The Constant Listener. Susan Herron Sibbet. Читать онлайн. Newlib. NEWLIB.NET

Автор: Susan Herron Sibbet
Издательство: Ingram
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Жанр произведения: Контркультура
Год издания: 0
isbn: 9780804040785
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      The Constant Listener

      published with a grant Figure Foundation

      The Constant Listener

      Henry James and Theodora Bosanquet

      an imagined memoir

      Susan Herron Sibbet

      with Lady Borton

      Swallow Press * Ohio University Press * Athens

      Swallow Press

      An imprint of Ohio University Press, Athens, Ohio 45701

       ohioswallow.com

      © 2017 by David Sibbet

      All rights reserved

      Afterword © 2017 by Lady Borton

      To obtain permission to quote, reprint, or otherwise reproduce or distribute material from Swallow Press / Ohio University Press publications, please contact our rights and permissions department at (740) 593-1154 or (740) 593-4536 (fax).

      Jacket art: Photograph of Lamb House and Henry James courtesy Wikimedia Commons Photograph of Theodora Bosanquet © National Trust / Charles Thomas

      Jacket design by Beth Pratt

      Printed in the United States of America

      Swallow Press / Ohio University Press books are printed on acid-free paper

      27 26 25 24 23 22 21 20 19 18 17 5 4 3 2 1

       Library of Congress Cataloging-in-Publication Data

      Names: Sibbet, Susan Herron author. | Borton, Lady author.

      Title: The constant listener : Henry James and Theodora Bosanquet—an imagined memoir / Susan Herron Sibbet with Lady Borton.

      Description: Athens, Ohio : Swallow Press, 2017. | Includes bibliographical references.

      Identifiers: LCCN 2017023530| ISBN 9780804011839 (hc : alk. paper) | ISBN 9780804040785 (pdf)

      Subjects: LCSH: James, Henry, 1843-1916—Fiction. | James, Henry, 1843-1916—Friends and associates—Fiction. | Novelists, American—Fiction. | Bosanquet, Theodora—Fiction. | Book editors—United States—Fiction. | GSAFD: Biographical fiction | Historical fiction

      Classification: LCC PS3569.I24 C57 2017 | DDC 813/.54—dc23

      LC record available at https://lccn.loc.gov/2017023530

       To all the listeners and

      creative support people in the world,

       for their invaluable roles in helping

       make great art possible

      We who knew him well know how great he would have been if he had never written a line.

      —Edith Wharton, letter to amanuensis Theodora Bosanquet, March 1, 1916 (two days after Henry James’s death)

      A Note about Style

      Attentive readers of Susan Herron Sibbet’s imagined memoir will notice British spelling, the unusual contractions and punctuation of quotations from fiction by Henry James as published more than a century ago, and the inconsistency of that published style with the style of James’s concurrent handwritten letters, with James’s plays published three decades after the Master’s death, and with the narrative style used by Theodora Bosanquet writing in the late 1950s. Attentive readers will also notice that the afterword, acknowledgments, and notes bring the reader up to modern times through the use of current US style.

      Lady Borton

      Contents

       1. “The Tragic Muse”

       2. “In the Cage”

       3. “What Maisie Knew”

       4. “The Awkward Age”

       5. “The Spoils of Poynton”

       6. “The Story in It”

       7. “The Real Thing”

       8. “The Ambassadors”

       9. “The Saloon”

       10. “The Lesson of the Master”

       11. “The Bostonians”

       12. “The Reverberator”

       13. “The Private Life”

       14. “The High Bid”

       15. “The Outcry”

       16. “A Round of Visits”

       17. “English Hours”

       18. “A Small Boy and Others”

       19. “The Ivory Tower”

       20. “The Sense of the Past”

       21. “The Altar of the Dead”

       22. “The Death of the Lion”

       23. “Henry James at Work”

       24. “The Wings of the Dove”

       25. “The Aspern Papers”

       26. “The Beast in the Jungle”

       Afterword. An Amanuensis for an Amanuensis for an Amanuensis: The Story behind This Book

       Acknowledgments

       Notes

      1