a man behind his day, who had rusted and grown old among the soft diseases of Carlingford, where sharp practice was so seldom necessary; and no opening appeared for young Rider except in the new district, in the smug corner house, with the surgery and the red lamp, and M.R.C.S. on a brass plate on his door.
If you can imagine that the young man bowed his spirit to this without a struggle, you do the poor young fellow injustice. He had been hard enough put to it at divers periods of his life. Ambition had not been possible for him either in one shape or another. Some people said he had a vulgar mind when he subsided into that house; other people declared him a shabby fellow when he found out, after the hardest night's thought he ever went through in his life, that he durst not ask Bessie Christian to marry him. You don't suppose that he did not know in his secret heart, and feel tingling through every vein, those words which nobody ever said to his face? But he could not help it. He could only make an indignant gulp of his resentment and shame, which were shame and resentment at himself for wanting the courage to dare everything, as well as at other people for finding him out, and go on with his work as he best could. He was not a hero nor a martyr; men made of that stuff have large compensations. He was an ordinary individual, with no sublimity in him, and no compensation to speak of for his sufferings—no consciousness of lofty right-doing, or of a course of action superior to the world.
Perhaps you would prefer to go up-stairs and see for yourself what was the skeleton in Edward Rider's cupboard, rather than have it described to you. His drag came to the door an hour ago, and he went off with Care sitting behind him, and a certain angry pang aching in his heart, which perhaps Bessie Christian's wedding-veil, seen far off in church yesterday, might have something to do with. His looks were rather black as he twitched the reins out of his little groom's hands, and went off at a startling pace, which was almost the only consolation the young fellow had. Now that he is certainly gone, and the coast clear, we may go up-stairs. It is true he all but kicked the curate down for taking a similar liberty, but we who are less visible may venture while he is away.
This skeleton is not in a cupboard. It is in an up-stairs room, comfortable enough, but heated, close, unwholesome—a place from which, even when the window is open, the fresh air seems shut out. There is no fresh air nor current of life in this stifling place. There is a fire, though it is not cold—a sofa near the fire—a sickening heavy smell of abiding tobacco—not light whiffs of smoke, such as accompany a man's labours, but a dead pall of idle heavy vapour; and in the midst of all a man stretched lazily on the sofa, with his pipe laid on the table beside him, and a book in his soft, boneless, nerveless hands. A large man, interpenetrated with smoke and idleness and a certain dreary sodden dissipation, heated yet unexcited, reading a novel he has read half-a-dozen times before. He turns his bemused eyes to the door when his invisible visitors enter. He fancies he hears some one coming, but will not take the trouble to rise and see who