Praise for Summer Night, Winter Moon:
“A fast and compelling read.”
Dame Beryl Bainbridge
“A novel affair. Brilliant. I could not put it down.”
Max Clifford – Surrey Life
“I devoured it in just 2 nights: literally
unputdownable.” Sally Farmiloe – Hotgossip
“I recommend Jane Huxley’s latest thriller,
SUMMER NIGHT, WINTER MOON. It was really
good.” Kerry Katona – OK Magazine
“One of Simon Cowell’s fave books.” Love It!
“It's wonderful. Think it would make a great film,
very Brian de Palma, Alfred Hitchcockish!”
Linda Mindel, Journalist
ALSO BY JANE HUXLEY
Morgan’s Castle
For the Love of Penny Whistler
Praise for For the Love of Penny Whistler:
“Set against a background of international conflict,
this is a clever and ingenious novel about love, loss
and stolen identity. Huxley has an admirable grasp
of structure and character.” Dame Beryl Bainbridge
“Glitter and gutter… lovelorn, war-torn.
A compelling read.” Simon Cowell
“Huxley writes with great insight in this razor-sharp
exploration of the dark side of human
relationships.” Erica Sissons – Daily Express
DAFINA, a film based on For the Love of Penny Whistler, is planned for release in 2009.
SUMMER NIGHT,
WINTER MOON
a novel by Jane Huxley
Published by Delancey Press Ltd.
23 Berkeley Square
London W1J 6HE
Copyright © 2007 by Jane Huxley
The right of Jane Huxley to be identified as the author of this work has been asserted by her in accordance with the Copyright Design and Patents Act of 1988. All rights reserved under International Copyright Conventions. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without prior permission in writing from the publisher. Reviewers may quote brief passages.
A CIP catalogue record for this title is available from the British Library.
This edition published 2008
First published 2007
Edited by Alexandra Shelley
Painting by Peregrine Heathcote
Jacket by Michal William
Typeset by BookType
Printed and bound by W S Bookwell
ISBN 978 0 9539 1196 7
The heart has reasons
that reason knows
nothing about.
Blaise Pascal Pensées.
But you, the reader, will look beyond reason to understand, and no doubt you will. J. H.
ONE
June 21, 2005
It is not unusual, on a warm summer evening, to look out of our bedroom window and see a Jaguar or Corniche parked downstairs in front of my gate on Chester Crescent. What struck me as odd was the vehicle which had just arrived – a black sedan such as a mortician might favour. Or a clandestine lover. Or a copper.
Since I was not expecting a visitor on this ordinary Tuesday evening, the presence of a strange car at my door was an obvious source of anxiety – made worse by the fact that the car doors opened and two men climbed out. Plain clothes that wouldn’t fool anybody. Least of all someone with a queasy conscience.
By the reddish glow of the setting sun, I saw one of them lift his head and stare at the façade of the townhouses that form a wide curve along the street. Good Lord! None other than Inspector Fielding himself! Those snake eyes of his darting swiftly as if afraid of losing their prey.
I had forgotten him the way we forget people we have no desire to remember. But if I wanted to reacquaint myself with him, he was giving me ample opportunity. Tall. Narrow head. Abrupt gestures that were part of the art of intimidating suspects.
He stepped forward under the streetlamp and chatted to his partner, whose dense silhouette I recognized as that of Sergeant Dale. Shorter. Plumper. More reticent. Less alert.
They both glanced at their watches, then focused their attention on my house. The black door, the windows upstairs, the small garden in front. Illogically, I wanted to stay welded to the window which might have given away the outline of my head had the lights not been switched off.
The buzzer rang two minutes later.
What’s two minutes in the life of a thirty-six-year-old man? A fucking lifetime, if you’ve ever looked out of your window and had a flash of insight that revealed you were about to be nailed for a heinous deed. So it’s a question of choice. You can let them cuff you and throw you into that swamp between nowhere and no place. Or you can pull yourself together. And bolt.
Now you listen to me, you fool, I said to myself. Who cares if those detectives waiting outside the door will sniff a touch of guilt in a fleeing man. What may look like a fugitive to them will be nothing more than a disciplined jogger to those who pass him along the way.
But I had two concerns – money and identification – without which an ordinary joe doesn’t cross many boundaries in today’s world. It would be unwise to stop at the gallery and take whatever bounty was stored in the safe. So I opened the lockbox camouflaged by the small Matisse on the bedroom wall and took out wads of pounds, bounded and crisp, and my passport, and stuffed them in the breast pocket of my jacket.
Not enough. I must take something of hers. Something I can carry with me all the way to wherever I end up. Yes! Her handkerchief. The small white one, with the A embroidered on a corner and the lingering lemony smell.
As I plucked it from her drawer, the mirror on the dressing table gave me a startling look of myself. The thick blond hair, spiky and dishevelled. The forehead shiny with perspiration. The grey eyes, ordinarily amused, wide open and red rimmed. One side of the mouth turned down in a smirk. The hint of a stubble on my cheeks. As for the rest of me, not much left of the slender carriage – I was all slumped shoulders and fidgety hands.
The buzzer rang again.
Come on, you fool, I muttered under my breath. Run!
Which is what I did. I rushed to the back of the house and attempted to lift the guest room window that let onto the fire escape. Damn! Stuck so badly only a ghost could pass through it. Now what? A hammer. A rock. Anything.
I found a boot and banged the frame to force the window open. It did, giving me the feel of summer air. I took a deep breath and jumped out for the long run to… Where? Onward, obviously. As far as I can get. The boundless lands of New Zealand, maybe. To what use? To move on, to leave no traces. Why? To preserve whatever part of me is salvageable. If any.