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Автор: active 1854-1890 John Werge
Издательство: Bookwire
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Жанр произведения: Документальная литература
Год издания: 0
isbn: 4057664636690
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       active 1854-1890 John Werge

      The Evolution of Photography

      With a Chronological Record of Discoveries, Inventions, Etc., Contributions to Photographic Literature, and Personal Reminescences Extending over Forty Years

      Published by Good Press, 2019

       [email protected]

      EAN 4057664636690

       PREFACE.

       INDEX.

       INTRODUCTION.

       FIRST PERIOD.

       THE DARK AGES.

       SECOND PERIOD.

       PUBLICITY AND PROGRESS.

       THIRD PERIOD.

       COLLODION TRIUMPHANT.

       FOURTH PERIOD.

       GELATINE SUCCESSFUL.

       CHRONOLOGICAL RECORD

       INVENTIONS, DISCOVERIES, PUBLICATIONS, AND APPLIANCES, FORMING FACTORS IN THE INCEPTION, DISCOVERY, AND DEVELOPMENT OF PHOTOGRAPHY.

       CONTRIBUTIONS TO PHOTOGRAPHIC LITERATURE.

       BY

       JOHN WERGE.

       PICTURES OF NIAGARA.

       PICTURES OF THE ST. LAWRENCE.

       PHOTOGRAPHIC IMPRESSIONS.

       PICTURES OF THE POTOMAC IN PEACE AND WAR.

       RAMBLES AMONG THE STUDIOS OF AMERICA.

       Boston.

       New York.

       TO DUBLIN AND BACK, WITH A GLANCE AT THE EXHIBITION.

       PHOTOGRAPHY IN THE NORTH.

       ERRORS IN PICTORIAL BACKGROUNDS.

       PERSPECTIVE.

       PERSPECTIVE IN BACKGROUNDS.

       NOTES ON PICTURES IN THE NATIONAL GALLERY.

       SHARPNESS AND SOFTNESS V. HARDNESS.

       UNION OF THE NORTH AND SOUTH LONDON PHOTOGRAPHIC SOCIETIES.

       UNION OF THE LONDON PHOTOGRAPHIC SOCIETIES.

       THE SOCIETY‘S EXHIBITION.

       THE USE OF CLOUDS IN LANDSCAPES.

       THE USE OF CLOUDS AS BACKGROUNDS IN PORTRAITURE.

       “LUX GRAPHICUS” ON THE WING.

       “LUX GRAPHICUS” ON THE WING.

       “LUX GRAPHICUS” ON THE WING.

       “LUX GRAPHICUS” ON THE WING.

       PHOTOGRAPHY AND THE IMMURED POMPEIIANS.

       A SIMPLE MODE OF INTENSIFYING NEGATIVES.

       A STRING OF OLD BEADS.

       LIGHTS AND LIGHTING.

       Table of Contents

      No previous history of photography, that I am aware of, has ever assumed the form of a reminiscence, nor have I met with a photographic work, of any description, that is so strictly built upon a chronological foundation as the one now placed in the hands of the reader. I therefore think, and trust, that it will prove to be an acceptable and readable addition to photographic literature.

      It was never intended that this volume should be a text-book, so I have not entered into elaborate descriptions of the manipulations of this or that process, but have endeavoured to make it a comprehensive and agreeable summary of all that has been done in the past, and yet convey a perfect knowledge of all the processes as they have appeared and effected radical changes in the practice of photography.