Praise for Shuggie Bain
Winner of the Booker Prize
Longlisted for the National Book Award
Finalist for the Kirkus Prize in Fiction
Shortlisted for the Center for Fiction First Novel Prize
Named a Best Book of the Year So Far by Elle and Vogue
“We were bowled over by this first novel, which creates an amazingly intimate, compassionate, gripping portrait of addiction, courage and love. The book gives a vivid glimpse of a marginalized, impoverished community in a bygone era of British history. It’s a desperately sad, almost-hopeful examination of family and the destructive powers of desire.”
—Booker Prize Judges
“Not only does [Stuart] clearly know his characters, he clearly loves them . . . Stuart describes their life with compassion and a keen ear for language . . . Such is Stuart’s talent that this painful, sometimes excruciating story is often quite beautiful.”
—Barbara Lane, San Francisco Chronicle
“Shuggie Bain is Douglas Stuart’s first novel, as intense and excruciating to read as any novel I have ever held in my hand . . . This novel is as much about Glasgow as it is about Shuggie and his impossible mother . . . The book’s evocative power arises out of the author’s talent for conjuring a place, a time, and the texture of emotion, and out of its language which is strewn with a Glaswegian argot sodden with desolation and misery . . . This is a hard, grim book, brilliantly written and, in the end, worth the pain which accompanies reading it.”
—Katherine A. Powers, Newsday
“The tough portraits of Glaswegian working-class life from William McIlvanney, James Kelman, Alasdair Gray, and Agnes Owens can be felt in Shuggie Bain without either overshadowing or unbalancing the novel . . . Stuart’s capacity for allowing wild contradictions to convincingly coexist is also on display in the individual vignettes that comprise the novel, blending the tragic with the funny, the unsparing with the tender, the compassionate with the excruciating. He can even pull off all of them in a single sentence . . . This overwhelmingly vivid novel is not just an accomplished debut. It also feels like a moving act of filial reverence.”
—James Walton, New York Review of Books
“Agnes Bain [is] the unforgettable human train wreck at the center of Douglas Stuart’s novel Shuggie Bain . . . Titling the novel after Shuggie rather than the woman who dominates him seems like a small gesture of defiance on Mr. Stuart’s part . . . Mr. Stuart vividly inhabits the city’s singular ‘Weegie’ dialect and vocabulary . . . It’s the obstinate Bain pride that prevents this novel from becoming a wallow in victimhood and gives it its ruined dignity.”
—Sam Sacks, Wall Street Journal
“An atmospheric epic set in 1980s working-class Glasgow, Shuggie Bain, a debut novel by Douglas Stuart, focuses on the relationship between a mother and son as she battles alcoholism and he grapples with his sexuality. It’s a formidable story, lyrically told, about intimacy, family, and love.”
—Elle
“Magnificent . . . Its richly rendered events will give you a lot to talk about.”
—Elena Nicolaou, O Magazine
“This is a panoramic portrait of both a family and a place, and Stuart steeps us fully in the grim decline of the Thatcher years: cheap booze, closed pits and lives lived on tick . . . Tender and unsentimental—a rare trick—and the Billy Elliot-ish character of Shuggie, when he does take the floor, leaps off the page.”
—Stephanie Cross, Daily Mail
“An instant classic. A novel that takes place during the Thatcher years and, in a way, defines it. A novel that explores the underbelly of Scottish society. A novel that digs through the grit and grime of 1980s Glasgow to reveal a story that is at once touching and gripping. Think D.H. Lawrence. Think James Joyce . . . A literary tour de force.”
—Mike Maggio, Washington Independent Review of Books
“Douglas’s sharp narrative perspective moves from character to character, depicting each internally and externally with astute grace, giving a complex understanding of the dynamics of the Bain family . . . Shuggie Bain is a master class in depicting the blinding dedications of love and the endless bounds to which people will go to feel in control, to feel better. It hopefully sets the tone for more beautifully devastating works of fiction to follow from Stuart in the future.”
—Rachel A.G. Gilman, Columbia Journal
“Heartfelt and harrowing . . . [A] visceral, emotionally nuanced portrayal of working class Scottish life and its blazingly intimate exploration of a mother-son relationship.”
—Dan Sheehan, Literary Hub
“The way Irvine Welsh’s Trainspotting carved a permanent place in our heads and hearts for the junkies of late-1980s Edinburgh, the language, imagery, and story of fashion designer Stuart’s debut novel apotheosizes the life of the Bain family of Glasgow . . . The emotional truth embodied here will crack you open. You will never forget Shuggie Bain. Scene by scene, this book is a masterpiece.”
—Kirkus Review (starred review)
“Compulsively readable . . . In exquisite detail, the book describes the devastating dysfunction in Shuggie’s family, centering on his mother’s alcoholism and his father’s infidelities, which are skillfully related from a child’s viewpoint . . . As it beautifully and shockingly illustrates how Shuggie ends up alone, this novel offers a testament to the indomitable human spirit. Very highly recommended.”
—Library Journal (starred review)
“Douglas Stuart’s anxious novel is both a tragedy and a survival story. Shuggie is as neglected as Glasgow, but through his mother’s demise, he discovers his strength. Shuggie Bain celebrates taking charge of one’s own destiny.”
—Bookpage
“Stuart’s harrowing debut follows a family ravaged by addiction in Glasgow during the Thatcher era . . . There are flashes of deep feeling that cut through the darkness . . . Will resonate with readers.”
—Publishers Weekly
“Every now and then a novel comes along that feels necessary and inevitable. I’ll never forget Shuggie and Agnes or the incredibly detailed Glasgow they inhabit. This is the rare contemporary novel that reads like an instant classic. I’ll be thinking and talking about Shuggie Bain—and teaching it—for quite some time.”
—Garrard Conley, New York Times-bestselling author of Boy Erased
“A rare and haunting ode to 1980s Glasgow and its struggling communities, Shuggie Bain tells the story of a collapsing family that is lashed together by love alone. Douglas Stuart writes with startling, searing intimacy. I fell hard for these characters; when they have nothing left, they cling maddeningly—irresistibly—to humor, pride, and hope.”
—Chia-Chia Lin, author of The Unpassing
“Shuggie Bain is an intimate and frighteningly acute exploration of a mother-son relationship and a masterful portrait of alcoholism in Scottish working-class life, rendered with old-school lyrical realism. Stuart is a writer who genuinely loves his characters and makes them unforgettable and touching even when they’re at their worst. He’s also just a beautiful writer; I kept being reminded of Joyce’s Dubliners. I loved this book.”
—Sandra Newman, author of The Heavens
“A dark shining work. Raw, formidable, bursting with tenderness and frailty. The effect is remarkable, it will make you cry.”
—Karl Geary, author of Montpelier Parade
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