The Art of Losing Control. Jules Evans. Читать онлайн. Newlib. NEWLIB.NET

Автор: Jules Evans
Издательство: Ingram
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Жанр произведения: Историческая литература
Год издания: 0
isbn: 9781782118770
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      Also by Jules Evans

      Philosophy for Life: And Other Dangerous Situations

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      Published in Great Britain in 2017 by Canongate Books Ltd, 14 High Street,

      Edinburgh EH1 1TE

       www.canongate.co.uk

      This digital edition first published in 2017 by Canongate Books

      Copyright © Jules Evans, 2017

      Extract from ‘Four Quartets’ reprinted by kind permission of Faber & Faber Ltd

      (Faber & Faber, 2001) © T.S. Eliot (1944); © Valerie Eliot (1979).

      Extract from ‘Anthem’, Stranger Music reprinted by permission of Penguin Random House Canada Limited © Leonard Cohen, Stranger Music (1993).

      Extract from ‘The Guest House’, Rumi: Selected Poems reprinted by permission of

      Penguin Random House © Rumi/Coleman Barks (2004).

      The moral right of the author has been asserted

      While every effort has been made to trace the owners of copyright material reproduced herein, the publishers would like to apologise for any omissions and will be pleased to incorporate missing acknowledgements in any further editions.

      British Library Cataloguing-in-Publication Data A catalogue record for this book is available on request from the British Library

      ISBN 978 1 78211 867 1

      eISBN 978 1 78211 877 0

      Typeset in Bembo by Palimpsest Book Production Ltd,

      Falkirk, Stirlingshire

      To my brother, Alex,

      and to Frederic Myers and Thomas Traherne,

      two English ecstatics who deserve still to be in print.

      Contents

       List of Illustrations

       Introduction: Welcome to the Festival

       1: The Entrance Gate

       2: The Revival Tent

       3: The Ecstatic Cinema

       4: Rock and Roll Main Stage

       5: Psychedelic Wonderland

       6: The Contemplation Zone

       7: The Tantric Love Temple

       8: The Mosh-Pit

       9: The Forest of Wonder

       10: Futureland

       Notes

       Acknowledgements

       Index

      List of Illustrations

       Paleo-anthropologists think cave paintings like these at Lascaux (from around 20,000 BC) were an early route for homo sapiens to reach altered states of consciousness. © Sisse Brimberg/National Geographic

       Ecstasy also had a central role in classical culture – this vase painting (right) shows a maenad filled with the god Dionysus. © The Trustees of the British Museum

       In Christian culture, ecstasy is interpreted as an invasion by God, though it could also be demonic possession or human imagination.

       Two examples from Caravaggio – above, Saint Matthew and the ecstasy of creative inspiration. Below, Saint Paul and the ecstasy of sudden conversion.

       Hogarth’s ‘Enthusiasm Delineated’ (c.1760) mocked the unbridled emotionalism of Methodist services. © The Trustees of the British Museum

       A late-19th-century photo from the Salpêtriére clinic in Paris showing a hysteric patient in ecstatic attitude. Western psychiatrists often interpreted spiritual experiences as symptoms of mental pathology. © Yale University, Harvey Cushing/John Hay Whitney Medical Library

       A 19th-century Methodist camp meeting in the US. © Courtesy of the New Bedford Whaling Museum

       Rock and roll secularized the ecstasy of charismatic Christianity and brought it to the masses. This is the audience at a Beatles concert in Plymouth in 1963. © Mirrorpix

       Stanley Kubrick’s 2001: A Space Odyssey (1968) imagined ecstatic encounters with extraterrestrial intelligences. Directors including Kubrick have used cinema to explore altered states and provoke them in the audience. © Warner Bros

       Shakespeare’s theatre offered a playful, sceptical space for ecstasy (this is Vivien Leigh as Titania in a 1937 production of A Midsummer Night’s Dream). © Photograph by JW Debenham. Courtesy of the Mander and Mitchenson Collection at the University of Bristol

       Casper David Friedrich’s ‘Wanderer Above the Sea of Fog (c.1818). © bpk | Hamburger Kunsthalle | Elke Walford

       Extreme sports have also been embraced as a means to ecstatic experiences in nature – the image below is from Werner Herzog’s 1974 documentary about a ski-jumper, The Great Ecstasy of Woodcarver Steiner. © Deutsche Kinemathek – Werner Herzog Film

       The Romantic counter-culture explored ecstatic experiences through poetry, free love and intoxicants. Above is a frontispiece by William Blake, a keen practitioner of sexual spirituality.

       A photo from the 1969 Woodstock festival. Such experiments in ecstasy became a mass phenomenon during the 1960s.

       Ecstatic nationalist movements like Nazism offer ecstasy through the worship of the state and its Leader, and through a narrative of sacred war against demonised outsiders. © Corbis Historical/Getty Images

       An image of the myth of King Pentheus, torn apart by the demented followers of Dionysus. © 2017. Kimbell Art Museum, Fort Worth, Texas/Art Resource, NY/Scala, Florence

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      Introduction: Welcome to the Festival

      I was walking along the beach beside Bamburgh Castle in Northumberland. It was a clear, bright September afternoon on one of the most beautiful stretches of coast in England. Across the water was Holy