Museographs: Appalachian Handicrafts. Caron Caswell Lazar

      

      MUSEOGRAPHS

      Appalachian Handicrafts

      by

      Carôn Caswell Lazar

      Copyright 2017 Carôn Caswell Lazar,

      All rights reserved.

      Published in eBook format by eBookIt.com

       http://www.eBookIt.com

      ISBN-13: 978-1-4566-2885-7

      No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review.

      The Museographs monographs are publications of The Lazar Group, Incorporated

      Museographs Appalachian Handicrafts, Copyright 1993 Carôn Caswell Lazar

      All rights reserved

      No reproductions of this newsletter, or its attending materials, in whole or in part or in any form may be made without written authorization of the copyright owner.

      Museographs Titles:

      Japanese Satsuma Pottery

      Contemporary African-American Folk Art

      Shaker Design

      Mexican Painting of the 19th & 20th Centuries

      The Sioux

      Appalachian Handicrafts

      The Cherokee

      The Art of Islam: A Survey

      The Old City of Jerusalem

      Illuminated Manuscripts

      Mexican Folk Art

      Kanien’kehaka

      Art, Myth, Legend and Story

      The Art of the Celts

      Appalachian Handicrafts

      Introduction

      The first settlers to come to Appalachia came from the hills of Pennsylvania and from Virginia and North Carolina. These people, mostly of an English-Scottish-Irish origin, carried with them the strong handicraft cultures of their heritage. These skills were to become the basis of their lifestyle for well over a century without significant influence from beyond the mountains until the late 1890s. They came into the mountains with few possessions, only what was vital to make the trip as well as the occasional cherished article, heirloom or fine piece of furniture.

      In the main they were far removed from trading routes and for the most part separated from the outside — although they were not entirely isolated since some of the mountain gaps were part of the westward migration route and as others came to Appalachia they brought with them knowledge of outside conditions. The people of Appalachia were isolated for reasons of economy as much as geography. For these reasons the mountain highland family produced virtually everything necessary for their family’s survival and comfort with their own hands. This independent way of life continued undisturbed until the end of the nineteenth century when some of the old crafts, like weaving, began a decline. This decline was in large measure due to greater availability of store-bought stuffs. It should be noted that for the most part the people of Appalachia continued to be independent well into the first quarter of the twentieth century.

      However, in the late 1890s outside influences in the form of educated women missionaries and northern businesses began to make their way into the Highlands. As a result of the work of many women dedicated to a revival of traditional crafts as a means to economic prosperity, a number of fine institutions were established to promote and continue these skills. In the interest of space we will not deal with these institutions or their work, but rather will explore and describe the crafts themselves, some of the people who established them and some of those who continue the way of life even now.