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      The Three Musketeers, by Alexandre Dumas, Pere

       Title: The Three Musketeers

       Author: Alexandre Dumas, Pere

       Release Date: August 12, 2008 [EBook #1257] Last Updated: March 30, 2011

       Language: English

       Character set encoding: ASCII

       *** THE THREE MUSKETEERS ***

       Produced by John P. Roberts III, Roger Labbe, Scott David

       Gray, Sue Asscher, Anita Martin, and David Widger

       THE THREE MUSKETEERS Alexandre Dumas [Pere]

       THE PROJECT EDITOR'S NOTE TO THE PG D'ARTAGNAN SERIES LINKED INDEX OF PROJECT VOLUMES:

       ORDER TITLE PG ETEXT# DATES VOLUME CHAPTERS

       1 The Three Musketeers 1257 1625-1628 1

       2 Twenty Years After 1259 1648-1649 2

       3 The Vicomte de Bragelonne 2609 1660 3 1-75

       4 Ten Years Later 2681 1660-1661 3 76-140

       5 Louise de la Valliere 2710 1661 3 141-208

       6 The Man in the Iron Mask 2759 1661-1673 3 209-269 [Project Etext 1258 listed below, is of the same

       title as etext 2681 and its contents overlap those of two other volumes: it includes all the chapters of etext 2609 and the first 28 chapters of 2681]

       1

       Ten Years Later 1258 1660-1661 3 1-104

       DOWNLOAD INSTRUCTIONS

       Contents

       THE THREE MUSKETEERS AUTHOR'S PREFACE

       1 THE THREE PRESENTS OF D'ARTAGNAN THE ELDER

       2 THE ANTECHAMBER OF M. DE TREVILLE

       3 THE AUDIENCE

       4 THE SHOULDER OF ATHOS, THE BALDRIC OF PORTHOS AND THE HANDKERCHIEF OF ARAMIS

       5 THE KING'S MUSKETEERS AND THE CARDINAL'S GUARDS

       6 HIS MAJESTY KING LOUIS XIII

       7 THE INTERIOR OF "THE MUSKETEERS"

       8 CONCERNING A COURT INTRIGUE

       9 D'ARTAGNAN SHOWS HIMSELF

       10 A MOUSETRAP IN THE SEVENTEENTH CENTURY

       11 IN WHICH THE PLOT THICKENS

       12 GEORGE VILLIERS, DUKE OF BUCKINGHAM

       13 MONSIEUR BONACIEUX

       14 THE MAN OF MEUNG

       15 MEN OF THE ROBE AND MEN OF THE SWORD

       16 IN WHICH M. SEGUIER, KEEPER OF THE SEALS, LOOKS MORE THAN ONCE FOR THE BELL

       17 BONACIEUX AT HOME

       18 LOVER AND HUSBAND

       19 PLAN OF CAMPAIGN

       20 THE JOURNEY

       2

       21 THE COUNTESS DE WINTER

       22 THE BALLET OF LA MERLAISON

       23 THE RENDEZVOUS

       24 THE PAVILION

       25 PORTHOS

       26 ARAMIS AND HIS THESIS

       27 THE WIFE OF ATHOS

       28 THE RETURN

       29 HUNTING FOR THE EQUIPMENTS

       30 D'ARTAGNAN AND THE ENGLISHMAN

       31 ENGLISH AND FRENCH

       32 A PROCURATOR'S DINNER

       33 SOUBRETTE AND MISTRESS

       34 IN WHICH THE EQUIPMENT OF ARAMIS AND PORTHOS IS TREATED OF

       35 A GASCON A MATCH FOR CUPID

       36 DREAM OF VENGEANCE

       37 MILADY'S SECRET

       38 HOW, WITHOUT INCOMMODING HIMSELF, ATHOS PROCURES HIS EQUIPMENT

       39 A VISION

       40 A TERRIBLE VISION

       41 THE SEIGE OF LA ROCHELLE

       42 THE ANJOU WINE

       43 THE SIGN OF THE RED DOVECOT

       44 THE UTILITY OF STOVEPIPES

       45 A CONJUGAL SCENE

       46 THE BASTION SAINT-GERVAIS

       47 THE COUNCIL OF THE MUSKETEERS

       48 A FAMILY AFFAIR

       49 FATALITY

       3

       50 CHAT BETWEEN BROTHER AND SISTER

       51 OFFICER

       52 CAPTIVITY: THE FIRST DAY

       53 CAPTIVITY: THE SECOND DAY

       54 CAPTIVITY: THE THIRD DAY

       55 CAPTIVITY: THE FOURTH DAY

       56 CAPTIVITY: THE FIFTH DAY

       57 MEANS FOR CLASSICAL TRAGEDY

       58 ESCAPE

       59 WHAT TOOK PLACE AT PORTSMOUTH AUGUST 23, 1628

       60 IN FRANCE

       61 THE CARMELITE CONVENT AT BETHUNE

       62 TWO VARIETIES OF DEMONS

       63 THE DROP OF WATER

       64 THE MAN IN THE RED CLOAK

       65 TRIAL

       66 EXECUTION

       67 CONCLUSION EPILOGUE

       THE THREE MUSKETEERS

       AUTHOR'S PREFACE

       In which it is proved that, notwithstanding their names' ending in OS and IS, the heroes of the story which we are about to have the honor to relate to our readers have nothing mythological about them.

       A short time ago, while making researches in the Royal Library for my History of Louis XIV, I stumbled by chance upon the Memoirs of M. d'Artagnan, printed--as were most of the works of that period, in which authors could not tell the truth without the risk of a residence, more or less long, in the Bastille--at Amsterdam, by Pierre Rouge. The title attracted me; I took them home with me, with the permission of the guardian, and devoured them.

       4

       It is not my intention here to enter into an analysis of this curious work; and I shall satisfy myself with referring such of my readers as appreciate the pictures of the period to its pages. They will therein find portraits penciled by the hand of a master; and although these squibs may be, for the most part, traced upon the doors of barracks and the walls of cabarets, they will not find the likenesses of Louis XIII, Anne of Austria, Richelieu, Mazarin, and the courtiers of the period, less faithful than in the history of M. Anquetil.

       But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. Now, while admiring, as others doubtless will admire, the details we have to relate, our main preoccupation concerned a matter to which no one before ourselves had given a thought.

       D'Artagnan relates that on his first visit to M. de Treville, captain of the king's Musketeers, he met in the antechamber three young men, serving in the illustrious corps into which he was soliciting the honor of being received, bearing the names of Athos, Porthos, and Aramis.

       We must confess these three strange names struck us; and it immediately occurred to us that they were but pseudonyms, under which d'Artagnan had disguised names perhaps illustrious, or else that the bearers of these borrowed names had themselves chosen them

       on the day in which, from caprice, discontent, or want of fortune, they had donned the simple Musketeer's uniform.

       From the moment we had no rest till we could find some trace in contemporary works of these extraordinary names which had so

       strongly awakened our curiosity.

       The catalogue alone of the books we read with this object would fill a whole chapter,