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the open sky. He returned to Svit[Pg 43]hiod and related all that he had seen and heard among the Asas; but when he had gone they counselled together, and they agreed to call themselves by those names which they used in relating their stories to Gylfe. These sagas, remarks Gylfaginning, were in reality none but historical events transformed into traditions about divinities. They described events which had occurred in the older Asgard--that is to say, Troy. The basis of the stories told to Gylfe about Thor were the achieve-ments of Hektor in Troy, and the Loke of whom Gylfe had heard was, in fact, none other than Ulixes (Ulysses), who was the foe of the Trojans, and consequently was represented as the foe of the gods.
Gylfaginning is followed by another part of the Prose Edda called Bragaroedur (Brage's Talk), which is presented in a similar form. On Lesso, so it is said, dwelt formerly a man by name AEgir. He, like Gylfe, had heard reports concerning the wisdom of the Asas, and resolved to visit them. He, like Gylfe, comes to a place where the Asas receive him with all sorts of magic arts, and conduct him into a hall which is lighted up in the evening with shining swords. There he is invited to take his seat by the side of Brage, and there were twelve high-seats in which sat men who were called Thor, Njord, Frey, &c., and women who were called Frigg, Freyja,
Nanna, &c. The hall was splendidly decorated with shields. The mead passed round was exquisite, and the talkative Brage instructed the guest in the traditions concerning the Asas' art of poetry. A postscript to the treatise warns young skalds not to place confidence in the stories told to Gylfe[Pg 44] and AEgir. The author of the postscript says they have value only as a key to the many metaphors which occur in the poems of the great skalds, but upon the whole they are deceptions invented by the Asas or Asiamen to make people believe that they were gods. Still, the author thinks these falsifications have an historical kernel. They are, he thinks, based
on what happened in the ancient Asgard, that is, Troy. Thus, for instance, Ragnarok is originally nothing else than the siege of Troy; Thor is, as stated, Hektor; the Midgard-serpent is one of the heroes slain by Hektor; the Fenris-wolf is Pyrrhus, son of Achilles, who slew Priam (Odin); and Vidar, who survives Ragnarok, is AEneas.
8.
THE TROY SAGA IN HEIMSKRINGLA AND THE PROSE EDDA
(continued).
The sources of the traditions concerning the Asiatic immigration to the North belong to the Icelandic literature, and to it alone. Saxo's Historia Danica, the first books of which were written toward the close of the twelfth century, presents on this topic its own peculiar view, which will be discussed later. The Icelandic accounts disagree only in unimportant details; the fundamental view is the same, and they have flown from the same fountain vein. Their contents may be summed up thus:
Among the tribes who after the Babylonian confusion of tongues emigrated to various countries, there was a[Pg 45] body of people who settled and introduced their language in Asia Minor, which in the sagas is called Tyrkland; in Greece, which in the sagas is called Macedonia; and in Crete. In Tyrkland they founded the great city which was called Troy. This city was attacked by the Greeks during the reign of the Trojan king Priam. Priam descended from Jupiter and the latter's father Saturnus, and accordingly belonged to a
race which the idolaters looked upon as divine. Troy was a very large city; twelve languages were spoken there, and Priam had twelve tributary kings under him. But however powerful the Trojans were, and however bravely they defended themselves under the leadership of the son of Priam's daughter, that valiant hero Thor, still they were defeated. Troy was captured and burned by the Greeks, and Priam himself was slain. Of the surviving Trojans two parties emigrated in different directions. They seem in advance to have been well informed in regard to the quality of foreign lands; for Thor, the son of Priam's daughter, had made extensive expedi-
tions in which he had fought giants and monsters. On his journeys he had even visited the North, and there he had met Sibil, the celebrated prophetess, and married her. One of the parties of Trojan emigrants embarked under the leadership of AEneas for Italy, and founded Rome. The other party, accompanied by Thor's son, Loride, went to Asialand, which is separated from Tyrkland by a mountain ridge, and from Europe by the river Tanais or Tanakvisl. There they founded a new city called Asgard, and there preserved the old customs and usages brought from Troy. Accord[Pg 46]ingly, there was organised in Asgard, as in Troy, a council of twelve men, who were high priests and judges. Many centuries passed without any political contact between the new Trojan settlements in Rome and Asgard, though both well remembered their Trojan origin, and the Romans formed many of their institutions after the model of the old fatherland. Meanwhile, Rome had grown to be one of the mightiest empires in the world, and began at length
to send armies into Tyrkland. At that time there ruled in Asgard an exceedingly wise, prophetic king, Odin, who was skilled in the magic arts, and who was descended in the twentieth generation from the above-mentioned Thor. Odin had waged many successful wars. The severest of these wars was the one with a neighbouring people, the Vans; but this had been ended with compromise and peace. In Tyrkland, the old mother country, Odin had great possessions, which fell into the hands of the Romans. This circumstance strengthened him in his resolution to emigrate to the north of Europe. The prophetic vision with which he was endowed had told him that his descendants would long flourish there. So he set out with his many sons, and was accompanied by the twelve priests
and by many people, but not by all the inhabitants of the Asia country and of Asgard. A part of the people remained at home; and among them Odin's brothers Vile and Ve. The expedition proceeded through Gardarike to Saxland; then across the Danish islands to Svithiod and Norway. Everywhere this great multitude of migrators was well received by the inhabitants. Odin's superior wisdom and
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his marvellous skill in sorcery,[Pg 47] together with the fact that his progress was everywhere attended by abundant harvests, caused the peoples to look upon him as a god, and to place their thrones at his disposal. He accordingly appointed his sons as kings in Saxland, Denmark, Svithiod, and Norway. Gylfe, the king of Svithiod, submitted to his superiority and gave him a splendid country around Lake Maelar to rule over. There Odin built Sigtuna, the institutions of which were an imitation of those in Asgard and Troy. Poetry and many other arts came with Odin to the Teutonic lands, and so, too, the Trojan tongue. Like his ancestors, Saturnus and Jupiter, he was able to secure divine worship, which was extended even to his twelve priests. The religious traditions which he scattered among the people, and which were believed until the introduction of Christianity, were misrepresentations spun around the memories of Troy's historical fate and its destruction, and around the events of Asgard.
9.
SAXO'S RELATION OF THE STORY OF TROY.
Such is, in the main, the story which was current in Iceland in the thirteenth century, and which found its way to Scandinavia through the Prose Edda and Heimskringla, concerning the immigration of Odin and the Asas. Somewhat older than these works is Historia Danica, by the Danish chronicler Saxo. Sturlason, the author of Heimskringla, was a lad of eight years when Saxo began to write
his history, and he (Sturlason) had[Pg 48] certainly not begun to write history when Saxo had completed the first nine books of his work, which are based on the still-existing songs and traditions found in Denmark, and of heathen origin. Saxo writes as if he were unacquainted with Icelandic theories concerning an Asiatic immigration to the North, and he has not a word to say about Odin's reigning as king or chief anywhere in Scandinavia. This is the more remarkable, since he holds the same view as the Icelanders and the chroniclers of the Middle Ages in general in regard to the belief that the heathen myths were records of historical events, and that the heathen gods were historical persons, men changed into divinities; and our astonishment increases when we consider that he, in the heathen songs and traditions on which he based the first part of his work, frequently finds Odin's name, and consequently