Nickolay Popov
Cover designer Vija Malova
© Nickolay Popov, 2020
© Vija Malova, cover design, 2020
ISBN 978-5-4498-5111-6
Created with Ridero smart publishing system
NICKOLAY POPOV
The Doll
stories of fantastic and
everyday matters
Michurinsk 2020
Попов Н. Е.
Кукла
2020 – с.:ил.
Commentary
A few words about the stories. All of them in due time had been published in the newspaper Nashe Slovo. I am grateful for it then to the executive secretary Michael Philippov, who is deceased now. God rest his soul. He tried to draw me into the bustle of a newspaper gently as he could, prompting topics for articles; at any time he’d been finding a minute or two to talk on business or simply heart-to-heart conversation. My first story The Guest, reworked a bit at the request of Michael, was published as a whole, despite the shortage of newspaper strips. The local newspaper in those years went to the book format; a computer layout has been applied, and this attracted me very much. Philippov knew about it, and realized that the author wants to see his thing printed in a book format. I wrote a little, as always, social, cultural and even religious questions required some evaluation or discussion. Sometimes I offered film critique. Executive secretary flattered me: “Nickolay, you write not often, but you will be read by everybody.” He used to say it in order to push me to new materials and stories.
Out of all placed here short stories I want to highlight the one: The Doll, a pamphlet of fantastic content on social and political theme. The real book by Eric K. Drexler served as a material for the story. Drexler E.K. is a graduate of the Massachusetts Institute of Technology. Engines of creation is the title of his book. The book itself was published in the U.S. in 1986. Eric Drexler worked in the Laboratory of space systems of the same institute. In August 2005 Drexler joined Nanorex, a molecular engineering software company based in Bloomfield Hills, Michigan. Engines of creation shows a broad and complete picture of the greatest revolution in the history of science and technology, which, in author’s opinion, can occur in the first half of XXI century as a result of the development by mankind an alternative technology for production of products by assembling them literally over the atoms!
This refers to the so-called nanotechnology. Nano… who does not know, means small; word-for-word translation from Greek – dwarf. So nanocomputers and nanomachines, which will enable the indicated above assembly of products over natural “bricks”, i.e. atoms. What would come of it, read the story Doll. And who will be interested in the book Engines of creation, can look it on the Internet. Its full name is: Drexler E.K. Engines of Creation Garden City (N.Y.). – Anchor Press. – 298 p.
Human curiosity knows no bounds. We are getting closer to the mysteries of nature. The truth is out there. But here’s the trouble: good intentions pave the road to hell. Do not forget the wise idea. And in this sense, our pamphlet Doll can be called a warning to humanity since wonderful Engines of Creation can be easily turned into Engines of Destruction, depending into whose hands they fall. Did the scientist from Massachusetts think over it? We do not know. May be I’m behind the times now. But. To tell the truth, over the past fifteen years I have heard of nanotechnology and nothing about assemblers, replicators and other accessories of modern shaping. It is possible that the technology had already been tested and approved. In any case, it is quite dangerous, because nuclear weapons fade before a new formidable force.
So as not to finish on a sour note; I want to add that in the end, it’s just a fantasy, a virtual world.
We know that everything is transitory, and Love is eternal. Take a look out of the window: there is certainly good weather or not good, it’s raining or snowing, the sun shines, and perhaps romantic moon, patroness of lovers. Outdoors, say, March or April. In the mornings, caught by light frost, still snow is crunching. And in the daytime on warm islands of land green grass stretches into the light, the birds pour marriage songs and your heart is sweetly shrinking in the chest pending of joyful anticipations.
Michurinsk
March 17, 2020
the doll
fantastical pamphlet
“What is it?” – “Ananas.” – “May one eat it?” – “Yes, of course. Dad came back from Spain. Navat, he brought me a video camera!” – “You’re happy, Hermes. And my stepfather cannot repair the boat; two months have already passed. He is a good kind chap, but he has no money for a new motor. We cannot put to sea for fish.” – » Do not worry, Navat. Dad says that soon he will be the head of the Ministry. I will help you, certainly! You will have a new motor.” – “Thank you, Hermes, and what will you be when you grow up?” – “I’m going to work.” – “Why? You have everything.” – “Navat, I want you and your stepfather both and everybody like you to live a little better, and every person wishing could work, too. Moreover I want that uncle Semey who lives in our backyard, no longer cursed my father and every morning no longer raked in a container with garbage. What are you going to do, Navat, when you grow up?” – “I will become as rich as your father…”
Eugene turned the monitor off and then on again. The line appeared on the screen: “… true”. Again this inscription, he thought. Where did it come from? The line disappeared. What could this clip be true? The only thing that could be really true – the name of the boy of ancient Greece. The name of the second boy, we can say almost biblical – Navat. On the whole this video clip or maybe the film resembles black-and-white scenes 60’s, except that the camera when shooting, apparently as if on purpose was stuck in one place. And the inscription. It appears for a few seconds anywhere in the plot, one has only to turn off and on afresh the monitor.
First of all Eugene “ferried” computer’s databank of his father to his own computer before being moved to a new apartment from the old house in the north-western area, where he lived with his aunt for a long time. Shortly before her death, Eugene’s aunt opened the safe, and along with the keys handed an envelope to his nephew, saying that it was time to get acquainted with it. In the envelope on a piece of embossed paper was an encryption. As it turned out after, it was the entry code in the computer storage. And when Eugene not without difficulty calculated it on the keyboard of his own Hitachi, he landed in the infinite world of information hitherto hidden in the chips and microprocessors of Japanese design.
In the database the file where Eugene discovered a video clip in the service table was listed at number 38079. Refer to the table; Ghenya drew attention to the fact that the individual code numbers periodically used to change its color. At first he did not attach any importance to this and choose to view the files at random. But then somehow unconsciously began to gain those numbers that either changed color, or just flickered on the table. All nights long he wore out by sitting at the screen while listening to Tom MacMurfee’s lectures about new technology shaping, about achievements in the field of genetic engineering, of biotechnology, assemblers and nanocomputers. And when the number 38079 was displayed in a black frame, Eugene finally caught himself that therein some program is working with him.
He saw a video for the first time. The plot lasted exactly seventeen minutes. May be, seventeen minutes for a clip were a lot, but for the real movie were not enough. Anyway, every evening began with a film-plot; moreover